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West African Archives in Northwest England: Research Potential and Opportunities

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July 9, 2025
Africa, AHUWA, Archives, British Colonial Architecture, Ghana, Global Architecture, Heritage, Historiography, Ibadan, Lagos, Nigeria, Sierra Leone, transnational, Tropical Architecture, United Africa Company
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Executive Summary

This report presents findings from a comprehensive survey of 48 archives, collections, and repositories across Northwest England that contain significant West African historical material (1880-1980). We should have an interactive map of the archive locations published here shortly….

Here is a list of the archives consulted and key information for each collection/location/repository:

2025 West Africa in the Archives Part 2of2 Rev ADownload

The research reveals a substantial but under-explored archival landscape that offers exceptional opportunities for advancing historical research into West Africa and its relationship with Northwest England. The collections span diverse themes including colonial administration, trade networks, missionary activities, healthcare, urban development, and cultural exchange, providing rich source material for interdisciplinary research projects.

Research Scope and Methodology

Geographic and Temporal Parameters

The survey focused on historical West African material from former British colonies including Ghana, Gambia, Sierra Leone, and Nigeria, with additional consideration of materials from Congo, Cameroon, Senegal, Mali, and Niger. The temporal scope encompasses the period 1880-1980, capturing the late colonial period through to early post-independence developments.

Thematic Categories

Research materials were categorised across key themes:

  • History and heritage studies
  • Urban design and city planning
  • Public health and medical history
  • Architecture and built environment
  • Trade and commercial networks
  • Religious and missionary activities
  • Colonial administration

Collection Assessment Framework

Each archive was evaluated using a systematic approach that assessed:

  • Type and format of materials (books, photographs, manuscripts, ephemera, artifacts)
  • Primary thematic focus
  • Volume and extent of holdings
  • Accessibility and research potential
  • Relevance rating (1-5 star system that reflected how useful the archive would be to our research interests in the built environment and history)

Key Findings: Archive Landscape and Research Potential

Distribution and Scale

The survey identified 48 archives across Northwest England, primarily concentrated in the Merseyside region but extending to Manchester, Lancaster, and Chester. Seven archives achieved the highest relevance rating (5 stars), each containing over 20 linear metres of diverse West African materials spanning multiple themes and formats.

Material Types and Research Applications

The collections encompass diverse formats offering multiple research approaches:

Documentary Sources:

  • Colonial administrative records
  • Trade and shipping documentation
  • Medical and health records
  • Urban planning documents
  • Personal correspondence and diaries

Visual Materials:

  • Photographs documenting colonial life, urban development, and cultural practices
  • Architectural drawings and city plans
  • Maps and surveys
  • Artistic representations

Material Culture:

  • Artifacts and objects
  • Textiles and decorative arts
  • Ceramics and sculptures
  • Models and architectural elements

Corporate Archives: Exceptional Research Resources

Unilever and United Africa Company Archives: The Unilever archives, particularly the United Africa Company (UAC) collection, represent one of the most comprehensive corporate archives relating to West African economic history. UAC, established in 1929 through the merger of the Royal Niger Company and the African and Eastern Trade Corporation, became the largest trading company in West Africa. The archives contain:

  • Extensive Trading Records: Documentation of palm oil, cocoa, groundnut, and timber trades spanning decades
  • Infrastructure Development: Records of store construction, transport networks, and commercial facilities across West Africa
  • Labour and Employment: Personnel records, training programs, and workforce development initiatives
  • Technology Transfer: Documentation of agricultural techniques, processing methods, and industrial development
  • Local Partnerships: Records of relationships with African traders, suppliers, and business partners
  • Post-Independence Adaptation: Materials documenting corporate strategy during decolonization and nationalist movements

These materials offer unique insights into corporate colonialism, the mechanics of extractive economies, and the complex negotiations between European capital and African societies. The collection provides essential source material for understanding how global commodity chains operated at ground level and their impact on local communities.

Barclays Bank Archive: The Barclays collection contains extensive documentation of banking operations across West Africa, including:

  • Colonial Banking Development: Records of branch establishment, credit systems, and monetary policy
  • Financial Networks: Documentation of money transfers, currency exchange, and international finance
  • Agricultural Finance: Materials on crop financing, seasonal credit, and agricultural development programs
  • Commercial Lending: Records of business loans, trade financing, and commercial development
  • Post-Colonial Banking: Materials documenting the transition to independence and continued financial relationships

The banking records provide crucial insights into how financial systems shaped economic development, facilitated trade networks, and influenced social relations across West Africa. These materials are particularly valuable for understanding the mechanics of colonial extraction and the evolution of financial institutions in post-colonial Africa.

Thematic Strengths for Research Development

Urban Development and Planning: The Archives contain substantial materials on colonial urban development, infrastructure projects, and city planning initiatives. These sources offer opportunities to examine how European urban planning concepts were implemented in West African contexts and their lasting impact on contemporary cities.

Medical and Public Health History: Rich documentation of colonial health initiatives, medical practices, and public health campaigns provides foundation for research into the history of medicine in West Africa, disease management, and the development of healthcare infrastructure.

Commercial and Trade Networks: Extensive shipping, banking, and commercial records illuminate the economic relationships between Northwest England and West Africa, offering insights into trade networks, commodity flows, and economic development patterns. Of particular significance are the Unilever archives (including the United Africa Company records) and the Barclays Bank archive, which contain unparalleled documentation of corporate operations, trading networks, and financial systems that shaped West African economic development throughout the colonial and post-colonial periods.

