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Plant Histories,
Plantation Architectures.

Singapore; Rome

TWO-CHAPTER SYMPOSIUM

Chapter 1: Singapore Botanic Gardens, 29—30 January, 2026

Chapter 2: Istituto Svizzero (Rome), 25—27 March, 2026

Call for Papers
Deadline: 31 August 2025

The symposium is organized by the research group “Voyaging Vapors: Plant Histories of Plantation Architectures” led by Dr. Will Davis at the Università della Svizzera italiana (USI), with Dr. Rixt Woudstra (University of Amsterdam), Siddharta Perez (NUS Museum), and Pina Kalina Haas (USI). The symposium is funded by the Swiss National Science Foundation and is organized in collaboration with and support from Singapore Botanic GardensNational Parks Board (Nparks), National University of Singapore Museum, the Swiss Institute (Rome), and Università della Svizzera italiana.

Description

Palm leaves loosely thatched create a bushy screen wall. The screen is part of a large building designed to shelter the pieces of other plants and make them dry out quickly. They are tobacco leaves, hanging from the rafters in neat rows swaying in the breeze. Nearby, the dried ones are being plucked and gathered into sorting bags, where they find themselves stacked by quick fingers into piles of like-colored leaves and pressed into baskets woven from the fronds of the pandanus plant. Finally, they are stowed into ships built with trees far from home, hulls of oak and elm, decks of pine. Altogether, they will float back towards Europe. Dry, sort, stack, press, stow, sell.

The plantation system is a term used to describe forms of monocrop agricultural land use, of shaping land after the cultivation of single crops in climates suitable to them. Scholarly discourse in recent years has traced the historical genealogies of extraction and de-diversification of the natural world that the system, with its rapacious claims to territory over four centuries, has come to represent. Because of their low seasonal variation and consistent sunlight, tropical zones—also some of the most biodiverse places in the world—have historically been sites where the most intense forms of plantation agriculture took place. In a broader sense, from at least the seventeenth century on, the plantation system fundamentally altered how people perceived land, property, plants, people, and their environments. Artificial species flows combined with trade and commerce created a disembodied system with disastrous consequences for the ecological complexity of the world and its climate.

The recognition of this system has led to contemporary shifts in perspectives of the environment, that it is interconnected and needs diversity in order to thrive, revealing the extent to which a reimagining of existence outside of plantation logics is necessary. Conceptually, therefore, to understand the history of the plantation is also a method to understand its opposite: biological complexity and inter-species flourishing.

Architecture has had a troubled historical relationship to plantation environments. As an ordering system, dwelling device, and apparatus for synthetic plant growth, one can project a range of examples. In Europe these range from the stately residences in the British countryside of erstwhile plantation owners in the Caribbean to greenhouses for testing banana plant hybrids to tobacco auction houses in Amsterdam. Geographically removed, yet deeply intertwined are the examples in Europe’s elsewheres: coffee processing warehouses under a tropical sun, watchtowers framing their perimeter, rudimentary barracks for workers; and as counterpart, examples of living outside of or in spite of the plantation system, such as maroon communities and so-called slave gardens.

What can plants tell us about these stories, and in what ways do plant histories diversify our understanding of the plantation system and its architectures?

This two-chapter symposium is interested in the entangled histories that the plantation system produced, and each location is chosen for its historical role in specific plantation stories. Singapore Botanic Gardens was founded in 1859 under the auspices of an Agri-Horticultural society for research and experimentation and played host to a series of botanists and plant explorers as a place to grow, experiment, and distribute potentially useful plants (among others, one early success was the cultivation and propagation of Hevea brasiliensis, Para Rubber). Chapter 1, “Plant Histories” takes place in two former colonial bungalows designed by architect Alfred J. Bidwell at the turn of the century that are now part of Singapore Botanic Gardens’ recent Gallop Extension. Chapter 2, “Plantation Architectures” takes place in Villa Maraini, the former home of Emilio Maraini who made his fortune in sugar beet plantations and refineries centered in Terni, Italy. The villa was designed by Maraini’s brother, Otto Maraini in 1905, and stands on an artificial hill (a former dump) in the Ludovisi district of Rome where since 1948 it has played host to the activities of the Swiss Institute.

