The Architectural History of Postcolonial West African Universities
Adefola Toye is a PhD student at the University of Liverpool, co-supervised with The National Archives through a Collaborative Doctoral Partnership scheme. Her research examines university architecture in mid-twentieth-century Nigeria, tracing how campus design and construction shifted as political control transferred from colonial to independent governments.
The post-war period saw a wave of university building across British West Africa, funded through Colonial Development and Welfare Acts and overseen by the Inter-University Council for Higher Education in the Colonies. University College Ibadan, designed by Maxwell Fry and Jane Drew, is the most widely studied example. But Adefola’s research moves beyond Ibadan to less well-known institutions: the Nigerian College of Art, Science and Technology (1951) and the four universities established immediately after independence in 1960, including Ahmadu Bello University, Obafemi Awolowo University, and the University of Lagos.
In this post for The National Archives, Adefola discusses how she has used colonial records at Kew to study these institutions and their built environments. She also addresses a problem central to any archival study of this period. As independence approached, British oversight diminished and documentation thinned out. The Colonial Office files become sparser, and the story can only be reconstructed by working across multiple archives and geographies, from the National Archives of Nigeria to the Bodleian Library in Oxford and Michigan State University. Her argument is clear: no single archive can sustain a full account of how these campuses were planned, negotiated, and built. The research demands a multi-archival and transnational approach.
Congratulations to Adefola on successfully defending her PhD on 8th May 2026.
We returned to Accra to take down the Kingsway Stores exhibition. It’s currently in storage at the emerging and wonderful Si Hene Foundation. The future of the exhibition is quite exciting – the details are still being resolved, but it’s certainly going to travel around Ghana and onto Nigeria (details to follow – and we’ll post updates here). Si Hene has it’s own collection of Kingsway archive material too – so it’s the ideal spot. The exhibition was dismantled and transported on the motorbike-truck.
I gave a talk to the archivist-curator-artists at Si Hene on our work, methods, practice and community engagement. This was great fun and the quality of the projects being produced here is astonishing.
After dismantling the exhibition there was time to search out some new, old, and modified structures. First on the list was the School of Law from 1959. Designed by Zdzisław Borysowicz of Nickson and Borys. I came across an archival image of the building in the Borys archives – and was eager to visit…
The kind people at the School allowed us to explore and take some photos.
Check out the curved brise soleil – how was this cast with such accuracy? It’s a similar size and proportion to the nearby Library also designed by Borys – but this time curved. This would involve some very tricky and geometrically complex formwork and there doesn’t appear to be a climatic/comfort reason for doing so? There was also the usual terrazzo and concrete with crustacean aggregate – all carefully finished. The most dramatic part of the design is the zig-zag concrete solar shading. This is projecting from the main facade – and appears to hang, unsupported. It’s audacious and brave. There’s new glazing been added behind, but the overall effect is just about retained… The brise Soleil features on the south and north facing facades – was tropical modernism becoming more of a ’style’ than a pragmatic solution by this stage?
Borys designed some of the finest buildings in West Africa. In Accra alone this includes the library, Padmore Memorial Library, PRAAD, Court extension, the law school – and as we went onto see, some excellent housing too.
There’s a fascinating villa in the Borys archive. It’s a house for “Mr and Mrs Pepera, Accra, Ghana”. Pepera was an industrialist and business owner and his family owned some large plots of land across the city. He commissioned Borys to design a house on Switchback Road in Accra. One of the facades contains a distinct mosaic mural. With the help of Allotey Bruce Konuah the family told us that the house had been redeveloped, but the mural survived. We went to take a look. It seems that the house has been rebuilt in a similar style and the mural has either been remade, or possibly partially preserved.
There’s a few other interesting dwellings on the same stretch of Switchback Road – how long they’ll remain isn’t certain – the land value and rapid development is forcing vast highrise construction here and these villas set within large landscaped gardens are at risk.
There are some smaller clinics and hospitals along this road too, with accompanying residences.
