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Maxwell Fry, the architect and planner of Ibadan University, considered the campus to be the highlight of his career, although he confessed that he found the Kenneth Dike library elevation too ‘lace-like’.

It is an extraordinary structure and we’ve covered it on the TAG blog previously, as well as printing a 3D sectional model of the structure. Taking a more retro step, I’ve now produced a hand-drawn (rotring, ink wash) front elevational drawing of the building (minus the small reading room on the RHS and smaller structure on the LHS, for clarity).

Kenneth Dike Library at Ibadan University, Nigeria

The drawing stretches over 2 x A1 sheets and has been scanned, pieced together, and the blue ‘sky’ added in Photoshop. I’m going to follow drawing with some additional studies into various libraries in Ghana – especially the Children’s Library in Accra (Nickson and Borys); Sekondi Regional Library (James Cubitt); Koforidua Library (also by Cubitt); KNUST Library (?) and the iconic Bolgatanga library by Max Bond.

Junior Staff Quarters Plan View
Junior Staff Quarters, near Christianborg Castle, Accra


New Buildings in the Commonwealth edited by Jim M. Richards in 1961 pulled together many articles from earlier editions of the Architectural Review. It formed an important set of essays, photographs and illustrations with each geographically themed chapter written by an architect familiar with that part of the world. Maxwell Fry wrote the West Africa section and he selected some of the best buildings from the proceeding decade to feature in his piece, including some lesser known works from relatively unknown architects.

Junior Staff Quarters, Accra
Junior Staff Quarters, Accra

The opening project for the Ghana section was a housing scheme from Accra designed by the Public Works Department Chief Architect, G. Halstead with architects-in-charge D. A. Barratt and W. J. Clarke. Very little is known about these architects, apart from Halstead worked with S. Bailey (townplanner) on the new layout of Tamale in 1953..[1]

The Accra housing project is a very carefully designed set of 24 apartments arranged across three blocks. Each dwelling faces into the courtyard space and are one room deep to maximise cross ventilation. Each house also has its own private balcony/court for sleeping outside and cooking.

The formal arrangement and sloping roofs are all carefully arranged and the quality of the build is exceptional. I’ve wanted to see these houses for some time now and it was a special moment to see them come into view as I made my way from the 17th Century Danish ‘Christianborg Castle’. The houses were constructed as ‘Junior Staff Quarters’ for people working at the Castle (which was then used as the Prime Minister’s Residence) during the early years of Ghana’s independence.

The houses remain largely unaltered from the original design, albeit lacking some basic maintenance. I spoke to a number of the current residents and they very much enjoy living here. The sense of community is strongly felt, and overlooked internal courtyard adds security. Parts of Community 1 at Tema have a similar feel but don’t quite achieve the ‘walled city in miniature’ qualities of this project.  It marks a significant shift from the compound and ‘village-housing’ projects built elsewhere at the time, and continues to offer many clues for how we might design inexpensive housing in Ghana today.

Junior Staff Quarters, 2019

[1]Tamale Town Planning [1948-54], British Library, EAP541/1/1/333, https://eap.bl.uk/archive-file/EAP541-1-1-333

Sharing Stories from James Town and the Creation of Mercantile Accra
Forthcoming Exhibition at James Town Cafe, 17th May 2019

I’ve been working in Jamestown, Accra to start planning an exhibition on the colonial and mercantile architecture of the district. Using archival and historical images and maps the exhibition will celebrate and explore Accra’s rich architectural heritage and urban history. The exhibition will focus on the warehouses, stores, factories and offices of James Town and examine how the city rapidly developed into a vast commercial enterprise.

The images for the exhibition have been generously provided by Unilever, Barclays, UK National Archives, The British Museum and private collections. Most of these images have not been exhibited before and we’re delighted that they will be shown in Accra, and in very close proximity to where they were originally taken.

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Exhibition Promotional Banner outside James Town Cafe with Iain Jackson [L], Joe Osae-Addo [C] and Allotey Bruce-Konuah [R]

There will be a printed/PDF catalogue to accompany the exhibition showing both archival and modern photographs of the buildings, along with historical maps, and we will hang large photographic banners of the archival images directly onto the historic buildings in James Town.

