An interesting report into heritage in danger in Dhaka, Bangladesh and ‘The Urban Study Group’ set up in 2004 to raise awareness of these significant buildings.
An interesting report into heritage in danger in Dhaka, Bangladesh and ‘The Urban Study Group’ set up in 2004 to raise awareness of these significant buildings.
Have a look here too for another report on the AHRC/ICHR meeting in Delhi: http://news.liv.ac.uk/2015/03/16/world-view-cultural-heritage-rapid-urbanisation-india/
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This special lecture day will take place in the Grade 1 Listed Building at Impington Village College – the only public commission in the UK by Gropius. Walter Gropius (1883 –1969), Architect and founder of The Bauhaus School, is widely regarded as one of the pioneering masters of modern architecture.

The lecture day will bring together experts from different fields to discuss the influence of Gropius’ work at Impington and how his work which penetrated the wider world is still significant today. There will be presentations on the built environment in the 1930s, conservation principles and the impact of modernist architecture on practice today. Speakers include leading Architectural Historian Dr Alan Powers, English Heritage and RIBA Architects. There will include a tour of the building, an introduction about Henry Morris and panel discussion.
There is more detail about the programme on this brochure: Gropius Flyer
The AHRC, with the Indian Council for Historical Research and the British Library, invites expressions of interest to attend a workshop on cultural heritage and rapid urbanisation in India. The event will bring together academic experts from both countries to address an issue of growing importance as India seeks to preserve and position its rich cultural history within the context of an emerging urban landscape.
It will draw on a range of disciplinary perspectives including urban history, heritage, languages, the digital humanities and archaeology. The development of longer-term collaborations and impacts, including possible links to other Newton programmes, wider inter-disciplinary UK-India research forums and subsequent funding bids, is one of the key objectives of the workshop.
There is lots more detail here: http://www.ahrc.ac.uk/Funding-Opportunities/Pages/Workshop-on-Cultural-Heritage-and-Rapid-Urbanisation-in-India.aspx
I’ve been interested in the work of Patrick Abercrombie for some time now. His 1943 London County Plan (developed with John Forshaw) was a war-time best seller and is filled with wonderful drawings and coloured plans that I enjoy looking at, and I frequently cycle past the white rendered late Georgian house in Oxton that he used to live in. This is a quick post to show some of the material I’ve uncovered to date.
Figure 1 Patrick Abercrombie
In addition to developing several plans for UK cities, he also produced a plan for Dublin, but far less known is the work he did in Sri Lanka in the 1940s and 1950s. It is this work that I’m currently (and very slowly/intermittently) researching. He prepared a a regional plan for Colombo in 1948 working with a local architect Oliver Weerasinghe (Government Town Planner, b?-1980), as well as editing the town planning policy for the city. In their report they noted,
‘The re-planning and re-construction of the slum areas of Colombo and the obsolete parts of the built-up areas of the city to meet present day requirements is also a regional planning problem of first importance. The adoption of lower housing densities and greater recreational open space in these re-planning schemes will leave an “overflow” population which will have to go outside the existing built-up areas.’
To accommodate the ‘overflow’ population they proposed to build three towns at Ratmalana, Homagama and Ragama. Each town, located around 10 miles from the centre of Colombo and linked together via a ring-road was each to accommodate around 40,000 residents.
I’ve found the broad planning proposal they proposed for Colombo, along with some photographs of the three settlements prior to their development.
Figure 2 Colombo Regional Development Plan: New towns coloured in magenta.
Figure 3 Ratmalana New Town, as existing.
Figure 4 Homagama New Town, Hospital prior to development
Weerasinghe and Abercrombie also worked on the Anuradhapura preservation scheme together, developing a plan in 1942 that was subsequently developed post-war with a view to preserving the ancient temples and monuments as well as developing new housing proposals for the town.
Figure 5 Proposed plan for Anuradhapura
Weerasinghe was one of the first qualified engineers in Sri Lanka. He studied at Cambridge, and later as one of Abercrombie’s Civic Design students at Liverpool (which explains their subsequent collaboration). After practicing as Government Planner he served as Sri Lanka’s Ambassador to the United States in the 1960s before returning to his planning roots as an Inter-Regional Advisor in Urban Development of the United Nations (1971-1973), working in the Middle East, Africa and the Caribbean. From 1974 he continued as a UN development consultant.
Figure 6 Oliver Weerasinghe
How do we teach the global history of architecture? What should we include in our classes and where can we gather the information, knowledge and sources that enable meaningful narratives to emerge? Is the global survey course even possible, or should we be utilising distinct and precise case studies to discuss the global condition instead?