Religious and Cultural Exchange: Missionary records, religious materials, and cultural documentation provide resources for examining religious transformation, cultural exchange, and the complex dynamics of colonial encounter.

Colonial Administration: Administrative records and governance documents enable research into colonial policy implementation, administrative structures, and the mechanics of imperial control.

Research Opportunities and Applications

Interdisciplinary Research Potential

The diversity of materials supports multiple disciplinary approaches:

Historical Research:

  • Comparative studies of colonial administration across West African territories
  • Economic history of trans-Atlantic trade networks
  • Social history of colonial encounters and cultural exchange

Urban Studies:

  • Evolution of colonial cities and urban planning
  • Infrastructure development and its contemporary implications
  • Architectural history and building practices

Medical History:

  • Development of tropical medicine
  • Public health initiatives and their outcomes
  • Medical knowledge transfer and adaptation

Cultural Studies:

  • Missionary activities and religious transformation
  • Cultural exchange and hybrid practices
  • Art, material culture, and aesthetic transformation

Collaborative Research Framework

The geographic concentration of archives creates opportunities for:

Multi-Archive Projects: Researchers can access complementary materials across institutions, enabling comprehensive studies that draw on diverse source types and perspectives.

Network Building: The established archive network provides foundation for collaborative research initiatives, shared resources, and coordinated access to materials. The University of Liverpool and AHUWA are particularly well-positioned to serve as coordinating institutions/centres for multi-archive research projects, leveraging their expertise in West African studies and established international partnerships.

Digital Humanities Applications: The variety of materials (textual, visual, material) offers opportunities for digital humanities projects, including digitization initiatives, database development, and online exhibitions. The University of Liverpool’s digital humanities infrastructure and AHUWA’s focus on accessibility make this an ideal location for developing innovative digital approaches to archival research.

Strategic Recommendations for Research Development

Institutional Research Capacity: University of Liverpool and AHUWA

University of Liverpool Research Infrastructure: The University of Liverpool is exceptionally well-positioned to capitalise on this rich archival landscape. As a leading institution in historical research with strong connections to West African studies, the university offers:

  • Established Research Expertise: Faculty with specialized knowledge in African history, colonial studies, and economic history
  • Interdisciplinary Capabilities: Departments spanning History, Geography, Politics, Development Studies, and Business that can support multifaceted research approaches
  • Digital Humanities Infrastructure: Technical resources for digitisation projects, database development, and online exhibitions
  • Graduate Research Programs: Capacity for training new researchers in archival methods and West African historical research
  • International Partnerships: Existing relationships with West African universities and research institutions

AHUWA Research Centre: The Architecture, Heritage, and Urbanism in Western Africa (AHUWA) research centre provides a specialized institutional framework for maximising the research potential of these archival collections. AHUWA’s mission and expertise make it ideally suited to:

  • Coordinate Multi-Archive Projects: Develop comprehensive research initiatives that draw on materials from multiple archives
  • Foster Collaborative Research: Facilitate partnerships between UK and West African researchers
  • Support Community Engagement: Connect archival research with contemporary West African communities
  • Promote Policy Relevance: Ensure research contributes to contemporary development and policy discussions
  • Develop Digital Platforms: Create online resources that make archival materials accessible to global researchers

The combination of Liverpool’s institutional resources and AHUWA’s specialised focus creates an unparalleled opportunity for developing the research potential of Northwest England’s West African archives.

Priority Research Areas

1. Comparative Colonial Studies The archives support comparative research across different West African territories, examining variations in colonial policy, administration, and outcomes.

2. Economic History Networks Trade and commercial records enable mapping of economic relationships, commodity flows, and the development of trans-Atlantic commercial networks. The Unilever/UAC and Barclays archives are particularly valuable for examining corporate colonialism, financial systems, and the evolution of global commodity chains. These collections support research into topics such as:

  • The role of European corporations in shaping West African economies
  • Banking and financial networks in colonial and post-colonial Africa
  • Labour relations and industrial development
  • Technology transfer and agricultural modernization
  • Corporate responses to decolonization and African nationalism

3. Urban Development Studies Planning documents and architectural materials provide foundation for examining colonial urban development and its contemporary implications.

4. Medical and Public Health History Healthcare records offer opportunities to examine the development of tropical medicine, public health initiatives, and medical knowledge transfer.

Methodological Approaches

Cross-Archive Analysis: Researchers should develop strategies for working across multiple archives to build comprehensive pictures of historical processes and relationships. The corporate archives (Unilever/UAC and Barclays) can be particularly productive when analysed in conjunction with government records, missionary materials, and local documentation.

Digital Integration: Consider developing digital platforms that integrate materials from multiple archives, enabling new forms of analysis and presentation. The University of Liverpool’s technical capabilities and AHUWA’s research focus provide ideal foundations for such initiatives.

Community Engagement: Explore opportunities for community-based research that connects archival materials with contemporary West African communities in Northwest England. AHUWA’s community engagement expertise and Liverpool’s diverse population create opportunities for participatory research approaches.

Future Research Directions

Emerging Themes

The archive survey suggests several promising research directions:

1. Infrastructure and Development: Examining colonial infrastructure projects and their long-term implications for contemporary development challenges.

2. Knowledge Transfer: Investigating how knowledge, practices, and technologies moved between West Africa and Northwest England.