The main exhibition (co-designed with architect Joe Osae-Addo and designer Allotey Bruce-Konuah) will be hosted by ArchiAfrika at the James Town Café, from 17th May 2019. We’re also hoping that it will go on tour to University of Ghana (details to be announced). In June there will be an additional exhibition hosted at the James Town Café  curated by Lukasz Stanek and Ola Uduku of Manchester School of Architecture – and we’ll include more on both exhibitions here.

We’ve also started a new project to produce 360 degree panoramic photographs (and films) of some of the key sites and streets in James Town (and its environs). The images have been captured with a Ricoh Theta camera and we’ve taken over 200 photographs/ short films to date. The clips will be pieced together as a series of films and overdubbed with a commentary on the history and significance of the buildings in view. The films may be viewed with a VR headset for a more immersive experience. Allotey Bruce-Konuah already gives tours of James Town, and these films will enable his expertise to reach a wider audience, as well as encouraging new visitors to make the trip to this unique and highly important portion of Accra.

 

Conference Report: Colonial and Postcolonial Landscapes: Architecture Cities Infrastructure 16th– 18thJanuary, Calouste Gulbenkian Foundation, Lisbon

Text and Photographs by Ola Uduku, Manchester School of Architecture.

This conference took place at the Gulbenkian institute from Wednesday 16th– Friday 18thJanuary. Its central focus was on having its audience explore research findings and aspects of post-colonial architecture and landscapes specifically from an infrastructure perspective in Africa with a primary focus on the Lusaphone African countries of Mozambique and Angola. Sessions however covered a wide range of topics such as the Chinese involvement in building projects in Africa and how to engage in transnational projects from a postcolonial perspective.

The Gulbenkian Institute, Lisbon

The Gulbenkian Institute, Lisbon

The Gulbenkian Institute was a good setting for the event as Lisbon in winter was best encountered from the urban oasis of the institute in its urban landscape setting. The plenary session on the Wednesday afternoon introduced delegates to the themes of the conference and ended with a lecture given by Helder Pereira, a young Angolan architect who was able to give his perspective on Angolan architectural history and the challenges of architectural practice in contemporary Luanda. He felt particularly exercised with the building industry and landscape in Angola today, but was clear that he was happy to work and contribute his skills to the new Angola in his capacity as a private individual with his own practice.

Helder Pereira at plenary session

Helder Pereira at plenary session

On the first full conference day the opening keynote session was given by Johan Lagae,  (University of Ghent)  who emphasised the need to join up and contextualise the research being done into the PWD archives of Angola, Mozambique and a few other former Portuguese possessions or territories. He focused on the non-completed railway network that would have connected Luanda with Lorenco Marques (now Maputo) and the evolution and execution – successfully or otherwise of other communication projects, and the need to collaboratively examine the histories. A honorary award was also given to the architect Fernao Simoes de Carvalho who had been instrumental to designing a number of buildings and plans in Maputo and across Mozambique.

The parallel sessions which followed covered a number of themes. The author contributed to the session titled “The Transnational Live Project: Critical Reflections on the ethics, politics and pedagogies of collaboration between the global North and the global South”, with Baerbel Muller, (University of Vienna)  the Architects Sans Frontiers representative for Portugal, and one other contributor.

The panel was chaired by John Bennett and Peter Russell, and we concluded that it was possible but difficult to challenge the stereotypical student and institutional engagement and view of the Live project, and that this was an area which needed further exploration but that a radical change to the site project was required. The titles of other parallel sessions in the 1400 – 1600 time slot on day 1 included; Colonial Spatiality in African Sahara Regions, chaired by Samia Henni, and DeConstructing the Right to the City: focusing on Portuguese speaking countries.

In the second parallel session, themes included, Interrupted Utopia: Landscapes of Modern Collective Housing in former European (Socialist) Countries, Spaces in America Current efforts towards a non-Eurocentric theory, projecting Power and further sessions on Planned Violence and Deconstructing the Right to the City. The collective Housing session involved papers describing housing in Yugoslavia and how some of the precast design systems were adapted and designed for socialist countries including Angola due to the cold war connection with the post-colonial political party UNITA, the ensuing independence war meant that only two of these projects were built although countries such as Cuba had more connections to these systems.