These are just some of the questions that Global Architectural History Teaching Collaborative is attempting to answer as well as to create a community of scholars who will share and exchange knowledge to change the way we think about the history of architecture.. The GAHTC has been established by Mark Jarzombek and Vikramāditya Prakāsh with funding provided from Andrew W. Mellon Foundation, see http://gahtc.org for more information.
Grants are available for teaching teams to develop new teaching material and modes of teaching that deal with global history, from the beginning of time to the modern. This is a major challenge, but very exciting. In the current round of grants 9 teams have been accepted with the following ambitions:
At the first workshop, held in MIT (9th and 10th October 2014), each group gave a presentation that outlined their position and ambition. Most also proposed a distinct module of lectures/seminars and a discussion/critique followed. Day two was composed of a number of workshops that discussed ‘Deliverables and Digitisation’, ‘Pedagogy’, ‘The problem of teaching architecture made before 1800’, and ‘future ambitions’. A digital resource has been developed that will contain some of the data: http://www.timescape.io/login
Team Daniel Barber became known as the ‘Climate group’ – which is a perfectly accurate and succinct way of describing us, with the caveat that climate is not the only factor to determine the architecture we’re interested in.
We are proposing six themes/lectures, each to be lead by one team member:
“Architecture without Architects” and the Timeless Climatic Type [Albert Narath]
Colonial Architecture and Climate in Africa and Asia [Ola Uduku]
Sanitation, climate and statecraft in colonial societies [Iain Jackson]
Modernism, Climate, and Post-colonial development [Rachel Lee]
Universal Science and International Architecture after World War II [Daniel Barber]
Air Conditioning Takes Command [Jiat-Hwee Chang]
TAG will continue to track the developments of GAHTC and to report on future developments…
The Follies of Empire world make a good book title and topic for future study. Buildings, or rather monuments have frequently been deployed as tangible metaphors of political ideology. Throughout the territories of the British Empire we encounter structures that were certainly folly, sometimes extending to the scale of an entire city, as New Delhi designed by Edwin Lutyens and Herbert Baker from 1911 demonstrates. The Victoria Memorial in Calcutta designed by William Emerson from 1906 would also qualify; a palatial white marble pile built in a classical style and decorated with a blend of ornamentation dedicated to the late Queen. Calcutta grew into a major trading port and capital of British India after the East India Company set up a trading post off the Hooghly River in 1690. Throughout the 18th Century the port grew into ‘the second city of Empire’, suitably grandeur and packed with suave mansions and gardens that lined the river. Traders and merchants made vast fortunes and were able to fund lavish lifestyles in Palladian inspired mansions in the exclusive Garden Reach and Alipore districts of the city. Although trade bloomed, fortunes were made and honours bestowed, the city was renowned for its malaise and disease, and many afflicted British visitors spent the last days of their brief lives in India.
Victoria Monument, Kolkata
A Scottish cemetery was created, as well as one for the English, which is the focus of this article. The cemetery opened in 1767, ten years after the Battle of Plassey, which cemented British control over Bengal. The dead were taken via raised causeway to what were then, the outskirts of the city, away from the River and into marshy land. Illuminated by torchlight, the ceremonies took place after dark and the coffin was carried out to the cemetery, sometimes accompanied by canon fire.
A brief time on earth did not limit the size of one’s mausoleum nor the tributes bestowed, and the demand for plots in the cemetery resulted in rather cramped conditions with ever-extravagant tombs, temples, obelisks, pyramids and rotundas competing for attention and space.

South Park Street Cemetery
Today, the cemetery is surrounded by the mega-metropolis of Kolkata, its walls clad with advertisements and hoardings, an encroachment that reveals the prime real-estate value of fashionable Park Street.
The entrance is a portal into another world, an overgrown necropolis of dilapidated and listing tombs held together in some cases by creepers and vines. The sunlight is diffused through the trees and their shade and cooling effect creates a calm and suitably peaceful setting for exploration, aided by a grave register and plan obtained at the entrance for 100 Rupees. The pleasure of reading about the cemetery’s occupants, the sometimes delightful (occasionally hyperbolic) descriptions of their personalities and feats is only matched by the staggering collection of mausoleums to discover. Elizabeth Jane Barwell is noted as being the ‘The Celebrated Miss Sanderson’, prior to her marrying a ‘Richard Barwell Esq.’ who died ‘aged about 23 years’ and was noted as being ‘The Friend of Warren Hastings’. Colonel Charles Russell Deare’s demise was to be ‘slain by cannon-ball at the storming of Tippoo Sultans Stronghold at Santinungulam’. Others are less dramatic but reveal something of the everyday activities, such as Gregory Jackson’s inscription from 1815, ‘Many years Company agent for loading and unloading the Honorable Companys Ships at Kedgeree’. Colesworthy Grant, died in 1880, is remembered for being the founder of the Calcutta Society for the Prevention of Cruelty to Animals. In some cases we no longer know who is interned in these exaggerated structures; a sad and slightly ironic situation as these monuments were intended to immortalise and suspend the transient.

