Last year architect Killian Doherty and filmmaker Edward Lawrenson visited Yekepa, a remote new-town in Northern Liberia, designed and built by a mining company prospecting for iron-ore in the late 1950s. Yekepa emerged through the West’s investment in the natural resources of a ‘developing’ Africa to become a built symbol of utopian promise, symbolism that voided local inhabitants claims to ancestral lands and their eventual displacement.
Eventually the iron-ore reserves became depleted and Yekepa fell into disrepair, rendered a ghost town haunted by the memories of past prosperity. Now partly repopulated by workers of another mining firm, Yekepa has returned to life, but its fortunes remain dependent on the global market of iron-ore. Having spoken to past and present residents of Yekepa—both in Liberia and in Sweden—they are making a documentary about the town to chronicle its unusual history and uncertain future.
Doherty and Lawrenson’s research film traces, through the neo-colonial architecture and planning of the town, the complex relationship between land, displacement, and the global extractive industries within, and beyond, Sub-Saharan Africa.
This film will be released in early 2018.
For updates on this film and future screenings follow @ArchitectureFo on Twitter or visit www.architecturalfieldoffice.org
Killian will also give a lecture and film screening in the Autumn 2018 at Liverpool School of Architecture – date to be confirmed soon.
Killian Doherty is a qualified architect who has practiced in Sierra Leone, Liberia, and Rwanda. He runs the collaborative practice Architectural Field Office that has a particular interest in sites of conflict and the dissonance of modernity and development in Africa. He has written for Architectural Review, MAS Context, and VOLUMEmagazine on these themes and is currently is undertaking a PhD by Design at the Bartlett School of Architecture.
Edward Lawrenson is a London-based filmmaker whose films have played at a number of festivals, including Sundance, BFI London Film Festival, True/False, Open City; and cinemas, including the Museum of the Moving Image in New York and London’s ICA. His radio documentaries have played on BBC Radio 4. His 2015 documentary Abandoned Goods (codirected with Pia Borg) won the Golden Leopard for Best International Short at the Locarno Film Festival