Chapter 1: Plant Histories
Singapore Botanic Gardens, 29–30 January, 2026

Plant Histories focuses on the stories that plants tell about the plantation system in monsoon Asia. This first chapter of the symposium invites contributions that explore how people use plants in/as architecture, plants that travel between places, ethnobotanical relationships on and around plantations, and the historical connections that shaped the environment, people, and architecture on plantations. We are also interested in contributions (papers, performances, artworks) that reflect on the methodological challenges and affordances of thinking-with plants and their histories.

Chapter 2: Plantation Architectures
Swiss Institute (Rome), 25–27 March, 2026

Plantation Architectures re-centers the plantation as a system not only rooted in colonial geographies but also within Europe itself. In this second chapter of the symposium we welcome contributions that critically engage with the selective remembering of the past, and how Europe’s distance from sites of plantations obscured its role in the system even as it universalized itself globally. How have social, spatial, and architectural modalities informed this obfuscation? How have European claims to cosmopolitanism been grounded in histories of violence and extraction? In what ways do buildings, as architectural objects part of urban landscapes, reflect these underpinnings? 

General Information

Interested participants decide which chapter they would like to attend and indicate this in their submission. A travel bursary will be available for a limited number of participants. Please indicate in your proposal if you do not have institutional funding and require travel support. The conference language will be English. All presentations are to be made in person unless urgent circumstances prevent attendance. If participants need childcare or any other accommodations, please let us know so that it can be arranged.

Submission

Please send your abstract (max. 350 words), a short CV (max. 1 page), and preferred location of participation to: voyaging.vapors@usi.ch by 31 August, 2025. Notifications will be sent out in September. The program for each chapter of the symposium will be announced in October.

1st SEAARC (Southeast Asia Architecture Research Collaborative) Symposium

Questions in Southeast Asia’s Architecture / Southeast Asia’s

Architecture in Question

Dr. Chang Jiat Hwee and Dr. Imran bin Tajudeen

Dates: 8-10 January 2015 (Thursday to Saturday)

Venue: Department of Architecture, School of Design and Environment

National University of Singapore

Convenors: Dr. Chang Jiat Hwee, Dr. Imran bin Tajudeen and Dr. Lee Kah Wee

Keynote speakers

 Prof. Hilde Heynen, Katholieke Universiteit Leuven.

 Prof. William Logan, Deakin University

 Assoc. Prof. Abidin Kusno, University of British Columbia.

Confirmed speakers (in alphabetical order and to be updated)