3. Cultural Networks: Exploring the cultural connections and exchanges that developed through colonial relationships.

4. Corporate Colonialism and Business History: The Unilever/UAC and Barclays archives provide exceptional opportunities for examining the role of European corporations in shaping West African development, including studies of extractive economies, corporate-state relations, and business adaptation to decolonization.

5. Post-Colonial Continuities: Examining how colonial-era relationships evolved in the post-independence period, with particular attention to ongoing corporate and financial connections.

Methodological Innovation

The archives offer opportunities for methodological innovation in:

  • Digital humanities applications
  • Multi-sited archival research
  • Community-based research approaches
  • Interdisciplinary collaboration

Conclusion

The West African archival materials in Northwest England represent a significant and underutilised resource for historical research. The diversity of collections, spanning multiple themes and formats, provides foundation for innovative research projects that can advance understanding of West African history, colonial relationships, and their contemporary implications. The exceptional corporate archives, particularly the Unilever/UAC and Barclays collections, offer unique insights into the mechanics of colonial economies and corporate power in Africa.

The established network of 48 archives, combined with the research capacity of the University of Liverpool and the specialized expertise of AHUWA, offers exceptional opportunities for collaborative research, comparative studies, and interdisciplinary projects. With seven archives containing substantial holdings and many others providing specialized materials, researchers have access to comprehensive source bases for addressing complex historical questions about corporate colonialism, financial systems, and economic development.

The University of Liverpool’s institutional strengths and AHUWA’s focused mission create an ideal environment for developing the research potential of these collections. Their combined expertise in West African studies, digital humanities, and community engagement provides the foundation for innovative methodological approaches and collaborative research initiatives that can significantly advance historical understanding.

Moving forward, the research community should prioritize developing collaborative frameworks that maximise the potential of these collections, with particular attention to the corporate archives that offer unique insights into the mechanics of colonial extraction and economic development. The foundations established through this survey, combined with Liverpool’s institutional capacity and AHUWA’s specialised focus, provide the groundwork for a new generation of research that can significantly advance historical understanding of West Africa and its relationship with Northwest England.

Navigating Archival Fieldwork in Mumbai: Challenges, Opportunities, and Positionality

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June 23, 2025
Archives, Heritage, Historiography, India
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Navigating Archival Fieldwork in Mumbai: Challenges, Opportunities, and Positionality

Excy Hansda E.Hansda@liverpool.ac.uk

A few months ago, I finished my fieldwork for my PhD research in Architectural History. My research investigates the microhistories of the middle-class Indians who moved to the suburbs of Bombay in the early twentieth century and the kind of spaces they lived in. Looking at a postcolonial angle, I am interested in questioning the colonial suburban vision and by highlighting the Indian agency in shaping the suburban urban housing projects, neighbourhoods and their dwellings in late-colonial Bombay. This blog reflects on the challenges and opportunities I encountered while conducting fieldwork in Mumbai. As an Indian PhD scholar based in England, fluent in both English and Hindi, I found that my position brought unique advantages and complications to archival research in Mumbai.

I have prior experience working in archives in both the UK and India. I quickly realized that my background—an Indian architect affiliated with a British academic institution working on a historical subject—often piqued interest in my project. Despite the initial curiosity my profile evoked, I was one of hundreds of Non-Resident Indians (NRI) affiliated with overseas institutions, and this seldom translated into privilege. If anything, being a North Indian, I was seen as a foreigner in Mumbai. Accessing senior bureaucrats in archival institutions and getting information smoothly and efficiently remained particularly difficult.

Finding the Right Archives

I began “getting the data” early in my PhD (February 2023), in parallel with my literature review. I started with the India Office Records at the British Library in London and expanded my search to include collections at the Liverpool School of Hygiene and Tropical Medicine, the School of Oriental and African Studies, the London School of Hygiene and Tropical Medicine, the National Archives at Kew, and others. I investigated diverse sources—Annual Administrative Reports, maps, manuals, and published books. However, due to the hyper-specific focus of my study, initial results were limited.

This led me to change my methodological approach. I revisited the literature and drew on approaches from disciplines such as cultural studies, English literature, and sociology. This led me to explore unofficial sources such as online newspapers, Town Planning Review and the Journal of the Indian Institute of Architects at the Royal Institute of British Architects Archives in London. This helped me expand my knowledge of my subject.

My first fieldwork trip to Mumbai (January 2024) opened a new chapter. I visited the Maharashtra State Archives (MSA) at Elphinstone College, Mumbai, where I discovered files rich in minute detail—memos, petitions, letters, advertisements, maps, municipal debates, and more—everything useful for my research, unlike the colonial records in London, which largely included annual administrative reports and policy documents of the colonial bodies like the Bombay Improvement Trust and the Bombay Development Department, the Mumbai archives revealed the voices and subjectivities of local Indian residents who contested colonial policies and many cases of negotiations, contestations and even micro-scale conflicts which were often absent from official reports.

Missing Records and the State of Archives

Accessing the archives was not easy. The MSA, one of India’s oldest surviving archives, is poorly maintained and has limited funds. Files are deteriorating, and storage conditions are far from ideal. The reading room is small and dusty, with limited hours—open only five days a week, six hours per day, with an hour-long lunch break. Visitors can request just five files a day. The retrieval process is slow (waiting over two hours is common). Photography is not allowed, and one must request Xerox (Fig 1) or scanned copies, which are payable only in cash. Getting Xeroxes can take 20 days or more; scans may take months. (I am still waiting for the scans that I requested in February) Therefore, I resorted to transcribing the files and making notes (Fig 3 and 4).