We then were taken that to view the colonial archives and an exhibition of the infrastructure in the Belem district of the city, titled “Colonizing Africa”, were we had a drinks reception. Amongst the exhibited PWD photographs of bridges and public housing projects were also busts of Portugal’s unreconstructed neo colonial past.

Paul Jenkins Presentation

The second full day of the conference began with a plenary session, where Paul Jenkins, (Wits University) gave an illuminating lecture on hard and soft infrastructure development focusing in Mozambique. He was able to trace the development of hard infrastructure projects from power supply to railway lines and then focused on road networks. He posited that the hard physical infrastructure need a soft (maintenance, services and planning) infrastructure approach to be successful. By taking a contemporary viewpoint he was able to demonstrate that new development partners, in this case the Chinese, and post revolutionary governments are yet to address the problem of having soft infrastructure packages in pace, to the detriment of current infrastructure being built in postcolonial cities like Maputo, with the Matende bridge and new ring road being case studies to support this theory. Paul pointed out that these projects as in the colonial times benefit investors and middle classes and rarely the masses who often have to ‘pay’ for development.

Tribute Lecture and award made to architect Jose Forjaz

Tribute Lecture and award made to architect Jose Forjaz

The session ended with further summaries of research projects being carried out using the newly catalogued archive sources, and then an honorary citation and award was given to the architect Jose Forjaz for the work he had done for Mozambique from the early revolutionary period to the present day.

The final parallel sessions in the afternoon focused again on a range of themes, including Single and collective housing in a modern laboratory in colonial territories, Infrastructural development in European Portuguese territories in the late colonial period, peripheral infrastructure in late colonial cities, and materiality and mobility in colonial landscapes. I attended the China in African, Latin American and Caribbean territories: examining spatial transformations around diplomacy and economic aid panel. Two papers gave illuminating accounts of the history of Chinese building aid in Africa from the 1960s to the present day. They both concluded that this involvement has now been historic, and despite having its tensions they are set to continue as China’s political relations and economic influence on the continent continues.

The last parallel session had a second panel on materiality and mobility, urban legacies, globalised regionalism, population spatialisation and control, and the panel I attended titled Beyond Colonialism: Afro-Modernist Agents and Tectonics as an expression Cultural Independence. The panel was set up to have younger conference delegates discuss their encounters with post-modern architectural images and landscapes in Europe (Belgium) and in Africa (Mozambique) and how todays tensions of identity and race are encountered by the public. The panel paper givers consensus was that this was still a problem in many European cities, whilst in Africa, the post-colonial city has not changed or adequately dealt with post colonial monuments of the past. Unfortunately there was no time to have the proposed debate about this.

The final panel session was in Portuguese and was unfortunately not translated so only a few of the conference delegates were able to participate in the session. We were told by those who were Portuguese-speaking, that some divisive views were aired relating to whether colonialization in Lusaphone Africa was a success. We did have a successful dinner to conclude the conference.

The conference was very focused, as was to be expected on issues related to Lusaphone Africa, but it did attract a wide range of delegates from as far afield as Brazil, China and Serbia. Its pre-occupation with discussing the material now available from its African colonial archives was welcome although most delegates, as international contributors to panel discussions encouraged the organisers to engage more with universities and researchers in Lusaphone Africa to “make sense” of the archival material now available and also to set up collaborative research projects in the same vein.

The exhibition Lisbon-Baghdad, co-curated by Ricardo Agarez, a conference delegate was also on show at the Gulbenkian Art Gallery during the conference. This showed the Gulbenkian links with modernist architecture and planning in Iraq from the late 1950s to 1960s.