The new @adjayeassociates offices opened earlier this month in Accra. It’s an impressive structure with generous interior and exterior spaces for exchanges, meetings, displays, and studios. The gallery contains some of the most beautiful and carefully crafted models we’ve seen.
Stabilised rammed earth (swishcrete) features heavily on the exterior – mirroring the marble clad vertical fins and approach of Lasdun’s Takoradi bank . The most startling aspect of the design is the decision to raise the structure up from the ground level. The structural span is vast and courageous, with the entirely building appearing to perch on a large round concrete drum form at one end (it’s a kind of inhabitable piloti containing a fire escape). It’s quite an unusual gesture to only use as a means of escape.
The structural solution is impressive – but it left me wondering why was it done? Is it referencing the modernist piloti concept, or the colonial bungalow model, or perhaps the former US embassy in Accra ? The underpass could make for a great outside studio, exhibition space, or a spot for a planted garden and evaporation pool – but it’s only used to provide shade for parked cars at the moment… Perhaps the landscaping and activation of the space will follow – it takes time to bed into a space like this – and the roof garden and kitchen makes up for it with views to the ocean and across the city.
Going back to the ‘rammed earth’ – it would be good to know the cement content. Are we really dealing with a pigmented concrete solution here rather than adobe ?
Very grateful @phelim_owusu for kindly giving us a tour and to @k_of_i for organising the visit.
Finally a visit to the Danish embassy – a villa set in gardens in North Ridge. Architect unknown – but a careful design that blended the garden and interiors – perfect setting for the art exhibition, performance, and gathering.
Our new monograph on the city of Freetown, Sierra Leone has (finally) been published – open access and you can download it here. It’s a major output stretching to 240 pages across a chunky 250x250mm format and is the third book in our series on sharing the archives of the United Africa Company. The other two books are on Kingsway Stores and The Photocard collection.
Photocard and Kingsway catalogue
Our approach in Freetown was to identify and write brief historical narratives on the city’s development using archival photographs mainly from the Unilever UAC collection, alongside recent photographs. Archival work took place at Unilever, Bodlean Library, UK National Archives, as well as at Fourah Bay in Freetown – and this informed our fieldwork and photography. The approach is a classic ‘before and after’ set of images with descriptions. There isn’t an architectural guide book or detailed study of Freetown and it’s architecture – which is quite shocking considering the quality of the work and the architects involved (including Nickson and Borys; Jame Cubitt; Ronald Ward and many others….)
Freetown An Architectural Gazetteer
As well as covering the major buildings in the city we include an extended essay on Fourah Bay College, and a write up on Bonthe at Sherbro that we were fortunate to visit. We’re particularly proud of the Bonthe work – and there is certainly a lot more research to undertake into its history and architecture.
New research update : Ali, N., Idowu, G. Demolition-driven urbanism and the loss of coastal heritage in Makoko, Lagos. Nat Cities (2026). https://doi.org/10.1038/s44284-026-00411-5
“Makoko is a nineteenth-century fishing neighborhood and major small-scale business hub in Lagos, Nigeria. It is located on prime land in the Yaba local government area. An estimated 250,000 people live there, on top of stilted housing on water and concrete structures on land. Water-based residents are predominantly from the Egun minority group, and land-based residents are largely Yoruba. Following a demolition in 2012, the community’s baales (chiefs) and the Lagos state government signed a memorandum of understanding in 2014. The memorandum of understanding stipulated, among other provisions, the removal of structures within 100 m of the high-voltage power line that traverses Makoko. Although contested, the agreement functioned as a provisional settlement between customary governance and state authority.
