Central Ibadan

In the shadow of the 26 storey Cocoa House (Africa’s tallest structure at one point – 1964-65 , architect?, contractor Cappa and D’Alberto) is a small, much more interesting, circular building clad in mosaic and topped with a dome. The splayed cantilevered entrance leads to a swimming pool with beautiful concrete diving boards and viewing gallery. The circular building is now a night-club.

From here we visited the library complex and another domed building with vertical brise-soleil used by FirstBank. We continued to Fry and Drew’s Co-operative bank tower with its associated set of structures set behind, including the Obisesan Hall (similar to Trenchard Hall in its outline but lacking the expensive materials and finish) and a series of shops and flats. It’s an interesting grouping of projects covering a city block and bringing together office, assembly, retail, and residential spaces into a mixed use constellation.

Opposite is Design Group’s Finance House (now Aje House) with the concave mosaic above the entrance. The Nigerian Broadcasting house is also here, again clad in the distinctive blue tessellating tiles that are a key feature of Ibadan’s modernist structures. The Kingsway store (by T P Bennett, 1960) has a distinctive tower competing for attention as Ibadan’s architecture increased its scale and storey heights during the post-independence boom. Each façade of the store is given a different treatment – the tricolour mosaic façade responds to the Broadcasting House opposite and whilst the east and west facing facades are treated with vast brise soleil built on rubble walling. It’s a major project, and once the largest store in the city fitted out with fine materials. Part of the building is still occupied, but it’s dilapidated and suffering from years of neglect. 

John Holts offices sits opposite and the United Africa Company offices is also amongst this mercantile cluster, with its distinctive symmetrical ‘deco’ façade and projecting canopies could be a late James Lomax-Simpson project?

We couldn’t visit Ibadan without calling at the modernist campus at University of Ibadan. We visited Trenchard Hall and the administrative block, as well as Kenneth Dike Library. As well as these Fry and Drew classics we revisited the small Chapel of the Resurrection designed by ecclesiastical architect George Pace (1915–75).

Off campus it was a real privilege to finally visit the Dominican Chapel by Demas Nwoko (b1935)- winner of the Venice Bienalle Golden Lion Award 2023. This tribute was long overdue for this visionary polymath artist. His work is difficult to describe, but easy to understand and enjoy. Architecture is Nwoko’s medium. He uses architecture (i.e. space, light, volume, materials, procession) as others sculpt clay or apply paint.

The chapel has various layers – each element works as a distinct component whilst adding to the whole. I particularly enjoyed the loggia at the back of the chapel, as well as the flow of light down from the steeple onto the alter below. It’s quirky and full of whimsey, but there are no gimmicks or affected gestures – it’s a beautiful chapel and a joyful place.