Many records are missing. Files before the 1920s are largely uncatalogued and are organized as volumes for entire years for each department of the archives (Revenue, Judicial, PWD, General). Finding specific content means reading through these thick volumes page by page. For post-1920s material, although some cataloguing exists, it’s often incomplete. These are specific files which are numbered, and the numbers correspond to the numbers present in the hefty indices. One has to go through the indices in order to find the files.

Once a file is located, an office peon brings it—after dusting it off (Fig 2). Some are missing completely, and the office peons cannot find them. Others are in fragmented conditions, so they cannot be accessed. While others have missing maps or pages which are crumbling into fragments.

Fig 1: Xerox of a page in a file located at the MSA

Fig 2: A File on Co-operative Housing Society at the MSA

Fig 3 and 4: Transcriptions and Notes I made based on information available in archival documents at the MSA

Finding Sources

A central database for archival material simply does not exist. I relied heavily on human networks: clerks, peons, research assistants, historians, archivists, and fellow researchers. Often, they directed me to smaller archives—usually cramped rooms within municipal offices—where old documents were kept in poor condition and disorganized bulk.

At the MSA in Elphinstone College, I was directed to the Old Customs House in Mumbai. There, I learned they only housed records from Bombay City, so I was redirected to the archives at the Municipal Corporation Office of Bombay Suburban District in Bandra, only to be told that my time period of interest was not covered. Eventually, I was pointed toward ward offices, municipal boards, and local talathi (village record) offices.

Due to reorganization across the colonial and post-independence eras and the separation of districts and provincial state, records have been scattered. The only way to find them is through local knowledge—gathered from seasoned researchers, administrators, or office staff. Sometimes, I stumbled upon data in unexpected places, such as the Dadar municipal archives or the Art Deco Mumbai Society, which provided helpful secondary sources in English and vernacular languages (Fig 5 and 6).

Fig 5 and 6: Books obtained at the Art Deco Mumbai Trust, Mumbai

The reception of these archives was also varied. Sometimes, the staff was friendly and gave me access to files, right after I showed him my ID card and university letters. In other cases, I was made to wait for half an hour before meeting the upper bureaucrat. Sometimes, I had to follow up several times before they granted me permission to visit their archives. This was the case of Municipal Corporation archives, Mumbai. 

Navigating the Neighbourhoods

Beyond archives, the buildings themselves served as vital secondary sources. Many twentieth-century buildings had been demolished, redeveloped, or repurposed. Some stood vacant; others had been converted into commercial spaces, with original residents gone.

Identifying buildings from the 1930s–40s required searching for buildings with style, typology and aesthetics matching that of the 20th-century architecture of Bombay. I used secondary literature available on Mumbai, tips from fellow researchers and architects working in Mumbai, detailed reports from the Mumbai Metropolitan Region – Heritage Conservation Society (MMR-HCS), and a database created by Art Deco Mumbai Trust to search buildings. These contained valuable mapping and description of old historic surviving buildings with histories of ownership, years of construction, sketches, photographs, and drawings. I used these for site observations and photographing the exteriors of the building (Fig 7 and 8).

Fig 7 and 8: Walking in the suburban town of Khar, Mumbai as a Method to Collect Data

However, accessing the interior of the buildings was a different challenge. I was often accompanied by a local Marathi-speaking friend to help communicate. His surname “Patil”, which is common in Mumbai, could have helped me start a conversation with the local residents of Mumbai suburbs- so I thought. Residents were tight-lipped, asking questions like “Kahan rehte ho?” (Where do you live?), “Marathi nahi aati kya?” (Don’t you know Marathi?), and “Kya dharam/jaat/surname hai?” (What’s your religion/caste/surname?). These euphemistic inquiries exposed the enduring social divisions of caste, class, and religion—reminding me that while buildings and built fabric might have changed, social fabrics and the mindset of the people are just the same as in the 1930s-40s Bombay.

Language

In the scrutiny of archival works, language skills were sometimes difficult. Language agitation and violence in the name of protecting Marathi culture and identity are common in Mumbai and the provincial state of Maharashtra, where outsiders are forced to speak in Marathi. However, most of the time, people were helpful to me in finding the source materials. The historians in academic and non-academic institutions were proficient in English, Hindi, and Marathi, and they helped me with ideas for my projects. People, especially those working in lower bureaucracy, were able to speak Hindi and directed me to people and places where I could retrieve information.

Logistics of Living in Mumbai

One has to find the right months to work in Mumbai. Working in August was not ideal. The intense humidity and monsoons made things spectacularly difficult. Working in summer could be difficult as well, as the heat is intense and the humidity is dangerously high. Working during the winter is better, though it is mosquito season. I lived in Vasai, a northern suburban town outside Mumbai, and used to commute on a local train two hours away from the archives, which was at the final southern station of Bombay city. Just like what I wanted to study, I lived like a middle-class person who lived in the suburbs and commuted to the city to make ends meet.

