Architecture, Empire and Trade wins at the Architectural Book Awards 2026
Architecture, Empire and Trade: The United Africa Companyhas won a category prize at this year’s Architectural Book Awards. It was named a joint winner for Best Architectural History Book of 2026. It’s free open access and now available in a paperback as well as hardback.
The awards are run by Booklaunch, the quarterly on books and publishing. Judging is anonymous. The categories change each year to fit what has been submitted and the awards are currently in their fourth year.
The judging took an unusual turn this year. For the first time the panel declined to name an overall Book of the Year. The editor, Stephen Games, said the field was too strong and too varied to rank one title above the rest. The judges took the view that serious criticism follows the evidence rather than forcing a hierarchy. So they named category winners and left it there.
Nine titles won across four categories. Between them they are the work of twenty authors, editors and photographers. Four came from university presses.
Our category, history, had four joint winners. We proudly share it with Women at Work, a study of the Cambridge School of Architecture; The Belgian Friendship Building; and Marvin Trachtenberg’s reassessment of Brunelleschi. Good company.
The book is the work of five of us: Ewan Harrison, Michele Tenzon, Rixt Woudstra, Claire Tunstall and myself. The team spans Liverpool, Manchester, Amsterdam, Delft, and the Unilever Archives. It is published by Bloomsbury Visual Arts – I’d like to thank my co-authors for their hard work, and to James Thompson and Ros O’Cleirigh at Bloomsbury for their ongoing support.
The book is part of the wider AHUWA work on British commercial urbanism in West Africa. That work continues, including current research on the timber trade across Ghana and Nigeria, working with Claire on digitising/AIing the archives, and continuing the Kingsway exhibitions. The prize puts the book in front of readers who might not otherwise come across it. That is reason enough to be pleased, and thanks to the judges for selecting our work.
Stone Town: Beyond Tourism and Heritage by Maria Lookmanji
This dissertation investigates the Indo-Zanzibari community’s daily practices that shape belonging in the historic city of Stone Town, Zanzibar, and their methods of community-based, socio-spatial maintenance of space. To address this overlooked topic related to conservation, results from a participatory photography methodology are analysed. The remote, participatory image-based research (RPIBR) allows the Indo-Zanzibaris to document their under-researched spatial priorities and negotiations, giving them agency due to the insider knowledge and co-curated documentation.
The visual analysis across 64 images shows Indo-Zanzibari belonging grounded in routine trade-focused activity, improvised contemporary additions and wide networks of circulation beyond the heritage-inscribed boundaries of Stone Town. Practices interpreted as chaos or neglect, are reframed to show the collective community familiarity and responsive knowledge to contextual constraints and the complicated conditions of the country.
By focusing on evidence of everyday practice, Indo-Zanzibari presence is shown through urban responsibility and spatial negotiation rather than a curated display of performed heritage outside of lived necessity. The dissertation questions the nature of traditional conservation guidelines, emphasising the need to shift priority away from tourism and static heritage narratives, which aim to simply preserve the built environment, and instead draw attention to community and cultural survival.
How should we catalogue, describe, present, and interpret museum objects? These are never easy questions and even more difficult when they form part of an ‘ethnographic’ collection.
The @leverartgallery in Port Sunlight has a major collection gathered by industrialist William Lever from his sojourns to West and Central Africa – but very little is known about the objects, and they rarely get displayed because of this.
Together with colleagues from @liverpoolmuseums and AHUWA / Liverpool University we invited members of the Congolese Association to join us in a workshop and to rethink how we might begin to catalogue and understand the art, instruments, weapons, fabrics… We were delighted to be joined by Congolese Ambassador Ndolamb Ngokwey and to have expert facilitation from @bluesaint .
It was only a trial , but the proof of concept worked really well. Looking forward to seeing the other objects and learning more.3 d
The Architectural History of Postcolonial West African Universities
Adefola Toye is a PhD student at the University of Liverpool, co-supervised with The National Archives through a Collaborative Doctoral Partnership scheme. Her research examines university architecture in mid-twentieth-century Nigeria, tracing how campus design and construction shifted as political control transferred from colonial to independent governments.