 

 

Conference Report: A World History of Architecture

The Bartlett School of Architecture, UCL

November 2-4, 2018

Eliana Abu-Hamdi Murchie: emurchie@mit.edu

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A World History of Architecture, a small but mighty conference organized by Murray Fraser took place at The Bartlett School of Architecture, UCL, November 2-4, 2018. Over two days, and only eight sessions, Fraser was able to curate a cumulative and rigorous series of presentations that tousled with all facets of teaching global architectural history to the undergraduate and graduate audience. The conference focused on the term “global” in two ways. The first was as a geographic lens, a method that leaned towards the increased inclusion of previously ill-studied parts of the world into the architectural survey. The second was an intellectual engagement with the instruction of global architectural history, and an analysis of its growing interdisciplinarity with neighboring fields of study. The aim of these methods of engagement was explicitly to study and inform on the future direction of global architectural history in universities.

The morning session on day one, The Expanded Field, had Mark Jarzombek tangling with the concept of tradition, a theme that can be in one sense totalizing of all that is non-modern, but in another, a useful/clever label used to project value and meaning onto art and architectural objects. The presentation intended to make clear a much needed separation between the term traditional – so often a synonym for the vernacular – and the meaning of global history.

 Subsequent sessions were based on the themes of:

Global Domesticity

Colonialism, Post-Colonialism and Beyond

Architectural History and Design Research

Informalities, Identities and Subjectivities

Culture and Architectural History

Architectural History as Pedagogy

 

Evening sessions focused on a discussion of the architectural object on the first day, and closed with an ambitious debate of the future of architectural education on the second. Throughout, the group of global scholars shared the pedagogical challenges of teaching in architectural history in their home institutions, in hope that together, they could begin to envision a way for the discipline to transcend beyond its seemingly fixed limits. David Leatherbarrow, in his presentation on Architectural History as Pedagogy transformed architectural survey into a study of architectural details, with intense focus on the various elements that compose the architectural object, rather than a rote evaluation of the whole. In this way architectural education takes pause, ensures that the students absorb and evaluate, not just commit the basic facts of architectural history to memory. Students thus are able to engage emotionally with their object of study, connect with the built environment around them, and, most importantly, hone their critical analysis skills.

 

 

 

A World of Architectural History is the 4th annual conference of the Architectural Research in Europe Network Association (ARENA).

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The conference aims to critique and celebrate the latest global advances within architectural history over the last few decades, by focusing upon the word ‘global’ in two senses: 

  • Geographically – referring to the increasing inclusion of all parts of the world in more complex and multiple discourses of architectural history
  • Intellectually – the ongoing expansion of architectural history into other academic subjects, plus the reception of ideas/themes from those subjects

Recognition will be given to a more inclusive approach to architectural history that seeks to incorporate the histories of all countries/regions, and to the significant contributions now being made through interdisciplinary links with other subjects. As such, the conference will represent the forefront of the field internationally and discuss where architectural history ought to head in the future.

Conference presenters will include those from a wide range of subject areas within The Bartlett Faculty of the Built Environment and leading figures in architectural history across the world. Both invited speakers and those selected via an open call will contribute their papers.

Conference themes

Eight thematic areas will be presented over the two days of the conference, with these themes also framing the call for papers:

  • Culture and Architectural History
  • Architectural History and Design Research
  • The Expanded Field
  • Colonialism, Post-Colonialism and Beyond
  • History, Environment and Technology
  • Architectural History as Pedagogy
  • Global Domesticity
  • Informalities, Identities and Subjectivities

https://www.ucl.ac.uk/bartlett/architecture/events/2018/nov/world-architectural-history-conference

 

 

 

British Academy – ASAUK Funded Ghana Architecture Writing Workshop 6–8 July

Apologies for the short notice – but if you’re in Accra this weekend and want an opportunity to improve your writing skills, there are some free places to join an excellent Architectural Writing Workshop.

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Water tower at Korle Bu, Accra.

Please do get in touch with Prof. Ola Uduku on o.uduku@mmu.ac.uk for more details and see: British Academy – ASAUK Funded Ghana Architecture Writing Workshop  6–8 July

Architecture in the Age of Mechanical Reproduction: Glasgow School of Art and its Future

Like many people, I was again saddened, shocked, and frankly annoyed to see Charles Rennie Mackintosh’s masterpiece, the Glasgow School of Art, engulfed in smoke and flame for the second time in just four years. It was a radical piece of architecture that helped to shape the development of early 20thC Modernist architecture, and unlike a lot of contemporary and experimental work it was much loved and held a popular appeal.
The charred remains have yet to cool, but a fierce debate has erupted on the future of the building. On the one hand there is an impassioned plea to demolish and rebuild a new structure that would be something of ‘our time’; with any attempts to refabricate the ‘original’ resulting in a ‘replica’, that is, a fake.

