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West Indies

Charles Eric Wilkinson, late 1940s in British Guiana. Source: Michelle Joan Wilkinson.

My grandfather, Charles Eric Wilkinson, was a black architect-builder involved in major government-sponsored building and infrastructure projects in British Guiana from the 1930s to the 1970s. I place Wilkinson’s built work and its surviving archive of bookkeeping ledgers, letters, photographs, and architectural drawings in conversation with material from national archives in Guyana and England, adding oral histories from family members. White architects stationed in British Guiana and the Caribbean reported back to England about the “skilled craftsmen” (carpenters and building contractors) that they observed. Based on family lore and archives, I question the interactions between the supposed foreign “expert” architects and the local builders, seeking to document this period more accurately through architectural work that has remained in the shadows.

Wilkinson’s concrete house in the late 1950s, before he added a concrete fence and bridge from the front yard. Source: Michelle Joan Wilkinson.

The backdrop to my research is the rise of foreign-aided, self-help building schemes in British Guiana in 1954, the same year that Wilkinson endeavored to build a concrete house for his family. British and US architects were involved in British Guiana’s planning and housing development work. Howard Mackey, a Black American professor at Howard University, was on a team contributing to the self-help project. This period of Britain transitioning its so-called dependencies to self-sufficiencies provides an important context for understanding the role that black builders would play in shaping the built environment of the (independent) nation to come.

The full article is available here at Architecture Beyond Europe Journal : https://journals.openedition.org/abe/14943, full citation : Michelle Joan Wilkinson, “Shadow Work: Architecting While Black in British Guiana”, ABE Journal [Online], 21 | 2023, Online since 07 July 2023, connection on 13 April 2024. URL: http://journals.openedition.org/abe/14943; DOI: https://doi.org/10.4000/abe.14943

New Research:Suzanne Francis-Brown & Peter Francis Norman & Dawbarn, the UCWI, and Tropical Modernist Architecture in Jamaica” in Caribbean Quarterly, 65:1, 27-56, DOI: 10.1080/00086495.2019.1565219

The University College of the West Indies (UCWI) At Mona, Jamaica, established immediately following World War II, was one of the early greenfield university developments among British colonies in the Southern Hemisphere, as the British sought to ameliorate patently negative social conditions.

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UCWI Designed by Norman and Dawbarn. Image courtesy of Special Collections and Archives at University of Liverpool

It was also one of the early tropical iterations of the modernist aesthetic that affected European landscapes from the early to middle decades of the twentieth century, sparked by the Bauhaus school of design and the work of iconic architects of the modern movement. British architectural firm Norman & Dawbarn received the contract to design the nascent West Indian university and its associated teaching hospital only weeks after the arrival of the first principal on site in Jamaica in 1946, and the overall scheme proposed in 1947, parts of which were built in stages between 1949 and the mid-1960s, remains recognisable today despite differences at the time and subsequent shifts in architectural approach.

Full Paper here: https://doi.org/10.1080/00086495.2019.1565219