Final Reflections

Someone who works at, for example, the British Library or the Biblioteque Nationale, would not expect this set of challenges. These challenges included obtaining sources of information from beyond the archives, pursuing people to find information, and collecting data in sometimes un-welcoming environments, for which one needs to have a different approach towards them. Being a people’s person and being street-smart helps. Networking and making connections with people make things easier and give you access to a substantial amount of information. Whilst there were complications, it was an enriching experience, making me skilled in finding sources of information, connecting dots, finding and sometimes creating a thread, and keeping backup plans ready. Here, adaptability and patience helped. Having relationships with people has helped me more than having any institutional affiliations, 

Fig 9: The sign board at the local railway station from where I boarded the train to the archives, every morning

Fig 10: The family with their neighbours with whom I lived in Mumbai suburbs

Finally, although having friends-like family in Mumbai and its suburbs made me somewhat familiar with the city, however being a North Indian, miles away from Mumbai, I am sure I might not have noticed a lot of subtleties both inside and outside the archives and sites of inquiry. On the other hand, as a scholar based in England, I found certain information in files, ideas, or simply the way of living striking, which Mumbaikars would have taken for granted. I am indebted to the Patil family and my friends at IIT Powai, where I imposed myself for a significant time period. Also, my colleagues who I knew before and the ones whom I met at the archives helped me point out interesting details, showed me directions during this fieldwork, and accompanied me on several site visits. These certainly positioned me in how I was looking at the sources, the archives, the people, the suburbs and the city.

CFP: III International Congress on Colonial and Post-Colonial Landscapes: Architecture, Colonialism and Labour 

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April 14, 2025
Africa, British Colonial Architecture, call for papers, Conferences, European Transnational, Global Architecture, Heritage, Historiography, Tropical Architecture
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11-13 February 2026
Fundação Calouste Gulbenkian, Lisbon​

After questioning Architecture, Cities and Infrastructure (2019) and Architecture, Colonialism and War (2023), the third edition of the Colonial and Post-colonial Landscapes Congress (2026) will intersect the topics of Architecture, Colonialism and Labour.: https://www.archlabour.com/cpcl-2026

Although a common topic in colonial historiography, the influence of large-scale labor on the creation of built environments—including the design, construction, and maintenance of infrastructure, buildings and landscapes—has not been fully explored in the context of colonial architecture. The topic has significant implications not only for the description of past societies, but especially for the comprehension and support of present-day communities with colonial pasts and their relationship to the production of space. Connecting architecture and labor in these contexts offers a promising avenue for addressing some of the challenges encountered by postcolonial societies. These include the relationship with “Western” construction technologies and materials, scarcity of traditional building systems and their undervalued insights on climate adaptation and sustainable solutions, and persistent racial and gender inequalities in public works labor environments.

This congress welcomes contributions from diverse geographical, disciplinary, and chronological backgrounds to promote a wide and tough-provoking debate, crossing the history of colonial architecture, labour and social history and construction technology.

https://www.archlabour.com/cpcl-2026

New Publication: Architecture, Empire, and Trade: The United Africa Company

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March 25, 2025
Africa, AHUWA, British Colonial Architecture, Congo, Fry & Drew, Ghana, Global Architecture, Heritage, Historiography, Ibadan, Lagos, Nigeria, Sierra Leone, Tropical Architecture, United Africa Company
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Our monograph Architecture, Empire, and Trade: The United Africa Company has just been published with Bloomsbury. We’re delighted to finally share our findings with you on the architecture of Western and Central Africa. The work begins with an critique of the archive and the UAC collections, before examining the Royal Niger Company, the development of Burutu and Lagos; the Lever’s concessions in Congo, the timber townships of Samreboi and Sapele; real estate and construction, the Kingsway Stores, and much more.

In addition to the main chapters the monograph includes specially commissioned essays from ‘responders’ as well as a series of photographic essays using previously unpublished images from the superb Unilever archives.

You can read the entire book here – it’s all open access: https://www.bloomsburycollections.com/monograph?docid=b-9781350411340

Thank you to Ewan Harrison, Michele Tenzon, Rixt Woudstra, Claire Tunstall, and our excellent responders for all their hard work and contributions.

Liverpool School of Architecture: AHUWA Studio Field trip to Ghana 2025

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February 6, 2025
Africa, AHUWA, British Colonial Architecture, Fry & Drew, Ghana, Heritage, Historiography, transnational, Tropical Architecture, United Africa Company
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We’ve just returned from a Liverpool School of Architecture BA3 field trip to Ghana. 17 students from the AHUWA studio visited Accra, Kumasi, Cape Coast, and Aburi. We’ll be setting a theoretical design project at the former Kingsway Stores site on Accra’s High Street. Students will be using the site to test climatically appropriate design solutions, naturally cooled interiors, and how a new botanical research station, exhibition, and garden could be reimagined in the historic core of Accra.

We visited Jamestown, the Padmore Library, Accra Library, Black Star Square and various streets and buildings around central Accra.

Joe Addo kindly gave us permission to visit his home in Medina, and from there we went to the University of Ghana.

In Kumasi we visited the KNUST campus as well as the Ejisu Besease Shrine – an early 19thC shrine and one of the few surviving Asanti traditional buildings (now all UNESCO heritage sites).

The large new build with the white columns behind the glazing is going to be the new arts and architecture building on campus. It sits at the end of the road axis leading to the library and great hall. It’s not finished yet and we couldn’t visit the interior. From there we went to the Kumasi Cultural Centre to see the Nickson and Borys designed Asanti Regional Library before heading to Adum and central Kumasi. We travelled by bus to from Kumasi to Cape Coast where we visited the Cape Coast castle – with an excellent tour of its disturbing and poignant history. We returned along the coast road back to Accra to continue our buildings visits there and to the Botanical Gardens at Aburi.