Glasgow school of Art

Glasgow School of Art, by Charles Rennie Mackintosh

This faction argues that a rebuilt school would be rendered a ‘museum piece’, and that a new school would somehow respond better to the needs of today’s students.  For sure, it is a compelling argument and after the shock of the tragic event it shows a fighting spirit and an optimism that all architects possess to create a better future. If an architect were to design a new building today that mimicked, or somehow parodied the ‘Mackintosh style’, then for sure, that would not be the way forward for architecture. But this is not a newly commissioned project, rather it should be a restoration of a dilapidated shell.

“The handle has been replaced several times, and the blade was changed once, but this knife has been in our family for centuries”

Unlike other works of art, such as painting or sculpture, there is a utilitarian, designerly approach in building, and buildings are made of many components, materials and finishes. They can all be replaced or remade. Certain parts of a building inevitably wear-out and have to be replaced; lead flashing is carefully reinserted, roofs are precisely re-laid, window frames rot, and sometimes windows are smashed and replaced. We accept this continual, sensitive remaking and in the case of buildings like the GSA undertake this process with extreme diligence. This is all part of a building’s ability to endure time and survive, and whilst a fire rapidly accelerates this process, it need not be the end. Buildings are never complete, they are always unfinished and being continually remade through the acts of everyday use. They develop patina, tarnishes, stains, and are weathered, changing all buildings for better or for worse. This aging cannot be replicated of course, but it demonstrates that a building is not a pristine artefact, there is a spectrum of aging and renewal.

The surviving GSA structure could be retained and kept in its ruinous state as a kind of memorial to what we once had. Some of the ‘original’ fabric would be retained and fixed to commemorate Mackintosh’s genius. It could become a shrine with a steady pilgrimage of architects’ eager to touch the stone relics with their direct link back to the hand of the Mackintosh. This would surely be the worst type of preservation – for whilst we would have the vestiges of the School there would be no joy, no use, just a sad lament. The surviving stones might enable a façade to be retained, or possibly form a similar condition to that deployed by Basil Spence at Coventry Cathedral, in the aftermath of World War Two. Whilst this might preserve the outer shell, or image, it wouldn’t suffice because the interiors at GSA were so rich and possibly even more important than the building’s skin.

We should not be afraid to remake architecture, because architecture as a concept is detached from its manifestation as a building. There is the idea and its representation often in the form of drawings and physical models, and then there is the physical construct. The physical entity is of course very important, but it is an outworking of an idea. Unlike painting, where the hand of the artist is important (but not essential) architecture is always remote from the act of construction. Architects make drawings that are then interpreted and fabricated by teams of artisans, technicians and craftspeople into the built object. Inevitably there are gaps between the artist’s intentions and the drawings they produce, and then of course there are numerous clefts between the drawings and the constructed piece. Decisions are made ‘on site’ and changes made on the hoof – this is all part of the construction process. In many buildings there is even a devolution of some parts of the design to the craftspeople on site, especially in decorative pieces, or commissioned artworks and sculptures. The core idea remains and is entirely the responsibility (and gift) of the designer, but it is important not to overly fetishize the object as a fixed, pristine artefact.

A burned out Jaguar E-Type can be fully restored, and even enhanced to suit modern environmental standards as the ‘Concept Zero’ illustrates. In no way does this detract from the ‘original’ duplicated model, nor the enjoyment of driving the vehicle. Indeed, there is pleasure and pride to be had from such a restoration. There is certainly room to manoeuvre here in construction and many buildings are sensitively restored and enhanced for modern living and reduced energy use. The drawings produced by Mackintosh (and his wife Margaret) survive and the recent scans and computer models of the building produced in response to Fire no.1 will enable a faithful rebuilding of the GSA. There is no technical reason why this school could not be rebuilt. Other art forms revel in this ability to be remade and enjoyed; music is recorded, plays are performed, artists issue facsimile casts and photographers offer limited edition prints. Walter Benjamin foresaw this in his seminal writing, ‘Art in the age of mechanical reproduction’. I’m not suggesting that multiple GSAs are licensed, but rather the single edition we had is carefully remade in honour of Mackintosh and the city which this building has helped to define and create.

