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24 hours in ‘downtown’ Nairobi

Dr. Ola Uduku, Dean of Africa, University of Edinburgh

Nairobi definitely has its charm. Unlike West Africa’s capital cities with their myriad of pot-holed or dirt tracks for roads, Nairobi’s roads at first glance seem akin to being in South or North Africa if not the West. The motorways seem to thrust the driver into the superhighways and traffic freedom that most of Africa can only dream of. Even the traffic lights work – in a peculiar manner we found out.

Image set 1: Downtown Nairobi

A trip from the airport to the city centre however can take 2 hours at peak traffic congestion periods or if it rains, so the absence of potholes does not equal speed of arrival. As one nears the city various parts of the skyline become more visible. An abstraction of the empire state building, followed by a squat version of Big Ben, signifying the parliament buildings, then the thrust of downtown Nairobi. The informal city seems well removed from view as the planned city is viewed before one’s eyes. Conference over, on day three a motley group of presentation weary conference attenders take a walk through central Nairobi – this is what we saw.

Starting out a vantage point on Kimathi Street we walked past the ‘hip’ Java Café to a bookshop in search of Iwateni and Wanjiku’s A Brief Tour of the Buildings of Nairobi, five-star recommendation if you can find it. I wanted to find Dorothy Hughes’ cathedral, which seemed absent from our Guidebook, we finally found a very short paragraph about it – clearly not significant to our guidebook writers. We nearly walked past its unimposing exterior façade.

Image set 2: Cathedral designed by Dorothy Hughes

Security in Nairobi has heightened since Westgate, so getting in to the building required bag searches and photography was not allowed. A discussion with the priest in charge gave us the permission we craved. Hughes’ oeuvre is definitely worth viewing. The play of light and the scale of the glazing enraptured us for the better part of half an hour. Its expressed structure also mimics well the stonework of the traditional European church in cast concrete ribs with occasional delicate details. Presumably planned to respond to the post Vatican Council 2 church layout, it has the alter moved from the apse to engage more with the congregation. This works well in relation to the cruciform structure of the layout.

Enroute we came across the memorial to Lionel Douglas Galton-Fenzi who was involved in an early car rally, which established road routes from Nairobi to various parts of East Africa and founded the East African Automobile Association. The monument also marks the historic central milestone for Nairobi Kenya, and gives distances to various faraway destinations. Not in terribly good shape but gives a sense of Nairobi in relation to the rest of the African continent.

Next stop KICC Centre. More security checks to get in to what, at first glance seemed, an inauspicious entrance to a rather large structure. As we make our way to the entrance however the structure begins to emerge. A very Scandinavian group of offices in a watered green setting soften’s the structure a brutalist concrete façade from ground level upwards to the scaling of a group of Swedish chalets. The entrance podium level is dark wood and retains its seventies interior design. The trace of a once clock strikes the right spot for the pre tower climb. The lift to the 27th floor works, and we get out before realising there is still some climbing to do. The top of the tower gives an amazing vantage point. A few other intrepid visitors share our view, Nairobi revealed, is a very green city but noisy too we can hear the soundspots and see the transport chaos from afar. Fast trip down and a coffee stop with a great view of the building – we didn’t make it into the conference centre but viewing the interior setting compensated for this. The detailing cries back to the Barbican Centre in London, apparently Norsvikk worked with the architects dept of Kenya city council – might there have been an exchange of ideas?

Image set 3: KICC Centre

Could we take in a few more buildings before dusk? The central mosque, next and across the road from Hughes and Polkingham’s Pensions building. A wall of high-rise architecture with a podium shopping façade. We split ways at the mosque as I wasn’t allowed to visit the male areas. The mosque occupies a large expanse of land in the CBD. Its been constructed around a much older mosque and now has a number of ancillary facilties. Part of its original site is occupied by a bank building which we found out later was one of Kenya’s first local savings banks.