Now, this memorandum of understanding has been broken. Since 23 December 2025, the Lagos state government has demolished an estimated 3,000 homesin Makoko’s waterfront areas, extending well beyond the agreed perimeter (based on conversations with residents and video and photographic evidence between 5 and 20 January 2026). The progressive expansion of the demolition zone — from an initially negotiated, legally proscribed 30 m to an arbitrary 522 m from the power line— highlights a governance approach characterized by shifting spatial criteria and insufficient procedural transparency. During the past three years, the stilted houses on the waterfront have steadily expanded towards Third Mainland Bridge, as seen on ArcGIS — which does not explain the transgression of the agreed perimeter. There are only speculations about why the government broke the memorandum of understanding, which held for almost 11 years.”
Author information
Nura Ali, Liverpool School of Architecture, University of Liverpool, Liverpool, UKNura Ali
Gowon Idowu, Traditional medicine practitioner, Lagos, Nigeria, Gowon Idowu
I’ve been visiting buildings in Accra that I don’t know much about today.
SSMIT Pension House: super bit of brutalism near the ministries. This building looks after the state pensions – but who designed it? Perhaps a forgotten Nickson & Borys? Rather nice open staircase and precise brise soleil…. I can’t find any references to it in my collections or at the RIBA library catalogue. I’ll have to check WABA Journal again, but don’t recall ever reading about this significant building?
Accra Technical Institute. My reliable sources say it’s designed by none other than James Cubitt. Could be – it resembles his early work at KNUST, Kumasi. OR should I have gone to the Accra Technical College? But the dates for that institution don’t seem to add up.
Then there’s a delightful commercial building in Jamestown. It resembles the UAC Kingsway Store in Sekondi. It definitely wasn’t a Kingsway, but perhaps was linked to the UAC?
Finally “Betty House”. A rather large house in what was a prestigious neighbourhood in Jamestown at Korle Wokon. Historically important as the residence of Nana Akufo-Addo’s father and served as HQ for Ghana’s first political party, the United Gold Coast Convention (UGCC) after its formation in 1947.
Bringing the Kingsway Stores Home: Our Exhibition Opens in Accra15 Jan – Easter
On 15th January, we celebrated the opening of “Shopping Emporiums of West Africa: The Kingsway Stores” at Jamestown Cafe and Gallery in Accra, marking a significant milestone in our ongoing research into the architectural and commercial legacy of the United Africa Company. The launch evening brought together an engaged audience including President of the Ghana Institute of Architects Tony Asare, Dr Abena Busia, and Ronnie Micallef, the incoming High Commissioner of Malta in Accra, for what proved to be a thought-provoking discussion about retail modernism, colonial commerce, and architectural heritage in West Africa. David Kojo Derban gave a wonderful opening talk to contextualise the exhibition, along with a wider welcome from cafe and gallery owner architect Joe Owusu Addo.
The exhibition represents the culmination of over 5 years of collaborative research examining the Kingsway department store chain, which operated across West Africa throughout much of the twentieth century. Working alongside Unilever archivist Claire Tunstall and colleagues Ewan Harrison, Rixt Woudstra, Paul Robinson, and Michele Tenzon, we’ve traced the fascinating story of these iconic shopping emporiums from their inception through the independence periods of West Africa and beyond.
This work forms part of our broader investigation into the United Africa Company, published last year by Bloomsbury as “Architecture, Empire, Trade.” In our recent Journal of Design History article, co-authored with Ewan Harrison, Irene Appeaning Addo, and Oluwaseun Muraina, we wrote that “Kingsway responded to independence by instrumentalizing a particularly modernist domesticity through a series of didactic marketing efforts and the construction of boldly modernist new stores.” The article reveals how these stores weren’t simply places of commerce but architectural statements where “modernism is here revealed as complexly imbricated with colonial and neocolonial profit-seeking.”
The exhibition itself has journeyed from Liverpool to Ghana, carefully packed and stored at Jamestown Cafe before being installed in early January. Two freestanding pavilions display archival photographs from the Unilever Archive, accompanied by newly commissioned 3D-printed models created by Liverpool School of Architecture students and archival films that bring the stores’ bustling atmosphere to life. The pavilions themselves, fabricated using CNC routers by our expert technical team at Liverpool lead by James Galliford, echo the modernist architectural language of the stores they document.