India Buildings by Herbert Rowse

India Buildings by Herbert Rowse

There are claims that a rebuilt School would not be ‘of our time’. Some, like eminent architect Alan Dunlop have claimed that Mackintosh’s would indeed want ‘to see a new school of art fit for the 21stcentury’ – but we can never truly know the wishes of the deceased. Surely the GSA is an excellent didactic tool for today’s students, and in any case it is not very old – it’s a mere blink of an eye in the broader scheme of things. To remake it now would not be a disservice to ‘our time’ but would be a measure of how we value and cherish such works of art. So many buildings have been regrettably erased following fire – to the detriment of our built environment. Gavin Stamp’s publication, Britain’sLost Citiesis a roll call of this approach, whereas when the decision to rebuild has been made the results are rarely questioned. We do not hear claims of, ‘we should have pulled this down and replaced it with something else’. Herbert Rowse’s India Buildings in Liverpool was carefully rebuilt after the effects of incendiary bombs – its authenticity is not questioned because of this; it simply becomes part of the building’s story. Mies van der Rohe’s Barcelona Pavilion was also famously remade and it continues to bring pleasure and delight to all who see it. It is far better to experience this wonderful design than to imagine it’s ‘spirit’ or look at the old photographs.  Plus, we live in an age when this is possible – it is ‘of our time’ to replicate and reproduce components and objects that are better than the ‘originals’.

 

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I’ve been spending some time working in and around Accra, and in particular at the Public Records and Archives Department. This archive has undergone major changes in the last five years and is a great place to undertake research with helpful staff and quick responses to queries. Located in a distinctive building with bold concrete brise soleil and a brave concertinaed roof over the entrance space, its interiors rely exclusively on passive ventilation. I was looking mainly at the late colonial records including those of the Public Works Department, sanitation, land, and town planning.

Experimental Swishcrete blocks at Kibi
Experimental Swishcrete blocks at Kibi from 1945
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Experimental Swishcrete housing at Kibi from 1945. Note the arches above the windows and doors

There were many discoveries and lots to celebrate (and eventually publish), but one particularly interesting find related to a folder called ‘Experimental housing at Kibi’. This gave lots of details on an attempt to build a couple of dwellings in swishcrete (i.e. laterite and concrete mix) blocks in the gold mining town of Kibi, with a view to saving on cement costs and also creating an aesthetic that was more in keeping with the vernacular. It was a particularly exciting find, as we had stumbled across these houses earlier this year, and were taken by their unique construction. The archives revealed that Jane Drew was involved in their design and that she visited the site in early April 1945. It must have formed part of her work on village housing. Although modified and extended the houses still stand and clearly demonstrate the strength of this construction method having survived over 70 years.

Outside of the archives, I managed to finally track down Denys Lasdun’s Paterson Simon’s Office in Accra, 1962 (thanks to the help of their current Managing Director John Traynor). It was formerly a supermarket and toyshop called Farisco.

I was hoping to see the Optimist Club in Sekondi, but as suspected, I was too late and the influential African club has been demolished and now replaced with a large youth centre. Fortunately, Nate Plageman did manage to visit the club before it was demolished and you can see his photos here. Despite this loss, it was good to use copies of the early plans of Sekondi from 1900-1920, housed in the UK National Archives, to further explore the town. I was particularly taken by the Venice Cinema located at the edge of the settlement by the lagoon (was this how the cinema got its name?) and the wonderful merchant villas and stores that can still be found in dilapidated abundance throughout the town.