We visited the dot atelier new artist studios and gallery spaces designed by Adjaye Associates too. A 3-storey rammed earth building with concrete frame and distinctive saw-tooth roof above the gallery. The clerestory windows set within the roof are north-facing. The vertical circulation has large openings offering views out over the suburb and allowing the sea-breeze to circulate through the building. A metal flashing detail was being retrofitted below the exposed concrete floor and the pisé – the mud was being eroded at that point and required some additional protection. It’s a fascinating structure and clearly an experimental project that requires fine-tuning and testing.

I gave a talk on some of our research and studies of Accra’s heritage structure for the Ghana Institute of Architects and Centre for Architecture and Arts Heritage. Architect David Kojo Derban kindly organised the event – and is pursuing an important mission to preserve, list, and celebrate the heritage structures and spaces within Ghana. David kindly showed us a project he’s been tasked with restoring. It’s the Osu Salem Presbyterian Middle Boys Boarding School – founded by the Basel Mission of Switzerland in 1843. The timber frames, shutters, windows, and verandahs were all pre-fabricated in Germany and then imported. The wattle and daub walls were infilled using local adobe, stones, and plaster. The school is now severely dilapidated and in urgent need of repair. It may not survive the next rain season.

Kingsway: Takoradi store identified

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October 16, 2024
Africa, British Colonial Architecture, Ghana, Heritage, Tropical Architecture, United Africa Company
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Kingsway: Takoradi store identified

When I was scanning the images for the Kingsway Stores exhibition and recent article, I came across the Takoradi Kingsway in a colour slide. It wasn’t a building I was familiar with and hadn’t seen any other references to it within the wider UAC archive. The design is also different to the other branches – it doesn’t seem to fit with the earlier Millers (old Accra) or F&A Swanzy (Kumasi) stores – nor with the James Lomax-Simpson designs found at neighbouring Sekondi and Cape Coast. The branch at Sekondi complicates things further – why would there be a Kingsway at both Sekondi and Takoradi when they’re so physically close together? The Takoradi branch is also a substantial structure – far larger than might be expected for a town of this scale. Perhaps it was used as a warehouse or depot for the wider enterprise, receiving the imported goods from the neighbouring port that had opened in the 1920s, or was it used as a regional office and retail outlet for the UAC (or one of its predecessors) when the new town and port was set out? The archives include some replanning and refurbishment plans from the 1960s but nothing on the structure’s history and design. The neo-classical facade with ionic columns in antis is also unusual – contrasting with the more moderne 1930s turrets and cantilevered canopies.

Kingsway Takoradi, Ghana: reproduced from an original in the Unilever Archive UAC/1/11/10/1/10, 1958.

I began to look at the maps of Takoradi to try to locate the structure, but couldn’t find anything on this scale – it was only when I reviewed my photos of the town that I found a contemporary image. The building is still standing and largely unaltered. It’s located amongst the other large European trading properties that were built around the customs house, train station and post office. There’s also shipping offices for Palm Line and Elder Dempster, along with a Barclays bank within this commercial cluster.

Former Kingsway Stores, Takoradi, 2022

Ghosts, Gifts and The Red Clay Revolution

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August 30, 2024
Africa, British Colonial Architecture, Ghana, Global Architecture, Heritage
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Ghosts, Gifts and The Red Clay Revolution
By Iain Jackson and Martin Wallace

Ibrahim Mahama is a man on a mission. An artist whose raison d’etre is both to provoke questions about Ghana’s colonial past and to inspire actions towards a more positive, equitable future. Hot on the heels of his Purple Hibiscus work at the Barbican, ‘Songs about Roses’ opened in Edinburgh’s Fruitmarket on 13th July 2024.

But in some ways, these and his other international shows are just the tip of the iceberg because the main event is on the outskirts of Tamale, northern Ghana, where Mahama was born. In July he showed us around and shared the thinking behind the immense project.

Red Clay: Studio, Archive, Gallery, School: Tamale, Ghana

For the past 9 years, Mahama has used the proceeds of his international career to build art ‘infrastructure’ in Tamale from the ground up. He has created a huge studio-gallery-archive complex called Red Clay. It’s here that much of his work returns after it’s been exhibited around the world, put on display in vast colonnaded hand-made brick structures with polished terrazzo floors. When he’s not working elsewhere, he lives on site. This is an artist’s studio with a difference. Open to the public; there is no entrance fee. It is a gift.

Recognising the economic precarity of the vast majority of Ghanaians, Mahama ‘wants the people of Tamale to be able to experience this art, and the best art made by others too.’ An exhibition on James Barnor’s photography is currently on show. ‘Even if they could’, Mahama asks, ‘why should they have to travel to the Serpentine to experience this art?’ A full retrospective of Barnor’s work is on show in SCCA, a sister institution built by Mahama on the other side of Tamale. It is another, large-scale, free-access space dedicated to platforming under-appreciated Ghanaian artists of the past. A disused concrete silo structure has also been acquired by Mahama in Tamale. Left abandoned and unfinished following the 1966 coup it became a ruin before it was even finished. Mahama has renamed it Nkrumah Volini and uses it to discuss the political shifts in Ghana’s history as well as showing films and installations.

