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Lagos Workshop Reflections

Lagos Writing Workshop

Context

This document summarises the collective reflections from the Lagos Writing Workshop.

During the event, participating Early Career Researchers (ECRs) shared insights from

previous experiences organising student writing workshops in architecture. Discussions

included how to strengthen the pedagogical impact of these workshops, optimise cohort

composition, improve documentation and archiving, explore effective workshop models,

expand publishing and dissemination efforts, and establish robust logistical structures for the

long-term.

Based on these reflections, participants discussed how they might transform the workshop

series into a platform tentatively called the African Architecture History and Theory Network.

Such a platform would advance scholarship on the African built environment through various

events and opportunities for writing. It would involve academics and practitioners, on and off

the continent, who work on the history and theory of its built environment.

1. Pedagogical Impact and Institutional Uptake

A recurring theme in our conversations was the importance of tracing the workshopโ€™s longer-

term impact. There were questions about the journeys of previous participants: Where are

they now? How many found their way into academia, and how many continued in

professional practice? More importantly, in what concrete ways did the workshop influence

their teaching, research, or approach to design and writing? This kind of follow-up could

strengthen the workshopโ€™s role as a bridge to academic careers โ€“ if we so desired โ€“ and guide

how future editions are shaped to meet participantsโ€™ realities.

The discussion also brought up a common challenge: in many African universities, research

and writing are introduced into the curriculum only in their later stages. By that time,

valuable opportunities for skill development may have been lost. While institutional reforms

can be slow, participants identified opportunities for immediate action through informal

initiatives, such as integrating writing exercises into existing classes, establishing peer-review

groups, or mentoring students outside formal structures.

Participants emphasised the need to view the curriculum as a living and continuously

developing document that, even within the same framework, approached the material with

creativity in its delivery. This flexibility could open space for richer, more engaging writing,

teaching and development.

There was also a call to clarify the type of writing to prioritise: academic, creative, or a blend

of the two? Clearer goals would help ensure that teaching and mentoring efforts are aligned.

Finally, the group identified an opportunity for deeper institutional support: inviting

academics to serve as visiting scholars in specific schools, funded to spend extended periods

(perhaps a semester or more) and to help embed a writing community of practice more firmly

within an architecture department.

2. Cohort Composition and Interdisciplinarity

We reflected on how different compositions of workshop participant cohorts, such as single-

discipline or interdisciplinary, or those from a single institution or multiple institutions, shape

the workshop experience. Past multidisciplinary groups, comprising participants from various

universities, were seen as especially enriching, bringing fresh perspectives to both

discussions and writing. In particular, pairing architects with participants from other fields

interested in writing about buildings, as in the Accra workshops, proved valuable.

When it comes to larger participant numbers, colleagues suggested experimenting with group

essay writing. Under such conditions, each group member could contribute a section, as a

way to sustain engagement and produce richer outputs. This may require more work up front

to set it up effectively. Yet it promises to yield good results in the long run.

Another critical question was whether we had, in the past, assumed too much about

participantsโ€™ writing ability during the selection stages. In earlier workshops, many were

chosen because they could already write well. Moving forward, requesting writing samples

could help establish a baseline. Where needed, we can offer resources and strategies to help

beginners build foundational skills, as well as targeted support for advanced writers. At the

highest level, we recognised the importance of a clear framework to support and challenge

experienced writers to produce polished, high-quality outputs.

Participants also pointed out the importance of cohort size, which would shape the structure

of the workshops. Smaller groups allow for more intensive work, while larger groups may

benefit from group or collaborative approaches. But much of this needs to be discussed

alongside issues such as the number of ECR mentors available and the duration of the

workshops, and all these depend on funding.

3. ORGANISATION:ย Documentation, Archiving, and Knowledge Management

Lagos workshop participants also discussed the need for a more systematic approach to

capturing, storing, and sharing the knowledge generated through the workshops. This

includes establishing clear protocols for cloud storage and file sharing. These should ideally

be set up before each workshop to ensure that all forms of output are preserved and

maintained. The frameworks should provide for the archiving of materials in multiple

formats, including audio and video recordings of workshop discussions, lectures, participant

feedback, and organisersโ€™ reflections.

We also acknowledged the central role that archival materials and comparative building

analysis can play in fostering architectural research and writing, as well as the barriers to

accessing architectural records across institutions and countries. Whilst some university

libraries may have useful records, there still exists a need to establish direct contact with

architects or their families, in case they have passed away, to explore how we might collect

and store their archives. Copyright issues emerged as a key consideration. If architectural

drawings or other archival content are to be published online, it is essential to secure the

necessary permissions from rights holders.

There was also discussion about the platform through which archived materials might be

made accessible online. Should this be a standalone website dedicated exclusively to the

workshop series, giving it a clear identity and independent visibility? Or should it be

integrated into the digital infrastructure of an existing institution, potentially offering greater

3long-term stability, technical support, and credibility? Each option carries implications for

accessibility, branding, and sustainability. We need to consider this alongside questions of

funding, audience reach, and alignment with the workshopโ€™s broader objectives.

Finally, participants emphasised that robust archiving is just as much about accessibility as it

is about accuracy. To ensure that stored knowledge remains reliable, we discussed the

potential for an independent peer-review mechanism for workshop essays and other materials

generated. Such a system would help maintain the archive’s long-term value as both a

teaching resource and a research asset.

4. Workshop Models and Formats

We reflected on the range of workshop models used to date, from those focused on individual

essays to those built around group writing, and from standalone events to workshops

embedded within larger programmes. Each format offers distinct advantages: individual

writing allows for deeper personal engagement with a topic, while group essays can foster

collaboration, distribute workload, and produce richer, multi-voiced outputs.

