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Alfred Roth’s criticism and answer to early schools in Kuwait

Ben A. Tosland, PhD Candidate at Kent School of Architecture, writes:

Recently, my research interests have taken me to Switzerland to the ETH Zurich archives with a focus on Alfred Roth, particularly looking at his work in the Persian Gulf throughout the 1960s and 1970s within the context of early critical regionalism. Roth had once worked in the offices of Le Corbusier, whose influence in form and colour was undeniable through several of his school designs executed in Kuwait in the 1960s and 70s. However, it is his criticism of Khaldiya Girls’ Secondary School designed by Rambald von Steinbüchel-Rheinwall (figure 1) that is particularly scathing and his architectural response is to be the topic of this post.

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Figure 1Rambald von Steinbrüchel-Rheinwall’s secondary school for girls. This shows the assembly hall that Roth is so scathing about. (ETH Zurich: Alfred Roth Archive no. 131-0764-F-2)

In the excellent compilation of Modern projects in Kuwait from 1949-1989, Roberto Fabbri points out Roth’s scornful thoughts of this school, but only briefly mentions that this is for climatic reasons stating Roth’s thoughts on its environmental inefficiency.[1] In the recently published second volume, he unpacks this further by spelling out the other criticisms Roth had of the school.[2] Roth’s initial criticism is a four-fold affair relating to the excessive use of land, a waste of inner-space causing ‘uneconomic planning’, the neglect of climatic conditions through the widespread layout and ‘enormous glass area’ of the majority of rooms and finally calls the architectural design ‘superficial’ and one of ‘fancifulness.’[3] When Roth talks of ‘gaudiness’, he is referencing the swimming pool buildings and assembly hall, both included in Nelson Garrido’s images printed in Fabbri et al’s Modern Architecture Kuwait’s first volume.[4] Roth’s criticisms are placed in a document that examines the situation of Kuwait’s schools in 1964, within which Roth suggests several alterations to their improvements.[5]

In answer to his criticism of von Steinbüchel-Rheinwall’s school, Roth designed schools that drew from Kuwait and the Gulf’s rich Arab architectural and urban forms. Using his prototypes, he oversaw the construction of many prefabricated schools for a wide range of student ages. Roth aimed to take into account the cultural heritage of Kuwait with his designs noting his quote from Saba George Shiber’s 1964 study The Kuwait Urbanisation:

“contrasting with the simple, humble, dignified, beautiful and organic architecture that is the heritage of Old Kuwait is the complicated, gaudy, undisciplined, ill-mannered and inorganic architecture that has, in “one fell swoop”, replaced or bulldozed away the tranquil and indigenous architecture deriving from the Kuwaiti habitat.”[6]

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Figure 2 This image shows one of the successfully built schools by Roth with the glazing out of the sunlight owing to the covered walkway on the classroom’s exterior (1970-1) (ETH Zurich: Alfred Roth Archive no. 37-0762-F.Roth-11)

Roth’s architecture in Kuwait, as shown in the images (figures 2, 3 and 4), was contextual to its urban surroundings and respected the organic growth of design within Kuwait and the wider region. His prefabricated low-rise buildings, often introverted facing a courtyard and were built on a significantly smaller scale to the von Steinbüchel-Rheinwall designed school. The designs for all Roth’s schools had covered walkways blocking sunlight from internally glazed areas. The external walls exhibited as little glass as possible (figures 2, 3 and 4) featuring outlets for ventilation punctuating the exterior elevations ensuring climatic credentials (figure 4). The introverted nature was common across Kuwait and the Gulf primarily for cultural and climatic reasons and had been common in the centuries prior to the nation’s modernisation process (figure 3). While they do not look as extravagant as von Steinbüchel-Rheinwall’s school, Roth’s schools functioned successfully.

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Figure 3 The internal courtyard of the school, showing the walkways on the exterior of the classrooms and how shaded they are from direct sunlight (1970-1) (ETH Zurich: Alfred Roth Archive no. 131-0762-F-Roth-22)

Through Roth’s criticisms of the fanciful designs that preceded him in Kuwait, he created a new form of Modern architecture influenced by research and the oversights of other architects. In terms of development and architecture in Kuwait, this was arguably a turning point towards a more contextual approach to architecture from Western designers. Buildings constructed in the decades after such as Jørn Utzon’s Kuwait National Assembly, Arne Jacobsen’s Central Bank and the unbuilt Mat Building proposals by the Smithsons built for the cultural and climatic conditions of an arid climate and conservative nation trying to find its true built identity. Archival material shows this dialogue between architects and different practices, manifesting itself in better more informed architecture that is not superficial nor fanciful.

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Figure 4 The external wall of the school without glazing areas allowing for cross-ventilation and no direct sunlight into the rooms (1970-1) (ETH Zurich: Alfred Roth Archive no. 137-0162-F-Roth-4)

[1] Fabbri, R. Saragoça, S. Camacho, R. (2016) Modern Architecture Kuwait, 1949-1989(vol. 1). (Niggli: Zurich), pp. 54-56.

[2] Fabbri, R. Saragoça, S. Camacho, R. (2018) Modern Architecture Kuwait, 1949-1989 (vol. 2). (Niggli: Zurich), p. 213.

[3] Roth, A. (1966) The School Buildings of Kuwait, (Unpublished Report), pp. 10-22. (ETH Zurich: Alfred Roth Archive)

[4] Ibid and Frearson, A. (20.03.2016) Nelson Garrido captures the modern architecture of Kuwait’s Golden Era. Dezeen. (Accessed: 14.12.2017) https://www.dezeen.com/2016/03/20/nelson-garrido-photography-essay-modern-architecture-golden-era-kuwait/

[5] Roth. The School Buildings of Kuwait, pp. 10-22. (ETH Zurich: Alfred Roth Archive)

[6] Shiber, S. G. (1964) The Kuwait Urbanization: Documentation, Analysis, Critique. (Kuwait: Kuwait Government Printing Press), pp. 285-294.