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Image 4: Mosque and Bank 

We trudged out of the CBD on surely one of the best-designed footbridges in Nairobi to the campus site of the University of Nairobi, separated from the CBD by a busy motorway. An oasis of calm set around a quad, this did seem like the quintessential tropical university college campus. A few somewhat newer large additions including a school of Architecture and planning did not detract from the original quad buildings. To one side was the Nairobi Synagogue another visit for another day. Finally we made our way to Kenya’s National Theatre situated opposite its five-star Fairmont Hotel, used for the filming of “Out of Africa”, once owned by Tiny Rowland, and survivor of a 2010 terrorist bomb attack. We walked in on a major event for Kenya’s elite and had our beers and dinner whilst we ‘people-watched’ and were offered canapés on the balcony.

If you have the morning to spare, (we did it the next morning), a visit to the National Museum at the aptly named museum hill would be a great way to end the tour. Be careful of traffic lights where the ‘green person’ does not necessarily grant you right of way. When you do get through the doors bite your lips and pay the hefty foreigners fee, it will be worth it. It’s a series of buildings knitted to gether with good architectural nouse. The original building is a colonial affair, added to this is the Aga Khan wing, and its most recent addition formalises the setting into a court yard with the obligatory entrance, museum shop and café all being part of the project. At a location somewhat further downhill on the site is a snake sanctuary, which we decided to give a miss to. We were treated to an installation display showing the Scandinavian contribution to architecture and development in East Africa with Norvikk starring with the KICC tower and others who had contributed less show piece buildings but more development focused infrastructure to East Africa in the 1960s and 70s. Various parts of Kenya’s history from early skulls of pre neandrathel man, to the legacy of the Leakey family and banking, which brings the viewer back to the 20th century with the m-pesa exhibit. The museum café should round up your 24 hours in Nairobi city perfectly with locally brewed Kenyan coffee on tap.

 

 

 

As part of our British Academy Internationalisation and Mobility grant Iain Jackson and Ola Uduku visited Rexford Opong at KNUST in March (we included some brief updates here: Notes from Kumasi and Notes from Kumasi: part 2 and also Notes from Kumasi Part 3). We were fortunate enough to visit the Estate Planning Department and drawing offices and photographed some of the original drawings made of the university estate and buildings. Whilst every effort is being made to carefully preserve these drawings they have been subject to the ravages of time, humidity and vermin attack and many are in a poor state of repair. They are unlikely to survive for much longer.

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Drawing of the First Floor Senior Staff Club House, KNUST

In an attempt to remedy and counter this we are putting together an ‘Archives in Danger’ grant that, if successful, will enable these important artefacts to be digitally scanned/carefully photographed and then carefully preserved and archived for future scholarship.

In the meantime we’ve used the photographed drawings to produce a series of new CAD files. Pedro Bittencourt, a student based at Liverpool School of Architecture, has worked dilligently on translating the imperial scales into a metric format and has produced all of the new drawings. He has then used these drawings to construct a beautiful scale model of the Club House, utilising a laser cutter as to form the delicate components.

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Pedro with the completed scale model

We’re hoping to produce additional models of other buildings on campus that can be used in exhibitions and as part of our lecture series.

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CALL for PAPERS

II International Conference on ‘African Urban Planning’

Date:

7 – 8 September 2017

Location:

University of Lisbon, Portugal

african-urban-planning

Organization:

Institute of Geography and Spatial Planning, University of Lisbon & International Planning History Society (IPHS)

Conference Website:

https://sites.google.com/site/cpcup2017conference/

Conference e-mail:

urbanplanningafrica2017@gmail.com

Important dates:

– Submission deadline for abstracts: 31 January 2017

– Notification of abstract acceptance: 15 March 2017

– Registration and payment: 1 – 15 April 2017

Flyer: aup-2017-lisbon_conference-flyer

The Architecture of Edwin Maxwell Fry and Jane Drew:

We’re delighted to announce that our Fry and Drew book is to be published in paperback format in a few days time. This should make it a little more affordable and hopefully accessible to a broader audience in West Africa and India…

9781409451983

https://www.routledge.com/The-Architecture-of-Edwin-Maxwell-Fry-and-Jane-Drew-Twentieth-Century/Jackson-Holland/p/book/9781409451983

 

2016 Grantees for Conserving Modern Architecture Initiative Announced

TAG is delighted that the Getty Foundation has awarded a ‘Keeping it Modern’ heritage grant to the Children’s Library in Accra, Ghana – the first time this prestigious award has been made to a building in Africa. This will fund building research into the material fabric of the library, as well as programme of events to keep the space activated and enjoyed.

The library was designed by Nickson and Borys (see Notes from Accra ) in late 1950s / early 1960s (the building appears in J. M. Richard’s New Buildings of the Commonwealth, 1961) and has already received some sympathetic restoration in more recent times, as well as some less fortunate interventions (such as the aluminium front door).

The latest project will be in safe hands under the leadership of the ArkiAfrica team, http://archiafrika.org/wp-content/uploads/2013/03/march-13-invite.jpg  and we will post updates on the project here.

Getty press release and information on the other awards here: http://blogs.getty.edu/iris/2016-grantees-for-conserving-modern-architecture-initiative-announced/

 

Oxford University Press will publish ‘Architecture and Urbanism in the British Empire’ on 7th October 2016. Below is a brief synopsis from the publishers website.

9780198713326

Throughout today’s postcolonial world, buildings, monuments, parks, streets, avenues, entire cities even, remain as witness to Britain’s once impressive if troubled imperial past. These structures are a conspicuous and near inescapable reminder of that past, and therefore, the built heritage of Britain’s former colonial empire is a fundamental part of how we negotiate our postcolonial identities, often lying at the heart of social tension and debate over how that identity is best represented.

This volume provides an overview of the architectural and urban transformations that took place across the British Empire between the seventeenth and mid-twentieth centuries. Although much research has been carried out on architecture and urban planning in Britain’s empire in recent decades, no single, comprehensive reference source exists. The essays compiled here remedy this deficiency. With its extensive chronological and regional coverage by leading scholars in the field, this volume will quickly become a seminal text for those who study, teach, and research the relationship between empire and the built environment in the British context. It provides an up-to-date account of past and current historiographical approaches toward the study of British imperial and colonial architecture and urbanism, and will prove equally useful to those who study architecture and urbanism in other European imperial and transnational contexts.

The volume is divided in two main sections. The first section deals with overarching thematic issues, including building typologies, major genres and periods of activity, networks of expertise and the transmission of ideas, the intersection between planning and politics, as well as the architectural impact of empire on Britain itself. The second section builds on the first by discussing these themes in relation to specific geographical regions, teasing out the variations and continuities observable in context, both practical and theoretical.

Table of Contents:

Introduction
Architecture, Urbanism, and British Imperial Studies, G. A. Bremner
PART I: Themes in British Imperial and Colonial Architecture and Urbanism
1: Beginnings: Early Colonial Architecture, Daniel Maudlin
2: Urbanism and Master Planning: Configuring the Colonial City, Robert Home and Anthony D. King
3: Stones of Empire: Monuments, Memorials, and Manifest Authority, G. A. Bremner
4: The Metropolis: Imperial Buildings and Landscapes in Britain, G. A. Bremner
5: Propagating Ideas and Institutions: Religious and Educational Architecture, G. A. Bremner and Louis P. Nelson
6: Imperial Modernism, Mark Crinson
Part II Regional Continuity, Divergence, and Variation in the British World
7: British North America and the West Indies, Harold Kalman and Louis P. Nelson
8: South and Southeast Asia, Preeti Chopra
9: The Australian Colonies, Stuart King and Julie Willis
10: New Zealand and the Pacific, Ian Lochhead and Paul Walker
11: Sub-Saharan Africa, Iain Jackson and Ola Uduku
12: Egypt and Mandatory Palestine and Iraq, Samuel D. Albert

Further details here: https://global.oup.com/academic/product/architecture-and-urbanism-in-the-british-empire-9780198713326?cc=ro&lang=en&# 

cleoroberts's avatarEnvisioning the Indian City

Announcement

Four-year PhD Studentships

Location: University of Westminster

Deadline: 26th August 2016

Two x four-year, full time PhD studentships in the Faculty of Architecture and the Built Environment as part of ERC grant funded project Monsoon Assemblages.