The post-war period saw a wave of university building across British West Africa, funded through Colonial Development and Welfare Acts and overseen by the Inter-University Council for Higher Education in the Colonies. University College Ibadan, designed by Maxwell Fry and Jane Drew, is the most widely studied example. But Adefola’s research moves beyond Ibadan to less well-known institutions: the Nigerian College of Art, Science and Technology (1951) and the four universities established immediately after independence in 1960, including Ahmadu Bello University, Obafemi Awolowo University, and the University of Lagos.
In this post for The National Archives, Adefola discusses how she has used colonial records at Kew to study these institutions and their built environments. She also addresses a problem central to any archival study of this period. As independence approached, British oversight diminished and documentation thinned out. The Colonial Office files become sparser, and the story can only be reconstructed by working across multiple archives and geographies, from the National Archives of Nigeria to the Bodleian Library in Oxford and Michigan State University. Her argument is clear: no single archive can sustain a full account of how these campuses were planned, negotiated, and built. The research demands a multi-archival and transnational approach.
Congratulations to Adefola on successfully defending her PhD on 8th May 2026.
The call to prayer echoes across the neighbourhood as people congregate under the sweeping domes and tall minarets of Ghana’s National Mosque in Accra. For many, it is a place of faith, community and national pride. Yet, few pause to consider that this landmark – now firmly part of Accra’s skyline – was funded and built by Turkey.
This detail points to a bigger story. Some of Ghana’s most important public buildings are shaped by global relationships as much as local needs. And those relationships are not just economic; they are deeply political.
Therefore buildings are not just functional. They are powerful expressions of political power, used to describe and project ideas about hierarchy, state authority, solidarity and modernity.
As a result, architecture can be used to explore the identity and ideology of African states and international partners who choose to finance or donate new buildings to Africa featuring western architectural aesthetics.
I am a scholar of African architecture. I collaborated with scholars from different areas of expertise, including political scientists, on a project that studied the connection between architecture and power in Africa. From Ghana, two projects were used to illustrate international relations in architecture, highlighting the interplay of power and agency. One was the National Mosque and the other was the seat of Ghana’s government, Jubilee House, an edifice funded by the government of India.
Ghana and India’s ties can be traced to their co-founding of the Non-Aligned Movement. These were a group of states not formally aligned with major power blocs during the cold war. Ghana and Turkey’s relationship goes as far back as 1957. Turkey is one of the leading investors in Ghana’s economy.
Our work established that when a country finances and constructs a major building abroad, it leaves a visible and lasting imprint on another nation’s landscape. The building becomes part of everyday life while reflecting the influence of its external sponsor. These buildings normalise the presence of the sponsoring nation and are a constant reminder of its political interests.
History written in buildings
Foreigners have been shaping Ghana’s built environment for centuries, from colonial forts along the coast to post-independence modernist projects designed by international architects.
Ghana’s architecture tells a layered story of power and exchange. During the colonial era, Europeans constructed forts and castles that dominated coastal landscapes. These were not just military structures; they were symbols of control and gateways to global trade networks, including the transatlantic slave trade. Sections of these buildings were later repurposed as schools, embedding education within spaces marked by violence and coercion.
This dual legacy highlights how architecture can carry multiple, often conflicting meanings over time.
After independence, Ghana sought to project a new national identity through modern architecture.
Foreign architects were commissioned to design housing, universities and civic buildings that would signal progress and global relevance. This moment reflected both aspiration and dependence: a desire to appear modern on the world stage, combined with reliance on external expertise and resources.
‘Soft power’
Today, Ghana continues to engage with global partners through architecture and infrastructure development. The National Mosque is one example. Backed by Turkey with the active involvement of Ghanaian Muslims, it represents both religious solidarity and diplomatic outreach underpinned by local agency.
