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Adefola Toye writes:

Referentially: Towards a Decentred Future (https://mohoa.org/events/referentiality-towards-a-decentred-future/ ) was a one-day public event at the Bartlett School of Architecture organized by MoHoA (The Modern Heritage of Anthropocene- (https://mohoa.org/ ) and sponsored by the AHRC.

The event interrogated approaches that challenged the mainstream colonial, nationalist and social-cultural frameworks in architecture, art and heritage management scholarship and practice. It included discussions, talks and activities with a diverse range of speakers whose creative production explore approaches free from referential relationship with inequitable power structures.

A research conversation moderated by Edward Denison, Ievgenia Gubkina, Emily Mann and Shahid Vawda comprised speakers from multidisciplinary fields of research and practice with case studies from Africa, Asia and Europe. The speakers included Leverhulme Early Career Research Fellow, Dr. Alistair Cartwright and PhD researcher, Adefola Toye – both from Liverpool School of Architecture. Each speaker discussed the limitations they encounter when engaging mainstream sources for scholarship and research-in-practice which erases the agency of populations under study. Furthermore, they shared how they addressed this using participatory action research, public engagement, multidisciplinary methods and utilising crowdsourced open-access archives.

1. Image 1 by Edward Denison

2. Alistair Cartwright Presenting, by Edward Denison

The session concluded with talks from African heritage organizations, including the Direction du Patrimoine Culturel du Sénégal, Swahilipot Hub, and the University of Cape Town. They discussed existing and future initiatives for sustainable and inclusive heritage management on the continent. These included exhibitions, training workshops, public engagement tailored to different age groups and professions, and collaboration with local and global heritage partners.

Afterwards, a student-centered lunchtime activity with architect Sumayya Vally and BSA design tutor Jhono Bennett, explored referentiality in architectural research and practice through co-production and drawings based on the participants insights and experiences.

Image 3 by Adefola Toye

The remainder of the event was spent in conversations with notable speakers in the fields of architecture, art and curatorial practice.

Nana Ocran, founder and Editor of the People’s Stories Project, hosted discussions with multidisciplinary artists Christopher Samuel and Valerie Asiimwe Amani. They explained how their creative works use archives materials to create awareness about the underrepresentation of people with disabilities and colonial subjects.

Performers Peter Brathwaite and Kenneth Olumuyiwa Tharp examine ‘Rediscovering Black Portraiture’s use of domestic material culture to reimagine the historical image of black subjects as well as professional engagement with diverse art and culture foundations in the UK.

Image 4 by Adefola Toye

Architect, Sumayya Vally, and curator, Ekow Eshun also discussed the event’s theme in relation to their recent works: Asiat-Darse Project (Belgium) & the Islamic Arts Biennale (Saudi Arabia), and In the Black Fantastic (UK) & The Time is Always Now: Artists Reframe the Black Figure respectively.

Tofa Jaxx and guitarist Leon King closed the evening with a musical performance.

Adefolatomiwa.Toye@liverpool.ac.uk

Call for Papers for Modern Heritage in the Anthropocene Symposium

Modern Heritage in the Anthropocene is part of the MoHoA global collaborative and builds on the Modern Heritage of Africa symposium hosted by the University of Cape Town in September 2021. Coordinated by The Bartlett’s Professor Edward Denison and Head of the University of Liverpool’s School of Architecture, Professor Ola Uduku, along with partners at the University of Cape Town, the Africa World Heritage Fund and around the world, this upcoming hybrid symposium responds to an age of planetary crisis in which a precarious present reflects an inequitable past and a perilous future.

The international railway settlement of Fushun (northeast China), with its modern town planning and the Ryuho Colliery, built by Denang and Siemens, and home to one of the world’s largest open cast mines in the 1930s.

Modern heritage in all its forms and from around the world is the subject of this multidisciplinary symposium, presenting the paradox of being of modernity and yet threatened by its consequences. MoHoA was originally conceived within an African context to interrogate this paradox because the continent encapsulates the historical inequities that characterise the modern and its associated notions of development and progress while also facing the highest rates of urbanisation over the next 30 years, demanding new approaches to the past and present that achieve equitable and sustainable futures on a planetary scale. The outcomes of the two symposia will synthesise in the recognition of the Cape Town Document on Modern Heritage.

Call for papers

Submissions are invited from researchers, academics, and practitioners. The organisers are seeking papers or equivalent submissions that critically engage with reframing, re-evaluating, decentring, and decolonising recent, hidden or marginalised pasts in pursuit of achieving more equitable, just, and sustainable futures. Participants will contribute to the completion of the Cape Town Document on Modern Heritage, supporting policy change at a global level through our partner UNESCO.

Topics can include, but are not limited to:

  • Practices of coloniality, decentring and decolonising history and historiography
  • Considerations and conceptualisations of multiple modernities
  • Modern heritage and Sustainable Development Goals (SDGs)
  • Planetary futures and the Anthropocene
  • Infrastructure and (post)-industrial heritage
  • Combining culture and nature, and the role of natural heritage in society
  • Challenging binaries (rural/urban, modern/traditional, nature/culture, tangible/intangible, racial/non-racial etc)
  • Public space and memory: memorialisation, commemoration and remembering
  • Modern heritage and the World Heritage Convention

How to submit

Submissions should be in English or French and should be emailed to mohoa@ucl.ac.uk by 31 May 2022. 

Notification of acceptance will be provided by 30 June. Abstracts should be a maximum of 300 words or equivalent format (e.g. film shorts, blog, or Instagram story) for other types of digital submissions.

Selected papers or presentations will be published as part of the MoHoA Book Series after the conference and selected extended papers will appear in a special edition of the journal ‘Curator’.

More here: http://www.mohoa.uct.ac.za