Nkrumah Volini

While Red Clay draws international visitors each week, the vast majority of its patrons are local people, some bringing picnics to the only free public space in Tamale. Busloads of children from schools in neighbouring villages are allowed to touch and explore these vast installations. The big idea here isn’t about art per se but to use objects and their material histories (their ‘ghosts’) as an invitation to ask questions and begin to imagine future possibilities. It’s about demystifying technology, sparking curiosity, and encouraging a desire to pursue visions through creative problem solving.

Selom Kudjie giving a tour at Nkrumah Volini

This invitation is backed up by educational opportunities. Classes for building PCs and coding are delivered in one of the seven aeroplanes Mahama has brought to this rural savannah, creating something of a surreal transport hub where the journeys are cerebral rather than physical. He also imported old trains from Germany that are in the process of being converted into accommodation for visiting artists (including the one used by Queen Elizabeth II when she visited Ghana in 1961).

When the railways were built in Ghana they did not extend into the northern territories, and many local visitors have never encountered a train before. Leading us through the now gutted carriages, Mahama reminds us about the immense amount of labour involved in making the colonial railways. He speculates on how many tonnes of resources and produce machines like these helped to extract during the colonial period. His work operates on these differing layers – at once an engaging and accessible spectacle that evokes traces of the histories of industry and technological innovation, whilst also critically examining the deployment and impact of these machines.

Ibrahim Mahama looking at his sketchbook archive

Informal tours of Red Clay are delivered by a series of local ambassadors employed by Mahama. They make the ideas at play accessible to local visitors in their own language, Dagbani. It’s a place where children and families are welcome. Letting people see processes rather than only the finished art pieces is also part of the offer. When the trains and planes were transported across country on flatbed lorries, Mahama documented their conspicuous journeys and the quizzical, joyous public response; bold, large-scale action that provokes excitement and a sense of ambition.

In one of the giant red-brick rooms, preparations for a New York show at White Cube in September are underway. A team of local women dip their brushes into the same black ink sometimes used to create semi-permanent eyeliner. But here they graffiti names and words agreed with Mahama across rough reclaimed leather panels that have been ripped from the floors of the train carriages as part of the refurb. Nothing is wasted. The humdrum is defamiliarized and ghosts within materials are encouraged to tell their tales.

Studio work in progress

In another brick-built hanger, women have walked from miles around to swap their tired, old enamelled bowls for shiny, new aluminium ones. Mahama wants the old ones as an index of the thousands of hours labour their battered frames represent. He has exchanged about 1500 and plans to balance a diesel locomotive on the old bowls, echoing the usual way in which the bowls are carried on the head to transport all manner of produce around every village and town.

Enamel bowls collected for a new exhibition and exchanged for new aluminium bowls
New bowls for Old

In one of the huge gallery spaces lit by towering windows is a piece first shown at White Cube Bermondsey 2019-21 entitled, ‘Capital Corpses’. Rows of gnarled desks salvaged from schools are mounted with old sewing machines facing a wall of blackboards replete with chalk lessons. When the machines are started by remote control, the clatter is at first startling and then uncanny; a room full of invisible operators burst into life, summoned to an unknown task. The school desks conjure an idea of children as future factory fodder. Like so much of Mahama’s work, he counterpoints a certain nostalgia and appreciation of familiar historic objects with an acknowledgement of the stark horror that these things, machines and regimes inflicted.

Ibrahim Mahama and ‘Capital Corpses’, Red Clay, Tamale, Ghana

Mahama and his team have achieved a lot in Tamale over the last 9 years but much remains to be done to complete his revolutionary vision and unlock the full emancipatory potential of art. But he’s clearly in this for the long haul, determined to explore Ghana’s complex colonial history and to speculate about its possible futures. Red Clay is a place where these ghosts of past and future mingle in powerful ways and invite us to play.

Exhibition Preview: Shopping Emporiums of West Africa: The Kingsway Stores.

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June 27, 2024
Africa, Ghana, Heritage, Ibadan, Lagos, Nigeria, transnational, Tropical Architecture, United Africa Company
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We’d like to invite readers of TAG blog to our new exhibition preview, Shopping Emporiums of West Africa: The Kingsway Stores. The preview runs from 23rd – 24th July 2024 between 10am-4pm at Lever House in Port Sunlight CH62 4UY. 

Please RSVP with a preferred date and time to ijackson@liverpool.ac.uk [walk-ins are not possible – so please let us know beforehand!]. The exhibition catalogue PDF will be available here shortly.

The exhibition will display previously unseen Unilever archival material from the 1920s-1960s, as well as a series of specially commissioned architectural models of the boutiques from Ghana, Nigeria, Sierra Leone, and Gambia.

3d printed model of Kingsway Apapa, Nigeria, by Mohadeseh Kani.

During the past 3 years we’ve been researching the architecture of the United Africa Company, and this exhibition focuses on one of their subsidiary companies, The Kingsway Stores. These shops provided some of the premiere retail environments of the time selling a wide array of imported goods from tinned food and distilled beverages through to the latest fashion, typewriters, bicycles, motorcars, and much more. 

The stores were located at prime sites and became drivers for further real estate development whilst their architecture sought to demonstrate how ‘fine buildings enrich a nation’. The opening of a new Kingsway Store reflected a sense of modernity and success for a city  – and politicians from the colonial, as well as independence period, were eager to associate with the stores. The political independence of Nigeria and Ghana saw a new array of emporiums opening as a commitment to the new regimes, as well as to capitalise on the independence euphoria and economic boom.