Its scale, design and prominence make it a visible marker of Turkey’s presence in Ghana. The National Mosque Complex is modelled after the Ottoman-era Sultan Ahmed Mosque in Istanbul, Turkey. The national mosque in Accra features domes, semi-domes and arcaded porticos. These are the characteristics of Ottoman architecture, a predominant classical style for mosques in Turkey and the Islamic world.
Another example of political “gift” is Jubilee House, the seat of government. While financed and constructed with support from India, it incorporates the form of the Akan stool, a deeply significant symbol of authority in Ghanaian culture. This blending of external funding with local agency and symbolism shows that these projects are not simply imposed. They are shaped through negotiation.
Across the continent, similar patterns can be seen. China has funded major government buildings, including the African Union headquarters in Addis Ababa and the Zimbabwe parliamentary complex. These projects are often described as “gifts”, but they also reflect strategic relationships and long-term influence. Political scientist Innocent Batsani-Ncube has illustrated how China’s large-scale investment in the Zimbabwe parliament is used as a proxy for its sustained activities in and around African parliamentary institutions.
Ghana’s case
It is easy to view foreign-funded infrastructure as purely beneficial, especially given Ghana’s development needs. But architecture is never neutral. Buildings embody power relationships in terms of the scale, materiality, the architectural features and the location in urban areas.
They reflect who has the resources to design, finance and construct, and whose ideas are ultimately realised in physical form. A mosque, a parliament or a presidential palace is not just a functional space; it is a statement about identity, legitimacy and global belonging of both the sponsor and the recipient country. In this sense, architecture becomes part of diplomacy. It is a way of making relationships visible – and durable.
Describing these projects simply as soft power, however, does not capture the full picture. Soft power theory often assumes that influence flows smoothly from powerful countries to less powerful ones.
Ghana’s experience suggests something more complex. Buildings cannot simply be “exported” like films or fashion. They are rooted in specific places, histories and communities. This creates friction.
For example, Ghana’s engagement with foreign-built projects often involves negotiation over design, symbolism and use. Local government officials, religious leaders and communities play a role in shaping outcomes.
In the case of the National Mosque, Ghanaian Muslim communities were not passive recipients. Their advocacy and social influence were crucial to the project’s realisation. Similarly, the incorporation of the Akan stool in Jubilee House reflects an effort to assert cultural identity. These examples show that foreign influence is most often mediated by local contexts.
Ghanaian actors’ agency in these processes has limits, however. Many decisions about large-scale projects are made by political elites. As a result, the interests reflected in these buildings may not represent the broader population.
These examples point to broader questions. Do foreign-funded buildings contribute to long-term development, or are they primarily symbolic? How can Ghana ensure that such projects reflect local priorities and needs? And what does it mean to build a national identity in a world shaped by global partnerships?
The links among soft power, public and cultural diplomacy, and development across the continent will continue to be subjects of research.
International relations scholars Joanne Tomkinson and Julia Gallagher contributed to the research that this article is derived from.
SAH Conference, Chicago, 2027: The call for papers has been announced – and there are some fascinating and timely panels planned. This one caught our eye….
Session Chairs: Zhijian Sun and Qingyun Lin
Session Title: Cooling the Tropical Built Environment: Discomfort, Decolonization, and
Decarbonization
Session Description:
Tropical climate and building problems related to heat and humidity have long troubled
professionals both within and beyond the tropics, who resorted to various climatic
techniques around (late-)colonial networks to tame the tropics. During the Cold War, the
tropical world became a contested arena in the name of development aid. Despite relying
on a globally circulated climatic knowledge, thermal comfort norms and cooling
technologies, these state and non-state actors from socialist, capitalist and non-aligned
countries who engaged in postcolonial development, often produced discourses of
“tropicality” that deviated from Euro-American templates.
The stakeholders in the Global South were never merely passive recipients of
technological expertise, however. Rather they were often active mediators of multi-
directional global exchanges of “architectural resources”, in Łukasz Stanek’s (2020) term.
