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Call for Papers: British Architecture in the World

As part of its long-running series Twentieth Century Architecture, the Twentieth Century Society is planning a journal for publication on the relationship between British architecture and other countries of the world, particularly those beyond Europe.

Pansodan Street, Yangon, including Chartered Bank, Palmer & Turner, 1939–41.

Pansodan Street, Yangon, including Chartered Bank, Palmer & Turner, 1939–41.

The nature of the relationship may take a number of forms, such as British-based practices working overseas, British architects establishing offices in other countries, architects coming to Britain for training before returning home, or more general issues of how the profession in Britain set standards for education and validation elsewhere, in particular through the RIBA. We tend to favour actual buildings as subject matter in Twentieth Century Architecture, but on this occasion the field may be wider, including town planning, cultural responses, climatic adaptation, administrative histories, professional formations, and relationships to the later period of colonialism and its ending. Accounts of the scope of archival resources could be of interest, and we might also include reports on the current state of buildings, including threats and conservation projects.

Jane Drew, housing in Sector-22, Chandigarh, c. 1954.

Jane Drew, housing in Sector-22, Chandigarh, c. 1954.

The scope outlined above is larger than usual for what is a relatively small collection of published pieces – the journal usually contains about ten articles – but it seems preferable not to place limitations until we are aware of what might be available. Recently, research and publication in this area have grown rapidly, and our aim is to bring together articles that complement each other, but with a spread of periods (anything from 1914 to around 2000), styles and locations. The journal will be the sixteenth in the series, and will probably be published in 2023.

In the first instance, please send your ideas by 01 July 2020 in the form of an abstract of up to 300 words, along with a brief CV and list of publications to date, to elain.harwood@HistoricEngland.org.uk, who will also answer any queries. Abstracts will be reviewed by the editorial committee of the journal, drawn from members of the Twentieth Century Society Publications Committee, and selected for full submission. Completed texts will be peer-reviewed.

Following commissioning, delivery would be 1 March 2022, the length of articles should be between 2,000 and 5,000 words, with up to ten images per article. Contributors are expected to provide and pay for images of publishable quality.

Otto Koenigsberger & Global Histories of Modernism by Vandana Baweja

Thursday 28 November 6pm – 7.30pm

Room 106 – Birkbeck School of Arts
43 Gordon Square, London WC1H 0PD

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Otto H. Koenigsberger (1908–1999) was a German émigré architect who worked as the state architect in princely Mysore in British India in the 1940s. Upon emigration to London in 1951, he subsequently became an educator of Tropical Architecture (1954–1971) at the Architectural Association School of Architecture.

This presentation by Vandana Baweja (University of Florida) examines how Koenigsberger’s career can illuminate “global” as a paradigm in modernist historiography.
Book Tickets (free)

 

A World of Architectural History is the 4th annual conference of the Architectural Research in Europe Network Association (ARENA).

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The conference aims to critique and celebrate the latest global advances within architectural history over the last few decades, by focusing upon the word ‘global’ in two senses: 

  • Geographically – referring to the increasing inclusion of all parts of the world in more complex and multiple discourses of architectural history
  • Intellectually – the ongoing expansion of architectural history into other academic subjects, plus the reception of ideas/themes from those subjects

Recognition will be given to a more inclusive approach to architectural history that seeks to incorporate the histories of all countries/regions, and to the significant contributions now being made through interdisciplinary links with other subjects. As such, the conference will represent the forefront of the field internationally and discuss where architectural history ought to head in the future.

Conference presenters will include those from a wide range of subject areas within The Bartlett Faculty of the Built Environment and leading figures in architectural history across the world. Both invited speakers and those selected via an open call will contribute their papers.

Conference themes

Eight thematic areas will be presented over the two days of the conference, with these themes also framing the call for papers:

  • Culture and Architectural History
  • Architectural History and Design Research
  • The Expanded Field
  • Colonialism, Post-Colonialism and Beyond
  • History, Environment and Technology
  • Architectural History as Pedagogy
  • Global Domesticity
  • Informalities, Identities and Subjectivities

https://www.ucl.ac.uk/bartlett/architecture/events/2018/nov/world-architectural-history-conference

 

 

 

Call for Papers Architecture & Culture: Behind the Scenes: Anonymity and the Hidden Mechanisms of Design and Architecture

Vol. 6, Issue no. 1, March 2018

Jessica Kelly, Editor.

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Rudolph, Paul, Architect. [Paul Rudolph’s architectural office in Manhattan. Man stepping across file cabinet tops among elevated drafting stations]. [Ca, 1965] Image. Retrieved from the Library of Congress, https://www.loc.gov/item/2010649573. (Accessed May 23, 2016.)

We tend to think about architects and designers as ’names’, creative individuals who have become branded personalities, bringing with them a particular look or attitude.  Yet as long ago as 1937, the journalist J.M. Richards declared that the personalities of architects and designers should become ‘culturally irrelevant’. Richards’ perspective emphasized the role of collective processes and anonymity in design and architecture. This Issue of Architecture and Culture seeks to look beyond the named individual or brand and explore the invisible, the overlooked and the ignored in design and architectural practice.