This exhibition tells this story through two specially fabricated pop-up pavilions. Hundreds of photographs, two films, maps, and models will be on display. After Lever House the exhibition will travel to Birkenhead, Liverpool, Accra, and Lagos….We do hope you can join us for the preview.


Iain Jackson – University of Liverpool, School of Architecture
Claire Tunstall – Unilever Archives and Records Management

Call for Papers: Exploring UNESCO and UIA – Histories of Architecture and Bureaucracy in Development Contexts

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June 20, 2024
call for papers, Heritage
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Call for Papers

International Workshop, gta Institute, ETH Zurich

21–22 November 2024

Exploring UNESCO and UIA – Histories of Architecture and Bureaucracy in Development Contexts

Organised by Frederike Lausch and Andreas Kalpakci

International organisations had a profound impact on the global architectural culture of the Cold War period. Two of them stood out: UNESCO (the United Nations Educational, Scientific and Cultural Organisation, an intergovernmental organisation) and UIA (the International Union of Architects, an international association of architectural societies). Their respective roles in the institutionalisation of heritage conservation and in the promotion of the architectural profession are well documented. Rather, this workshop places particular emphasis on the relationship between UNESCO and UIA. This relationship began in the formative years of both bodies in the immediate post-war era and continues to this day in areas such as architectural education and international architectural competitions.

As a discipline and discourse, architecture participated in the development regime that sought to restructure societies in the pursuit of socio-economic “progress”, thereby perpetuating colonial power dynamics. Exploring the relationship between UNESCO and UIA builds on recent scholarship that links bureaucracy to architecture’s involvement in development contexts, defining practices, directing information flows, and mediating legitimacy. Both organisations have been engaged in development contexts, from the 1963 UIA congress on “Architecture in Countries in the Process of Development” to the work of UNESCO’s Division for Human Settlements and the Socio-Cultural Environment, established in 1976. How did these organisations interact in terms of cooperation, competition, and interdependence? How did they provide training, knowledge transfer, and technical assistance to so-called “developing countries”? How did they mediate architecture in these contexts, contributing to nation-building and international exchange?

This workshop aims to explore critical histories of the multifaceted relationship between UNESCO and UIA in development contexts. It will address various aspects of their partnership, including environmental initiatives, housing programmes, school buildings, professionalisation efforts, heritage campaigns, international networking, and media strategies. The workshop will also serve as a platform for exchanging research methodologies, archival sources, and historiographical perspectives.

We invite papers that explore the relationship between UNESCO and UIA as development actors during the Cold War in a wide range of geographical contexts. Papers are free to focus either on the relationship between the two organisations or on each organisation individually. Topics may include the situated histories of specific projects (e.g. buildings, publications, exhibitions, and conferences), the agency of lesser-known voices (e.g. international experts, civil servants, and local stakeholders), and the interactions between Paris (the headquarters of both organisations), national professional societies of architects, and the often abstract “target audience”. Contributions are welcome from a variety of disciplines, including architectural history and theory, art history, cultural studies, international relations, cultural sociology, and the history and philosophy of science.

The workshop will take place from 21 November 2024 (half day) to 22 November 2024 (full day) in Zurich, Switzerland and will be available via live streaming. We aim to cover travel and accommodation costs, although the format (in person or hybrid) will depend on the availability of funding. Please submit an abstract of no more than 300 words and a short bio of no more than 100 words to Frederike Lausch (lausch@arch.ethz.ch) and Andreas Kalpakci (andreas.kalpakci@gta.arch.ethz.ch) by 31 July 2024.

Dakar: Senegal visit

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May 1, 2024
Africa, AHUWA, Heritage, transnational, Tropical Architecture
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We’re making a visit into Dakar in Senegal this week. It’s mainly an exploratory trip as we’ve not ventured into Francophone Africa before and are eager to meet up with some architects here and friends from MOHOA .

Today was all about pounding the streets and exploring some of the everyday commercial architecture, public buildings, docklands, religious buildings, museums, and streetscapes of downtown Dakar. It didn’t disappoint and using our trusty Vol2 of the Sub-Saharan Africa guide we were quickly able to track down some of the classics (and many more that don’t feature in the impressive guide).

Chamber of Commerce, 1926.
Kermel Market, 1910, Charles Pleyber

The Kermel market sits amongst an array of colonial era structures. It was destroyed by fire 1993, but rebuilt in 1997 to match the original design.

Dakar railway station with faience ceramic facade detailing. The newer interior structure provides control to the tracks and adds further commercial space.

Commercial structures, residences, markets, and banks by the docklands of Dakar. I thought the images top left and top middle were the Sandaga Market – but not sure now. There’s going to be a lot of further research and investigation required after this trip….

Museum of Black Civilisation
Grand National Theatre, 2011, Pierre Goudiaby Atepa

Just beyond the Train Station are two vast civic structures – the National Theatre [the largest in Africa] and the Museum of Black Civilisation, built by the Shanghai Construction Group in 2018.

Institut d’Hygiène Sociale was a highlight today – designed by Henry Adenot around 1932 attempted to introduce more regional or local interpretations to the colonial architecture canon. This building has been described as Sudano-Sahelian but it borrows liberally from across Western African architecture, as well as introducing zig-zag motifs, sunbursts, and playful interiors.

Most of the downtown area it set out according to a grid plan, with buildings reaching 4 or 5 stories in height. There’s a variety of commercial structures some bearing the name of the old trading companies and families, others depicting bas relief decorative panels or double-skin solar breakers.