We invite papers interrogating global, transnational and local dynamics through
marginalized cases in the long-twentieth centuries across any (sub-)tropical areas,
including Asia-Pacific region, Latin America and the Caribbean, Africa, the Middle East
and elsewhere. We particularly welcome the nuanced perspective of “seeing from the
South,” especially how Southern institutions and individuals negotiated external
interventions around “collaborative” frameworks filled with heterogeneity, competition and
contingency. By examining processes, consequences and legacy of local reimagination
and reinterpretation of climate, built spaces, thermal (dis)comfort, labor and body, this
panel speaks to what Daniel Barber (2019) calls “decarbonization as decolonization.”
Drawing on Nicole Starosielski’s (2021) critical temperature studies, we view tropical built
environment’s (uneven) management of heat and cold as means of “enacting racialized,
classed and gendered forms of power.” We encourage proposals that engage the
interdependence between architecture’s climatic techniques, human body, non-human
actors, and exercise of socio-political power, focusing on the underappreciated roles of
marginalized people, suppressed knowledge, neglected practices, or ignored things.
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators such as Kwame Nkrumah University of Science and Technology – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
Here, authors use creative, critical and speculative methods to inhabit the gaps in archives of tropical architecture, highlighting artworks in Nigeria, Ghana, India, Indonesia, Singapore, Costa Rica, Cuba and the UK. Their contributions trace connections within a network of relations between art and architecture; one which recentres the rich and diverse forms of environmental knowledge, social values and material cultures contributed by artists working in these contexts.
We are delighted to welcome the editor, Albert Brenchat-Aguilar, and the team from AA Publications, who will give a short introduction to the book. A small installation will accompany, food and refreshments will be provided.
After the Global Turn: Current Colonial, Decolonial and Postcolonial Perspectives in Architecture
What is the status of postcolonial and decolonial discourse in architecture?
How has the “global turn” in architectural discourse evolved from histories of contact, conquest and colonization?
Forty years ago, the influential essays of “‘Race,’ Writing and Difference” appeared in Critical Inquiry (Gates, 1985, 1986). Essays by Edward Said, Homi Bhabha, Gayatri Chakravorty Spivak, Hazel Carby, Jacques Derrida, Abdul R. JanMohamed, and others created new critical models that interrogated how difference had been inscribed as “race” and explored the complex interactions of race, writing and difference, which influenced architectural history and theory for several decades.
That same year, Spiro Kostof’s textbook A History of Architecture (1985) spurred a “global turn” in architecture that has complicated the field’s canon. The new global discourse seeks to understand contemporary globalization as manifested in the built environment, exemplified by the foundation of the Global Architectural History Teaching Collaborative (GAHTC) and the publication of multiple volumes on global architecture.
The global turn has attempted to close the dichotomies of East and West, North and South imposed by earlier colonial and postcolonial theories, such as Edward Said’s formulation of Orientalism as the Occident’s “other” (Said, 1978). Perspectives from the “Global South” have emerged as important correctives to the hegemony of Northern Hemisphere-centered scholarship and practice. What has resulted from this “turn” has been ambiguous, however, as it often focuses on architects from the Global North operating in the Global South or developments modeled after Western architecture and urban design, without a concomitant innovation in truly global approaches and subject matter.
This Special Issue aims to explore the field’s development from colonial, decolonial and postcolonial theory to the global turn and beyond. We encourage papers that take innovative approaches to the colonial, postcolonial, decolonial and global in architecture, including such topics as:
Transnational connections and flows in excess of political boundaries;
Decentered models of global architecture;
Race and architecture;
Feminist, subaltern and minor perspectives on architecture,
Critical Inquiry: Autumn 1985 (vol. 12, no. 1) and Autumn 1986 (vol. 13, no. 1); Henry Louis Gates, ed. “Race,” Writing, and Difference. Chicago: University of Chicago Press, 1986.
This report presents findings from a comprehensive survey of 48 archives, collections, and repositories across Northwest England that contain significant West African historical material (1880-1980). We should have an interactive map of the archive locations published here shortly….