The Legacy of Walter Gropius Saturday 25 April, 10am – 4pm, Impington Village College, Cambridge

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This special lecture day will take place in the Grade 1 Listed Building at Impington Village College – the only public commission in the UK by Gropius. Walter Gropius (1883 –1969), Architect and founder of The Bauhaus School, is widely regarded as one of the pioneering masters of modern architecture.

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The lecture day will bring together experts from different fields to discuss the influence of Gropius’ work at Impington and how his work which penetrated the wider world is still significant today.  There will be presentations on the built environment in the 1930s, conservation principles and the impact of modernist architecture on practice today.  Speakers include leading Architectural Historian Dr Alan Powers, English Heritage and RIBA Architects.  There will include a tour of the building, an introduction about Henry Morris and panel discussion.

There is more detail about the programme on this brochure: Gropius Flyer

‘The Influence of Fry and Drew’ Conference, Abstract 2

Ana Tostões and Zara Ferreira, ‘How to be Modern and Design with Climate: Fry and Drew’s Legacy and the School Programme in Mozambique (1955-1975)’.

Maxwell Fry (1899-1987) and Jane Drew (1911-1996) headed an essential role on the design with climate issue. They contributed to reveal the possibility of a Modern Movement architecture applied to the tropics showing what was beyond the Brazilian Modern and its formal answer. An efficient and technical approach was achieved connecting design tools with sanitarian requirements, establishing a methodological and pedagogical brand disclosed by their research, lessons, publications (Fry; Drew, 1964) and buildings (Kultermann, 2000, 54).

Their action was reflected on the development of the Modern Movement architecture in the former African Portuguese colonies, throughout the ’50s and ’60s, namely in Mozambique: in the scope of the African investment overseas conducted by the “Estado Novo” dictatorship (1926-1974) the educational programme was the main focus following other African countries strategies, according to updated UNESCO policies.

Though, in the beginning the high schools buildings were designed in the metropolis, Lisbon, through the Colonial Urbanization Office (GUC), soon the role would be taken by the local offices receiving influences from the Tropical Architecture in Dry and Humid Zones at the Architectural Association course, in London, sponsored by GUC to their employees. At the same time, two facts come together: the wave of Portuguese architects’ emigration to African colonies and the increasing autonomy of these territories (Tostões; Oliveira, 2010). So, one may say that Fry and Drew prepared a whole generation of Portuguese architects skilled on tropical climates design methods.

In Mozambique, it gave rise to the development of the Public Works Department, where a school trail-blazer concept was developed by Mesquita (1919-?). Widely developed between 1955 and 1975 (the year of the colonies independence), seeking for an efficient energetic performance and comfort in a tropical climate, a modus operandi has been conceived and applied (Ferreira, 2012).

The paper aims to demonstrate how the Modern Movement ideology has been locally interpreted, following Fry and Drew knowledge and pedagogy. Their influence will be analyzed in order to enlighten the school building culture using some case studies.

References:

FERREIRA, Zara, O Moderno e o Clima na África Lusófona. Arquitectura escolar em Moçambique: o programa de Fernando Mesquita (1955-1975). Dissertation to obtain the degree of Master in Architecture. Lisbon: IST-UTL, 2012.

FRY, Maxwell, DREW, Jane, Tropical Architecture in the Dry and Humid Zones. London: BT Batsford, 1964.

KULTERMANN, Udo; FRAMPTON, Kenneth, World Architecture 1900-2000: A Critical Mosaic. Central and Southern Africa, Vol. 6, China Architecture & Building Press, Springer-Verlag Wien New York, 2000

TOSTÕES, Ana; OLIVEIRA, Maria Manuel, “Transcontinental Modernism. M&G as an Unité d’habitation and a factory complex in Mozambique”, DOCOMOMO International Journal 43 – 2010/2 Brasilia 1960-2010, Winter 2010, pp. 70-73.

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Ana Tostões is an architect, architectural historian and chair of Docomomo International (www.docomomo.com). She is Associate Professor with Habilitation at IST-UTL, Lisbon, where she is in charge of the architectural PhD programme. Her research field is the history of architecture and the city of the twentieth century, in which she develops an operative view, oriented towards the conservation of modern architecture, focusing especially on post-war architectural culture and on the relations between European, African and American production. On these topics she has published books and scientific articles and curated exhibitions. She’s actually coordinating the research project (PTDC/AUR-AQI/103229/2008) EWV: Exchanging World Visions. The project aims to study Sub-Sahara African architecture and planning mostly built in Angola and Mozambique during the modern movement period.

Contact: ana.tostoes@ist.utl.pt

Zara Ferreira is an Intern Architect and Research Fellow at Instituto Superior Técnico (IST-UTL), Master in Architecture at IST-UTL with a dissertation entitled The Modern and the Climate in the Lusophone Africa. School buildings in Mozambique: the Fernando Mesquita concept (1955-1975). Based on the systematic analysis of case studies, on which she carries out the analysis and the interpretation of the systems and technologies designed to respond to specific levels of comfort for the tropical climate, along with the analysis of the organization of the built environment and the functional typology, the essay aims to contribute for the characterization of the school’s architectural program (developed under the scope of the research project EWV: Exchanging World Visions).

Contact: zara.c.ferreira@ist.utl.pt