Venice Cinema, Sekondi
Venice Cinema, Sekondi

Accra continues to seduce with its array of late colonial structures and modernist set pieces. At Korle Bu just west over the lagoon from Jamestown the hospital dominates the landscape. The hospital forms part of the trilogy of projects developed by Gordon Guggisberg in the 1920s (along with Achimota Schooland Takoradi town and docks). The old hospital structures remain, looking almost like they did when built (and similar to the harbour board buildings in Takoradi) – as captured on Africa Through a Lens. The later brutalist addition to the hospital was by Kenneth Scott, looking more restrained and orderly than the edgier and abrupt Effia Nkwanta hospital in Takoradi by Gerlach and Gillies-Reyburn. If you visit Korle Bu hospital continue to walk through the grounds and head out to the staff housing, tennis courts and garden sanctums that lie secretly beyond – it is a hidden, gentile world of privilege that still manages to exist just a couple of miles from the excitement and paucity of Jamestown.

 

Korle Bu Hospital, Accra
Korle Bu Hospital, Accra photographed shortly after completion, 1928

 

 

Call for Papers: COLONIAL AND POSTCOLONIAL LANDSCAPES: Architecture, Cities, Infrastructures

16th – 18th January 2019  |   Lisbon | Calouste Gulbenkian Foundation
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The infrastructure of the colonial territories obeyed the logic of economic exploitation, territorial domain and commercial dynamics among others that left deep marks in the constructed landscape. The rationales applied to the decisions behind the construction of infrastructures varied according to the historical period, the political model of colonial administration and the international conjuncture.

This congress seeks to bring to the knowledge of the scientific community the dynamics of occupation of colonial territory, especially those involving agents related to architecture and urbanism and its repercussions in the same territories as independent countries.

It is hoped to address issues such as how colonial infrastructure has conditioned the current development models of the new countries or what options taken by colonial administrations have been abandoned or otherwise strengthened after independence.

The congress is part of the ongoing research project entitled “Coast to Coast – Late Portuguese Infrastructural Development in Continental Africa (Angola and Mozambique): Critical and Historical Analysis and Postcolonial Assessment” funded by ‘Fundação para a Ciência e Tecnologia’ (FCT – Foundation for Science and Technology), which has as partner the Calouste Gulbenkian Foundation (FCG).

The aim of this congress is to extend the debate on the repercussions of the decisions taken by the colonial states in the area of ​​territorial infrastructures – in particular through the disciplines of architecture and urbanism – in post-independence development models and the formation of new countries with colonial past

 

1. Projecting Power in Colonial and Post-Colonial Angola and Mozambique: Architecture, Urban Design, Public Art and Monuments (Jeremy Ball, Gerbert Verheij)

2. China in African, Latin American and Caribbean territories: Examining spatial transformations around diplomacy and economic aid (Valeria Guzmán Verri, Natalia Solano Meza)

3. Spaces in the Americas: current efforts towards a non-Eurocentric theory (Fernando Luiz Lara, Marcio Cotrim Cunha)

4. Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture (Dominic Davies, Elleke Boehmer)

5. Infrastructural development in the European Portuguese territory in the late colonial period (Paulo Tormenta Pinto, João Paulo Delgado)

6. Peripheral infrastructures in late colonial cities (Tiago Castela)

7. Single and collective housing as a modern laboratory in colonial territories: from public order to private initiative (Ana Magalhães)

8. Beyond Colonialism: Afro-Modernist Agents and Tectonics as Expression of Cultural Independence  (Milia Lorraine Khoury, Diogo Pereira Henriques)

9. (De)constructing the Right to the City: Infrastructural policies and practices in Portuguese-speaking African countries (Sílvia Viegas, Sílvia Jorge)

10. The interrupted utopia. Landscapes of modern collective housing in Former European Colonies  (Roberto Goycoolea, Inês Lima Rodrigues)

11. Globalized Regionalism: the inheritance of colonial infrastructure (Eliana Sousa Santos, Susanne Bauer)

12. Materiality & Mobility in the construction of Colonial Landscapes (Alice Santiago Faria)

13. The transnational live project: critical reflections on the ethics, politics and pedagogies of collaborations between the global north and global south (Jhono Bennett, James Benedict Brown, Peter Russell)

14. Colonial Spatiality in African Sahara Regions (Samia Henni)

15. Urban Legacies: linking enclaving and social identities (Anna Mazzolini, Morten Nielsen)

16. The spatialization of population control in late colonialism: contexts, modalities, dynamics (Miguel Bandeira Jerónimo)