Here is a list of the archives consulted and key information for each collection/location/repository:
The research reveals a substantial but under-explored archival landscape that offers exceptional opportunities for advancing historical research into West Africa and its relationship with Northwest England. The collections span diverse themes including colonial administration, trade networks, missionary activities, healthcare, urban development, and cultural exchange, providing rich source material for interdisciplinary research projects.
Research Scope and Methodology
Geographic and Temporal Parameters
The survey focused on historical West African material from former British colonies including Ghana, Gambia, Sierra Leone, and Nigeria, with additional consideration of materials from Congo, Cameroon, Senegal, Mali, and Niger. The temporal scope encompasses the period 1880-1980, capturing the late colonial period through to early post-independence developments.
Thematic Categories
Research materials were categorised across key themes:
History and heritage studies
Urban design and city planning
Public health and medical history
Architecture and built environment
Trade and commercial networks
Religious and missionary activities
Colonial administration
Collection Assessment Framework
Each archive was evaluated using a systematic approach that assessed:
Type and format of materials (books, photographs, manuscripts, ephemera, artifacts)
Primary thematic focus
Volume and extent of holdings
Accessibility and research potential
Relevance rating (1-5 star system that reflected how useful the archive would be to our research interests in the built environment and history)
Key Findings: Archive Landscape and Research Potential
Distribution and Scale
The survey identified 48 archives across Northwest England, primarily concentrated in the Merseyside region but extending to Manchester, Lancaster, and Chester. Seven archives achieved the highest relevance rating (5 stars), each containing over 20 linear metres of diverse West African materials spanning multiple themes and formats.
Material Types and Research Applications
The collections encompass diverse formats offering multiple research approaches:
Documentary Sources:
Colonial administrative records
Trade and shipping documentation
Medical and health records
Urban planning documents
Personal correspondence and diaries
Visual Materials:
Photographs documenting colonial life, urban development, and cultural practices
Architectural drawings and city plans
Maps and surveys
Artistic representations
Material Culture:
Artifacts and objects
Textiles and decorative arts
Ceramics and sculptures
Models and architectural elements
Corporate Archives: Exceptional Research Resources
Unilever and United Africa Company Archives: The Unilever archives, particularly the United Africa Company (UAC) collection, represent one of the most comprehensive corporate archives relating to West African economic history. UAC, established in 1929 through the merger of the Royal Niger Company and the African and Eastern Trade Corporation, became the largest trading company in West Africa. The archives contain:
Extensive Trading Records: Documentation of palm oil, cocoa, groundnut, and timber trades spanning decades
Infrastructure Development: Records of store construction, transport networks, and commercial facilities across West Africa
Labour and Employment: Personnel records, training programs, and workforce development initiatives
Technology Transfer: Documentation of agricultural techniques, processing methods, and industrial development
Local Partnerships: Records of relationships with African traders, suppliers, and business partners
Post-Independence Adaptation: Materials documenting corporate strategy during decolonization and nationalist movements
These materials offer unique insights into corporate colonialism, the mechanics of extractive economies, and the complex negotiations between European capital and African societies. The collection provides essential source material for understanding how global commodity chains operated at ground level and their impact on local communities.
Barclays Bank Archive: The Barclays collection contains extensive documentation of banking operations across West Africa, including:
Colonial Banking Development: Records of branch establishment, credit systems, and monetary policy
Financial Networks: Documentation of money transfers, currency exchange, and international finance
Agricultural Finance: Materials on crop financing, seasonal credit, and agricultural development programs
Commercial Lending: Records of business loans, trade financing, and commercial development
Post-Colonial Banking: Materials documenting the transition to independence and continued financial relationships
The banking records provide crucial insights into how financial systems shaped economic development, facilitated trade networks, and influenced social relations across West Africa. These materials are particularly valuable for understanding the mechanics of colonial extraction and the evolution of financial institutions in post-colonial Africa.
Thematic Strengths for Research Development
Urban Development and Planning: The Archives contain substantial materials on colonial urban development, infrastructure projects, and city planning initiatives. These sources offer opportunities to examine how European urban planning concepts were implemented in West African contexts and their lasting impact on contemporary cities.