South Park Street Cemetery
Two tombs stand out, both in terms of design and their occupants. The extremely large elongated white pyramid-cum-obelisk in the centre of the cemetery houses Sir William ‘Orientalist’ Jones, the founder of the Asiatic Society, Sanskrit scholar and judge. A far humbler tomb, but perhaps more interesting is that for eccentric Irishman, Major-General Charles Stuart. Known as ‘Hindoo Stuart’, because he adopted the local way of life, including bathing in the Ganges, wearing of Indian clothes and adopting the Hindu faith (yet is curiously buried in a Christian cemetery). He also wrote a tract encouraging European women to adopt the sari whilst in India. His tomb resembles a small Hindu temple, and contains some of the sculptures and idols he collected. It is a delightful and playful addition. The remaining sculptures from Stuart’s collection are now housed in the British Museum as part of the Bridge .
‘Hindoo’ Stuart’s Tomb South Park Street Cemetery
Orientalist Jones’ Obelisk South Park Street Cemetery
The cemetery was at one point completely neglected and overgrown with vegetation, wildlife and some of the tombs were even being used as shelters for the living. Thankfully the British Association for Cemeteries in South Asia and the Calcutta Historical Society are now actively involved in repairing and maintaining the cemetery. The main paths through the graveyard are clear, but the burial plots have a forgotten jungle settlement feel. Most of the tombs are constructed in brick and then rendered, which is no match for the monsoons and extreme temperature changes. The Bengal delta is alluvial mud and stoneless, so any stone used had to be expensively shipped from Madras, and marble was ransacked and recycled from the ancient ruined capital of Gaur. Some of the tombs have now collapsed and others are charming, but vulnerable, ruins. A programme of restoration is underway and recent renovations are showing real promise, although Jones’s sepultura has been rather enthusiastically restored, painted in a glaring white, complete with a red rubber floor finish around its perimeter.
In addition to the inscriptions and architecture, many of the tombs have carved decoration including the skull-and-crossbones, anchors, winged hourglass, and upturned torches, as well as the usual urns.
French Mansion, Chandernagore
The British presence in India is well known; less so is that of the French. Pondicherry was their major trading settlement in the south of India, but 20 miles north of Kolkata is another French outpost called Chandernagore. Although most of India was under British control various trading post concessions were granted to other nations. Chandernagore is a small town located on the banks of the river and contains an eleaborate landing stage as well as some exquisite baroque mansions.
Landing Stage, Hooghly River, Chandernagore
It too has a cemetery. Although not as grandiose as Park Street and in a worse state of repair, it contains some notable mausolea, and a rather good temple (almost Doric but not quite), that is built in ashlar and has weathered more gracefully than its neighbours. The cemetery has recently been extensively catalogued but there seems to be little funding available for preservation and restoration.
French Cemetery, Chandgernagore
A version of this article appeared in Follies Magazine, Autumn 2014, issue 89, p.4-5
Iain Jackson and Peter Richmond have been awarded a research grant from the RIBA to investigate the work of Herbert James Rowse (1887–1963). He was without doubt one of the most outstanding architects of his generation and through his work on a number of high-profile commissions he shaped the inter-war cityscape of Liverpool in a way that no other architect has done since. Whilst the trajectory of the evolution of his stylistic preferences can be clearly traced in the work he undertook in Liverpool, his output was not confined to the city and in the course of his career, he worked on major projects in Britain, Europe, Asia and North America. After local pupillage, in 1905 Rowse entered the school of architecture at Liverpool University, where Charles Reilly had just been appointed Roscoe professor.
Mersey Tunnel Ventilation Shaft, Liverpool, 1931-
Gaining a first-class certificate in 1907, Rowse was also the joint winner of the Holt travelling scholarship, which took him to Italy and started a lifelong interest in Italian Romanesque and Renaissance architecture. A set of measured drawings arising out of his Italian studies won him an honourable mention in the silver medal competition of the RIBA in 1910. In the same year he became an associate of the RIBA whilst employed as an assistant to Frank Simon, who in 1912 had won the competition for the Manitoba parliament building. Rowse worked in Simon’s Winnipeg office in 1913. He also travelled extensively throughout North America and worked briefly in Chicago and New York. On his returned to Liverpool, Rowse opened his own practice in 1914 and during the First World War he worked for the Admiralty designing ‘purely functional buildings’.