What makes presenting this exhibition in Accra particularly meaningful is the opportunity to share this research in the very city where the first Kingsway store stood. The ruins stand next door to the gallery – a poignant reminder of this commercial and architectural heritage. Through collaboration with Allotey Bruce Konuah, we’ve extended the exhibition beyond the gallery walls with vinyl street banners installed on both the gallery exterior, creating a dialogue between past and present. The banners also contain QR codes so visitors and passers-by can freely download the catalogue.
Our commitment to sharing this research extends beyond this single exhibition. We were interviewed on Asaase Radio morning show and it was great to share our work with a broader audience across Ghana. Following the exhibitions run in Accra through to Easter, we hope to tour the exhibition to other venues, continuing the conversation about how retail modernism, colonial commerce, and architectural heritage intersect. This exhibition reminds us that architecture is never merely about buildings; it’s about the economic, social, and political systems that produce them.
I finally visited the Nubuke_foundation today – a contemporary arts centre in East Legon, Accra . A very exciting structure that was fun to explore . I got there early and had the entire place to my self. Exclusively en situ concrete with the main gallery on piloti the space is lit from the large windows at either end of the linear structure. The shaded outside space under the gallery creates an exterior garden gallery (and cinema), and a carefully cast cantilevered staircase leads up the main entrance. The doors have the Le Corbusier inspired eccentric pivot, found frequently in Chandigarh, and there are certainly other motifs redeployed from the Modernist 5 points. It’s not derivative or cliched though – far from it. The building responds very well to the site and the vast -louvred window facades at each end offer fine views whilst being shaded from the concrete that projects beyond.
The campus was designed by Baerbel Mueller of http://www.nav-s.net/ and Foreign Affairs ([A]FA), Institute of Architecture, University of Applied Arts Vienna.
Elsewhere I had a less successful attempt to visit the Backyard Community Club – every time I visit it’s closed – but hopefully I’ll get full access soon. Designed by DeRoche Projects, it is the first project in Ghana using a precast rammed earth system. The modular precast elements provide shade whilst allowing cross ventilation. They also integrate cleverly into a bench for observers to watch the games. As well as tennis, there’s a kitchen garden and other gathering spaces for coaching and social events.
I’m intrigued by the precast panels and would like to learn more about the detailing. How was it possible to transport rammed earth – surely there’s a significant amount of cement in these panels to hold them together, and how is the top of the panels protected from the heavy rain? I’ll have to investigate further. Read more and see far better photos here: https://www.archdaily.com/1036713/backyard-community-club-deroche-projects. We saw at nearby Dot Atelier the flashing interventions being made around the windows to project the adobe ‘sandcrete’. I admire both buildings for experimenting and developing such uplifting and carefully designed spaces.
The Kingsway Exhibition has been sent to Accra and carefully stored at the Jamestown Cafe for a few months now. We were finally able to unpack the vast pallet on Friday morning and spent the weekend constructing the two pavilions and installing the light boxes and panels.
The exhibition is being extended and reimagined through a further collaboration with Allotey Bruce Konuah on a series of vinyl street banners that will be installed on the exterior walls of the gallery space, as well as on the old ruined Kingsway Stores portico located next door.
The opening night is 15th January and all welcome. The exhibition will remain until Easter before it moves on…
Thank you to James Galliford and the Liverpool School of Architecture Technical Team for their expertise on the fabrication and installation, and to Claire Tunstall and Unilever Archives team for all their help and support sourcing the images and visuals.
We’ll be setting up the Kingsway Stores exhibition at Jamestown Cafe and Gallery, Accra, this week. The two pavilions have made their way from Liverpool to Ghana and are ready for installation. The opening is on Thursday 15th January from 6pm – all very welcome. We’ll be based at the cafe from Friday 9th – so if you’re in the vicinity please call in. The exhibition will run until Easter and then we’ll tour it to other venues, with details to be confirmed.