Medical and Public Health History: Rich documentation of colonial health initiatives, medical practices, and public health campaigns provides foundation for research into the history of medicine in West Africa, disease management, and the development of healthcare infrastructure.
Commercial and Trade Networks: Extensive shipping, banking, and commercial records illuminate the economic relationships between Northwest England and West Africa, offering insights into trade networks, commodity flows, and economic development patterns. Of particular significance are the Unilever archives (including the United Africa Company records) and the Barclays Bank archive, which contain unparalleled documentation of corporate operations, trading networks, and financial systems that shaped West African economic development throughout the colonial and post-colonial periods.
Religious and Cultural Exchange: Missionary records, religious materials, and cultural documentation provide resources for examining religious transformation, cultural exchange, and the complex dynamics of colonial encounter.
Colonial Administration: Administrative records and governance documents enable research into colonial policy implementation, administrative structures, and the mechanics of imperial control.
Research Opportunities and Applications
Interdisciplinary Research Potential
The diversity of materials supports multiple disciplinary approaches:
Historical Research:
Comparative studies of colonial administration across West African territories
Economic history of trans-Atlantic trade networks
Social history of colonial encounters and cultural exchange
Urban Studies:
Evolution of colonial cities and urban planning
Infrastructure development and its contemporary implications
Architectural history and building practices
Medical History:
Development of tropical medicine
Public health initiatives and their outcomes
Medical knowledge transfer and adaptation
Cultural Studies:
Missionary activities and religious transformation
Cultural exchange and hybrid practices
Art, material culture, and aesthetic transformation
Collaborative Research Framework
The geographic concentration of archives creates opportunities for:
Multi-Archive Projects: Researchers can access complementary materials across institutions, enabling comprehensive studies that draw on diverse source types and perspectives.
Network Building: The established archive network provides foundation for collaborative research initiatives, shared resources, and coordinated access to materials. The University of Liverpool and AHUWA are particularly well-positioned to serve as coordinating institutions/centres for multi-archive research projects, leveraging their expertise in West African studies and established international partnerships.
Digital Humanities Applications: The variety of materials (textual, visual, material) offers opportunities for digital humanities projects, including digitization initiatives, database development, and online exhibitions. The University of Liverpool’s digital humanities infrastructure and AHUWA’s focus on accessibility make this an ideal location for developing innovative digital approaches to archival research.
Strategic Recommendations for Research Development
Institutional Research Capacity: University of Liverpool and AHUWA
University of Liverpool Research Infrastructure: The University of Liverpool is exceptionally well-positioned to capitalise on this rich archival landscape. As a leading institution in historical research with strong connections to West African studies, the university offers:
Established Research Expertise: Faculty with specialized knowledge in African history, colonial studies, and economic history
Interdisciplinary Capabilities: Departments spanning History, Geography, Politics, Development Studies, and Business that can support multifaceted research approaches
Digital Humanities Infrastructure: Technical resources for digitisation projects, database development, and online exhibitions
Graduate Research Programs: Capacity for training new researchers in archival methods and West African historical research
International Partnerships: Existing relationships with West African universities and research institutions
AHUWA Research Centre: The Architecture, Heritage, and Urbanism in Western Africa (AHUWA) research centre provides a specialized institutional framework for maximising the research potential of these archival collections. AHUWA’s mission and expertise make it ideally suited to:
Coordinate Multi-Archive Projects: Develop comprehensive research initiatives that draw on materials from multiple archives
Foster Collaborative Research: Facilitate partnerships between UK and West African researchers
Support Community Engagement: Connect archival research with contemporary West African communities
Promote Policy Relevance: Ensure research contributes to contemporary development and policy discussions
Develop Digital Platforms: Create online resources that make archival materials accessible to global researchers
The combination of Liverpool’s institutional resources and AHUWA’s specialised focus creates an unparalleled opportunity for developing the research potential of Northwest England’s West African archives.