 Dr. Cecilia Chu, The University of Hong Kong

 Assoc. Prof. Hazel Hahn, Seattle University

 Dr. Kemas Ridwan Kurniawan, Universitas Indonesia

 Prof. Gerard Lico, University of the Philippines

 Assoc. Prof. Koompong Noobanjong, King Mongkut’s Institute of Technology

 Assoc. Prof. Anoma Pieris, University of Melbourne

 Dr. Pirasri Povatong, Chulalongkorn University

 Assoc. Prof. Iwan Sudradjat, Institut Teknologi Bandung

 Prof. Gunawan Tjahjono, Universitas Pembangunan Jaya

 Prof Tim Winter, Deakin University

What is Southeast Asia architecture? Does the construction of Southeast Asia architecture depend on the validity of Southeast Asia as a geographic unit of analysis? In Southeast Asia studies, the cogency and usefulness of Southeast Asia as a geographic unit of analysis has been much discussed and debated. Scholars have wondered if a diverse region divided by different cultures, languages, ethnicities and religions has sufficient commonality to be productively considered as a single region. With the end of the Cold War and the crisis of Area Studies, the relevance and validity of Southeast Asia as a geographic unit has been subjected to further interrogation in the past two decades or so. While there are scholars who question the relevance of a geographic unit of analysis that was only invented recently and by external observers for a post-Cold-War era, there are others who are keeping faith with Southeast Asia as a unit of analysis. Some argue that, as a geographic unit, Southeast Asia serves as a useful conceptual tool for framing meaningful analysis. Others contend that the polyvalence and fluidity of Southeast Asia as a geographic unit can be an analytical strength, allowing them to explore networks, flows and connections – the new emphases of globalisation studies. We share the optimism of these scholars who have kept faith with Southeast Asia. We further believe that the scholarship on Southeast Asia’s architecture need not just draw on but can also contribute to the understanding of Southeast Asia as a geo-historical unit. Architecture is after all a spatial art and it should productively shape our conception of Southeast Asia as a region.

How have or can scholars of architecture and urbanism in Southeast Asia contribute to this broader discourse of space and history in this region? This symposium invites scholars to submit papers that explore the multifarious relationships between architecture in Southeast Asia and issues surrounding its use as a geographic unit of analysis. We are especially interested in papers that address the following themes –

A. Surveying Architectural Histories in Southeast Asia

The scholars working in and on Southeast Asia are divided by the different languages and academic cultures of the region. The diverse academic cultures and, in the words of Thongchai Winichakul, “political economy of scholarship” mean that much of the scholarship on Southeast Asia architecture is written in vernacular languages and inaccessible to scholars working in other languages. While English is arguably the main lingua franca of contemporary academic scholarship, the mainstream English language architectural history is largely silent on Southeast Asia’s architecture. This symposium seeks to address and, hopefully, rectify the lack of communication between the scholarships in different languages and the silence on architecture in Southeast Asia in English language scholarship. We see this symposium as an opportune moment for a stocktaking of the research in architecture and urbanism in Southeast Asia. We invite scholars working on the different aspects of Southeast Asia’s architecture to submit papers in English that explore, survey and review the state of research in their respective fields or sub-fields of Southeast Asia architecture. Through this gathering of scholars from otherwise linguistically disconnected research circles, we hope to promote dialogues and exchanges on some of the common historiographical, theoretical and methodological issues in researching Southeast Asian architecture. We also hope the presence of scholars working on diverse locations and different time periods will stimulate comparative and connective discussion, linking the historiographical and methodological issues of one field or subfield to the broader – extra-local, transnational and interdisciplinary – issues.

B. The Epistemology of Architectural Classifications

In the writing of architectural histories, particularly the general survey genre, scholars typically employ a classification rubric that assumes certain epistemological bases and methods of analysis. These fall into two types. The first type of classification originates in Western scholarship and architectural historiography and is encapsulated by a triad of categories at the very heart of how “architecture” is defined as a discipline: “modern”, the pre-modern “classical” whether of Europe or of other “Great Traditions” and various forms of “revivalist” styles, and finally the “vernacular”. The latter two categories in Southeast Asia translate into the “(European) colonial” and “(native) traditional”. A second type of architectural classification employs cultural geographic categories that are extraneous to architecture but are employed to name specific building traditions, including but not restricted to such generic religious and ethnic labels as “Hindu”, Buddhist”, Islamic”, “Chinese”, “Thai” and other cultural labels. In most cases, there is an assumption of timelessness to these traditions. These classifications have their limitations, whereby certain kinds of artefacts that do not fit neatly are omitted, or connections between artefacts that straddle these artificial classificatory boundaries and are ill-defined by their limiting assumptions on forms, agency and processes are glossed over, simply ignored, or are distorted in the analysis to make them fit the existing assumptions. These classifications therefore inflict interpretive violence upon the artefacts that are subjected to their rubric. In many cases they are inextricably bound to legacies of European colonial scholarship or ethno-nationalisms and inherit approaches and biases in the study of architecture of (post-)colonial territories, especially if they are reliant on colonial records and scholarly precedence. We seek papers that trace the origins of the classificatory frameworks mentioned above and provide a critique through a survey of architecture that underscore their inadequacy. Papers should also consider how examples from Southeast Asia contribute to larger discussions about more recent scholarship that have revised the assumptions and challenged the limits of these classifications.