Focusing on the people, places and practices that are outside of or peripheral to conventional discussions, we ask in what ways personality remains relevant in design and architecture. This could include questioning the role of biography and autobiography in design discourses, exploring collaborative practices and globalised perspectives. The aim is not to propose new centres or canons but instead to de-centre discussions; to embrace the complexity and multiplicity of characters and narratives in design practice and history.

Coupled with this issue of personality, is the theme of ‘hidden mechanisms’ in design and architectural practice. Responding to Igea Troiani and Suzanne Ewing’s exploration of the ‘Inter, Multi and Trans-Disciplinary’ character of design practice, this Issue will consider the complex fields of activities involved in design and architecture. Emphasizing process rather than products or outputs, contributions might consider the role of administration, documentation, mediation and commentary in design practice. It will focus on the theme of networks (formal and informal, professional and personal) and will interrogate themes such as authorship, collaboration, creativity and the definitions of ‘ordinary’ in terms of practice, people and style.

Call for papers for this issue

We seek contributions from a wide range of practices and disciplines to interrogate the hidden, the intangible and the anonymous in design and architecture. We welcome contributions that consider alternative forms to the conventional academic essay, including the visual and verbal.

Contributions might address, but are not limited to, the following themes:

–    Design and anonymity in various contexts such as production, patent and copyright
–    Collective Practices and collaborative dynamics: Design teams, creativity and authorship
–    Networks – public and private, personal and professional
–    Non-masculinist/Feminist perspectives on design production
–    Spaces of production
–    Non-expert producers
–    Inter-disciplinary practices
–    Alternative modes of discourse: orality, non-verbal communication
–    Global perspectives on design practices and discourses

Contributions can range from short observations or manifestos, creative pieces, or visual essays, to longer academic articles. Architecture and Culture is published in both on-line and hard-copy formats: there is capacity to host on-line contributions that operate in a different way to paper-based work.

Production schedule

Response: 1 January 2017
Editors selection: February 2017
Peer Reviewing: March-June 2017
Authors Revisions: July-September 2017
Editorial checking: October-November 2017
Copy to publisher: 1 December 2017
Issue publication: March 2018

For author instructions, please go to ‘Instructions for Authors

Upload submissions at: http://www.editorialmanager.com/archcult/
Or via ‘submit online’ at http://www.tandfonline.com/loi/rfac

If you have any queries or require further information, please contact:
Jessica Kelly: ‪jkelly1@ucreative.ac.uk‬‬‬‪‬‬‬

Global Architectural History Teaching Collaborative at MIT

How do we teach the global history of architecture? What should we include in our classes and where can we gather the information, knowledge and sources that enable meaningful narratives to emerge? Is the global survey course even possible, or should we be utilising distinct and precise case studies to discuss the global condition instead?

These are just some of the questions that Global Architectural History Teaching Collaborative is attempting to answer as well as to create a community of scholars who will share and exchange knowledge to change the way we think about the history of architecture.. The GAHTC has been established by Mark Jarzombek and Vikramāditya Prakāsh with funding provided from Andrew W. Mellon Foundation, see http://gahtc.org for more information.

Grants are available for teaching teams to develop new teaching material and modes of teaching that deal with global history, from the beginning of time to the modern. This is a major challenge, but very exciting. In the current round of grants 9 teams have been accepted with the following ambitions:

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Panorama of the participants (photo by Rachel Lee)
  • Architecture and Climate in a Global Perspective – Team Daniel Barber
  • Sites and Networks of Global Modernity – Team Bob Cowherd
  • Globalizing a Humanities Approach to Architectural History – Team Ann C Huppert
  • Scales of Modernity – Team Jonathan Massey
  • The Architecture of Global Modernity, 1000-2000 CE – Team Kenny Cupers
  • The Global Turn: Architecture and the Built Environment Since World War Two – Team Michelangelo Sabatino
  • Technologies of Movement and Communication – Team Shundana Yusaf
  • East Asian Architecture from A Global Perspective: Cultural Transactions and the Development of Traditions – Team Shuishan Yu
  • The Modern Metropolis – Team Eric Mumford

At the first workshop, held in MIT (9th and 10th October 2014), each group gave a presentation that outlined their position and ambition. Most also proposed a distinct module of lectures/seminars and a discussion/critique followed. Day two was composed of a number of workshops that discussed ‘Deliverables and Digitisation’, ‘Pedagogy’, ‘The problem of teaching architecture made before 1800’, and ‘future ambitions’. A digital resource has been developed that will contain some of the data: http://www.timescape.io/login

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Vikram Prakash addressing conference.

Team Daniel Barber became known as the ‘Climate group’  – which is a perfectly accurate and succinct way of describing us, with the caveat that climate is not the only factor to determine the architecture we’re interested in.

We are proposing six themes/lectures, each to be lead by one team member:

“Architecture without Architects” and the Timeless Climatic Type [Albert Narath]

Colonial Architecture and Climate in Africa and Asia [Ola Uduku]

Sanitation, climate and statecraft in colonial societies [Iain Jackson]

Modernism, Climate, and Post-colonial development [Rachel Lee]

Universal Science and International Architecture after World War II [Daniel Barber]

Air Conditioning Takes Command [Jiat-Hwee Chang]

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Panorama of the Participants (photo by Rachel Lee)

TAG will continue to track the developments of GAHTC and to report on future developments…