Priority Research Areas
1. Comparative Colonial Studies The archives support comparative research across different West African territories, examining variations in colonial policy, administration, and outcomes.
2. Economic History Networks Trade and commercial records enable mapping of economic relationships, commodity flows, and the development of trans-Atlantic commercial networks. The Unilever/UAC and Barclays archives are particularly valuable for examining corporate colonialism, financial systems, and the evolution of global commodity chains. These collections support research into topics such as:
The role of European corporations in shaping West African economies
Banking and financial networks in colonial and post-colonial Africa
Labour relations and industrial development
Technology transfer and agricultural modernization
Corporate responses to decolonization and African nationalism
3. Urban Development Studies Planning documents and architectural materials provide foundation for examining colonial urban development and its contemporary implications.
4. Medical and Public Health History Healthcare records offer opportunities to examine the development of tropical medicine, public health initiatives, and medical knowledge transfer.
Methodological Approaches
Cross-Archive Analysis: Researchers should develop strategies for working across multiple archives to build comprehensive pictures of historical processes and relationships. The corporate archives (Unilever/UAC and Barclays) can be particularly productive when analysed in conjunction with government records, missionary materials, and local documentation.
Digital Integration: Consider developing digital platforms that integrate materials from multiple archives, enabling new forms of analysis and presentation. The University of Liverpool’s technical capabilities and AHUWA’s research focus provide ideal foundations for such initiatives.
Community Engagement: Explore opportunities for community-based research that connects archival materials with contemporary West African communities in Northwest England. AHUWA’s community engagement expertise and Liverpool’s diverse population create opportunities for participatory research approaches.
Future Research Directions
Emerging Themes
The archive survey suggests several promising research directions:
1. Infrastructure and Development: Examining colonial infrastructure projects and their long-term implications for contemporary development challenges.
2. Knowledge Transfer: Investigating how knowledge, practices, and technologies moved between West Africa and Northwest England.
3. Cultural Networks: Exploring the cultural connections and exchanges that developed through colonial relationships.
4. Corporate Colonialism and Business History: The Unilever/UAC and Barclays archives provide exceptional opportunities for examining the role of European corporations in shaping West African development, including studies of extractive economies, corporate-state relations, and business adaptation to decolonization.
5. Post-Colonial Continuities: Examining how colonial-era relationships evolved in the post-independence period, with particular attention to ongoing corporate and financial connections.
Methodological Innovation
The archives offer opportunities for methodological innovation in:
Digital humanities applications
Multi-sited archival research
Community-based research approaches
Interdisciplinary collaboration
Conclusion
The West African archival materials in Northwest England represent a significant and underutilised resource for historical research. The diversity of collections, spanning multiple themes and formats, provides foundation for innovative research projects that can advance understanding of West African history, colonial relationships, and their contemporary implications. The exceptional corporate archives, particularly the Unilever/UAC and Barclays collections, offer unique insights into the mechanics of colonial economies and corporate power in Africa.
The established network of 48 archives, combined with the research capacity of the University of Liverpool and the specialized expertise of AHUWA, offers exceptional opportunities for collaborative research, comparative studies, and interdisciplinary projects. With seven archives containing substantial holdings and many others providing specialized materials, researchers have access to comprehensive source bases for addressing complex historical questions about corporate colonialism, financial systems, and economic development.
The University of Liverpool’s institutional strengths and AHUWA’s focused mission create an ideal environment for developing the research potential of these collections. Their combined expertise in West African studies, digital humanities, and community engagement provides the foundation for innovative methodological approaches and collaborative research initiatives that can significantly advance historical understanding.
Moving forward, the research community should prioritize developing collaborative frameworks that maximise the potential of these collections, with particular attention to the corporate archives that offer unique insights into the mechanics of colonial extraction and economic development. The foundations established through this survey, combined with Liverpool’s institutional capacity and AHUWA’s specialised focus, provide the groundwork for a new generation of research that can significantly advance historical understanding of West Africa and its relationship with Northwest England.
Transnational Architecture Group 