C. On Architectural Networks and Circulation – within and beyond nation and region

Architectural histories in Southeast Asia have tended to focus on architecture within the modern nation-state, as they have mostly been written after the independence of these political entities. . A corollary to the attention to connections across cultural and geographic categories emphasised in Theme B, is the need to acknowledge the ambiguity and fluidity of the territorial boundaries that demarcate the local from the foreign, the internal from the external prior to the emergence of nationalism, the formation of modern nation-states and the attendant construction of their “geocodes”. While national histories of architecture might acknowledge and address “foreign”, i.e. extra-national, influences that range from the colonial metropole to the post-colonial global “West”, their focus is primarily on the local and internal conditions of these nations. Nation-states are of course fairly recent construction and have been anachronistically applied to periods before the 20th century. Furthermore, Southeast Asia is historically situated at crossroad of major maritime networks and the different parts of coastal Southeast Asia have been connected to each other and other regions via these extensive maritime linkages for centuries if not millenia. Connections beyond Southeast Asia – whether across maritime Asia from the Indian Ocean region to the South China Sea littoral, or via overland routes – are thus of relevance to architectural histories of Southeast Asia. How have these historical “transnational” and transregional connections and exchanges shaped the production of the built environment in Southeast Asia and between Southeast Asia and neighbouring regions of Asia? Would these help to expand the architectural historical accounts that are based on modern nation-states? Given that these exchanges were frequently unequal and uneven, how should we understand and theorise the nature of these exchanges?

Are the concepts that have been developed by various scholars of transnationalism and postcolonialism to describe these exchanges – such as transfer, translation, transculturation and hybridization – adequate? We invite scholars to explore the above questions and we especially welcome papers that conceptualise these multivalent connections beyond the bipolarity of centre and periphery, east and west, and local and global.

D. Space, Society and Power

It is well-established that architecture and the built environment are not just isolated material artifacts and autonomous aesthetic objects; they are shaped by and they also shape the sociocultural and political economic conditions of their production, consumption and circulation. In the recent scholarship of architectural history, power has emerged as a key analytical theme in the discussion of architecture’s entanglements with society, culture, politics and economy. However, some of this scholarship is rooted in traditional art historical approaches and relies mainly on formal analysis — the effect of power is at times too easily correlated with formal qualities. The consequent focus on buildings as “visible politics” or on the “aestheticization of politics” might not be adequate in understanding the nuances of space and power-relations. What are the conceptual frameworks that have been deployed for the exploration of architecture and power in Southeast Asia? To what extent is the above criticism applicable to the scholarship on Southeast Asia architecture history? What can we learn from the seminal texts in Southeast Asia studies by scholars such as Clifford Geertz, James Scott and Benedict Anderson that have  shed important insights on power in traditional societies? What other theories could be productively used to shed new insights on the analytical theme of power? Would the Foucauldian conception of disciplinary and biopolitical power in relation to modern governmental rationality be usefully deployed in the understanding of architecture and power in Southeast Asia? What about theories from the studies of postcolonialism, nationalism and globalisation? We invite scholars to submit papers that discuss aspects of the above questions and we especially welcome papers that employ innovative approaches to explore the multifarious connections between power and the built environment.

Submission of abstract

Please send a 500-word abstract with a short 2-page curriculum vitae to seaarc.symposium@gmail.com

by 01 July 2014.

Key Dates

01 Jul 14 Submission of abstract

01 Aug 14 Notification of acceptance

15 Sep 14 Early bird registration deadline for presenters

01 Nov 14 Submission of full paper and registration deadline for presenters

24 Dec 14 Registration deadline for all