Stipend of £16,000 p.a. and Tuition Fees (Home/EU fees only).

Full article

Two x four-year, full time PhD studentships

Monsoon Assemblages is a five-year long research project funded by the European Research Council (Starting Grant no. 679873) with the ambition of confronting challenges of urban climate change through novel, inter-disciplinary research in three of South Asia’s rapidly growing cities: Chennai, Delhi and Dhaka. It is driven by questions of how these cities might be transformed if no longer thought of as exclusive products of human agency, but as co-designed by the material energies of earth systems.

PhD applications are invited from the spatial design and/or environmental humanities disciplines to engage with these questions. The exact areas of…

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In between improvisation, compensation and negotiation: a socio-spatial analysis of Kariakoo market (Dar es Salaam) dynamics under British colonial rule (1919–1961), by L Beekmans and J. R. Brennan, published in History of Retailing and Consumption, vol2, issue 1, 2016.

Abstract.

“This article examines the socio-spatial history of the central market of a colonial African city. Colonial policies of racial segregation created obstacles to commerce, which in turn generated a local strategy of improvisational planning to placate various urban actors with a host of often contradictory concessions to ameliorate dislocation. These contradictions of colonial governance played out most visibly in the struggles over Kariakoo market, which became the city’s primary market after its construction in 1923.

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Kariakoo Market, March 2016

By focusing on contests over the spatial ordering of commerce and residence in a multi-racial city ruled by Europeans, commercially dominated by Indians but overwhelmingly populated by Africans, this article demonstrates how the production of certain types of urban space creates unforeseen leverage for local actors, which simultaneously entrenches wider patterns of obstinate racialization despite the ubiquity of planning concessions. Using deeply researched archival evidence as well as a rich secondary literature, the authors argue that the city market best illustrates the racially contradictory impact of the colonial state on an urban landscape.”

Full article available here: http://www.tandfonline.com/eprint/vGx4RCbCui3cBncBNP8h/full 

TAG also included recent posts on Dar es Salam here: A quick tour of Dar es Salam and here: Urban Narratives (Simulizi Mijini) Symposium Report

Dar es Salam Tour

Annika Seifert kindly took a group from the Urban Narratives (Simulizi Mijini) Symposium on a walking tour of the city. We met at the Old Boma and after a briefing on the history of the city plan we set off taking in the Post Office, and Anthony Almeida’s modernist St. Joseph’s school and the colonial White Fathers’ house.

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L: St Joseph’s School. R: White Fathers’ House

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National Bank of Commerce

Further along the dock road is the National Bank of Commerce designed by Charles Alfred Bransgrove (who also designed the British Legion Offices in Dar, 1952). From here we visited Walter Bgoya’s wonderful book shop (picking up a copy of Dar es Salaam. Histories from an Emerging African Metropolis, Mkuki Na Nyota Publishers,2007) and then venturing into the wonderful commercial district that contains outstanding architecture from the inter-war period. Some of the buildings display hints of Indian influence, others definitely deco, sweep around the corner sites with great confidence.

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From the city centre we crossed the old colonial cordon sanitaire (now an ‘open space’) to venture into the Kariakoo district to take in the brutalist market designed by Beda Amuli.

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Inside Kariakoo Market

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Exterior of Kariakoo Market

Many thanks to Rachel Lee and Diane Barbé from The Habitat Unit at TU Berlin for organising this event. Great Job!