Woodside Tower for Mersey Tunnel, Birkenhead, 1931-
Following the War, he re-launched his practice with a commission for the Fairrie sugar refinery in Liverpool. Rowse’s competition-winning design for the Liverpool shipping office (the India Buildings) in 1924 was the first among a series of large-scale commercial commissions in the city, often carried out in partnership with other individuals or firms; these included Martins Bank (1927–32), Lloyds Bank (1928–32), and the Bibby Shipping Line offices (1930). The Lloyds Bank branch in Church Street was in Italian Romanesque, while for bigger buildings Rowse used a rich, eclectic classicism, often with a distinct American Beaux-Arts flavour – a style that was simultaneously being promoted by Reilly at the Liverpool School. In 1931 he was appointed consultant to the Mersey tunnel authority, and designed the tunnel approaches, arched entrances, and ventilation towers. The largest tower housed the tunnel authority offices, and was a distinguished addition to the group of tall buildings at Liverpool’s pierhead; whilst the Woodside tower on the Cheshire side of the Mersey won Rowse the 1937 RIBA bronze medal. His tunnel authority schemes featured low-relief sculpture and art deco work, leaning towards the stripped classical style favoured by both European totalitarian regimes and American New Deal designers. At this time Rowse was working closely with Tyson Smith, Liverpool’s leading modern sculptor.
The Philharmonic Concert Hall (1936–9), with its simplified brick massing and its restrained decoration, was much closer to mainstream European modernism, and is apparently inspired by W. M. Dudok. It was this approach which informed his designs for the British pavilion at the Empire Exhibition, Glasgow (1938), the Pharmaceutical Society headquarters in Brunswick Square, London (1937), and the Pilkington Glass Company offices in St Helens, Lancashire (1938–9) all of which displayed similar Dudokian influences combined with American Streamline Moderne styling. War again frustrated Rowse’s professional career just when he was beginning to win substantial commissions outside Liverpool. In 1947 he completed the Pharmaceutical Society building (now London University’s pharmacy school) and secured the Woodchurch cottage housing scheme, in Wirral, upstaging his mentor Charles Reilly with a scheme ‘traditionally English in character … modified to suit contemporary limitations and resources’. Woodchurch was one of the biggest regional projects in the era of post-war austerity, and won Rowse a bronze medal for housing from the Ministry of Health. However, the architect resigned before completion, following a dispute with the client. Rowse designed diplomatic buildings at Delhi and Karachi in 1951. He also advised the Belgians on post-war reconstruction, and was awarded the Order of Leopold II in 1950. However, he took no further recorded part in British practice until he won the competition for the renovation of the ‘Rows’ in Chester (with Thomas Harker) just before his death in 1963.
Viviana d’Auria, The Journal of Architecture Volume 19, Issue 3, 2014
This paper considers the case of late-colonial and ‘transitional’ Ghana (1945–57) to qualify the way in which ‘native’ dwelling practices were harnessed for housing design. Theories about the ‘colonial modern’ have underpinned the ambivalence of residential schemes and urbanisation strategies developed during decolonisation by modernist architects. Most documented among these is work in North Africa, with projects from Casablanca and Algiers taken as the epitome of how modernism memorably embraced the vernacular to amend its tenets in the early 1950s; however, British involvement in the colonies has more commonly been documented in relation to the tropical architecture canon, with a focus on institutional buildings rather than housing projects, especially in West Africa. Housing design, on the other hand, makes manifest the significance of the social and cultural dimensions as a basis for housing and urbanism during decolonisation in Ghana, downplayed to date because of a focus on climatic and economic factors. Projects by Fry, Drew, Drake and Lasdun, and by Alfred Alcock and Helga Richards, are discussed to gauge the extent of transcultural exchange while socio-economic surveys, experiments in building science and anthropological studies increasingly inspired the design process.
Read the full article here: http://www.tandfonline.com/eprint/feTHdMSVJgz2GHV5Biux/full
Short Notice: but please do submit an abstract….
We are pleased to announce a call for papers for the second ETIC International Workshop:
Meeting Places: The City as a Space of Cross-cultural Encounter
Friday 12th – Saturday 13th September 2014
University of Liverpool, UK
Please see CallforPapers for more details.