Lessons from initiatives such as the Shared Heritage Fellowship suggest that embedding

workshops within broader collaborative frameworks can create valuable opportunities for

networking, resource sharing, and sustained engagement. Well-structured collaborations can

also open doors to funding streams that might otherwise be inaccessible.

Potential partners identified included:

ยท The Canadian Centre for Architecture (CCA), which holds relevant archives and could

host African scholars for on-site archival work as part of a workshop.

ยท The Museum of Modern Art (MoMA) in the United States.

ยท The Architecture and Design Centre in Rwanda by MASS Design Group.

ยท The African Futures Institute (AFI); and

ยท The African Architectural and Urban History Network (AFRAUHN).

Reaching out to such institutions could create new possibilities for co-organised workshops,

access to specialised collections, and cross-continental exchanges.

5. Publishing, Toolkits, and Knowledge Dissemination

We discussed the value of consolidating the insights, methods, and resources developed

through the workshop series into outputs that extend beyond the immediate cohort. Joint

publications, whether in the form of edited volumes, special journal issues, or curated online

essays, could serve both as a record of the intellectual work undertaken and as a meaningful

contribution to the broader discourse in architecture.

Platforms for such outputs could include academic journals such as Architectural Research

QuarterlyJournal of Architectural Education, and The Journal of the Society of

Architectural Historians.

Conferences such as the Society of Architectural Historians (SAH) Annual Conference, the

African Architecture Matters Forum, and the African Studies Conferences could serve as

opportunities to present findings, build networks, and position the workshopsโ€™ outputs within

both African and global conversations on architecture and heritage. Such outputs could feed

back into architectural curricula, enriching reading lists for history and theory courses and

influencing teaching practice within departments.

In parallel, the creation of practical manuals or toolkits โ€“ which draws on our collective

experience in workshop design, pedagogical strategies, and partnership building โ€“ could

support future workshops as well as other educators and institutions interested in running

similar initiatives. Toolkits could be tailored for a broader readership, including practitioners,

students, and cultural institutions, and made accessible in multiple formats: print, digital, and

ideally, open-access.

Finally, there was strong interest in forming a dedicated working group or network to develop

and promote research, teaching, and dialogue on African architectural history and theory.

Participants believed this would provide a sustained platform for collaboration and visibility

in this field. A suggested name is the African Architecture History and Theory Research

Network (AAHT), which would have a base (a writing hub) at each participating university.

These AAHT writing hubs could be dedicated to providing year-round support for student

members who develop essays for publication and who could serve as a pool to draw from for

future workshops.

6. Planning, Logistics, and Long-Term Structuring

We discussed the need for more robust logistical and planning frameworks to support the

consistent delivery of successful workshops while reducing the need to reinvent processes

each year.

For transnational events, this includes building capacity for virtual and hybrid formats to

support collaboration across countries and institutions. For in-person gatherings, challenges

such as visa applications must be addressed early. A practical step would be to send accepted

participants a checklist of required preparations immediately upon selection, to avoid delays

caused by unforeseen administrative issues.

Clear decisions will be needed regarding the frequency of workshops (e.g., annual or bi-

annual). This, in turn, will determine how much time will be required for planning. This

means formalising the workshop series as an event centred on writing and text production

about the African built environment. This will be based on a standing document outlining our

core values, mission, and vision, supported by a strategic committee responsible for

oversight, continuity, and long-term direction.

To streamline coordination, we proposed appointing an administrative lead โ€“ possibly an

intern based at the host institution โ€“ to handle logistical tasks, allowing academics to focus on

the programme’s intellectual and pedagogical components.

Alongside the list of potential collaborators, a standing register of funding and grant

opportunities would help guide application timelines and planning priorities. Planning

frameworks should also account for different funding conditions, with adaptable approaches

for both funded and unfunded workshops.

Finally, we explored strategies to expand the series to other university campuses, beginning

by consolidating our presence in key locations, such as Uganda, before extending it to new

sites. This phased approach could help ensure depth and sustainability in our growth, building

strong local networks before scaling further.

11-13 February 2026
Fundaรงรฃo Calouste Gulbenkian, Lisbon
โ€‹

After questioningย Architecture, Cities and Infrastructureย (2019) andย Architecture, Colonialism and Warย (2023), the third edition of theย Colonial and Post-colonial Landscapes Congressย (2026) will intersect the topics ofย Architecture, Colonialism and Labour.: https://www.archlabour.com/cpcl-2026

Although a common topic in colonial historiography, the influence of large-scale labor on the creation of built environmentsโ€”including the design, construction, and maintenance of infrastructure, buildings and landscapesโ€”has not been fully explored in the context of colonial architecture. The topic has significant implications not only for the description of past societies, but especially for the comprehension and support of present-day communities with colonial pasts and their relationship to the production of space. Connecting architecture and labor in these contexts offers a promising avenue for addressing some of the challenges encountered by postcolonial societies. These include the relationship with “Western” construction technologies and materials, scarcity of traditional building systems and their undervalued insights on climate adaptation and sustainable solutions, and persistent racial and gender inequalities in public works labor environments.

This congress welcomes contributions from diverse geographical, disciplinary, and chronological backgrounds to promote a wide and tough-provoking debate, crossing the history of colonial architecture, labour and social history and construction technology.

Spaces for Health and Healing in Africa

Symposium 16 โ€“ 17 April 

Liverpool School of Architecture 

Liverpool School of Architecture, at the University of Liverpool and the Program in the History of Science, Medicine, and Technology of the Johns Hopkins University invite proposals for a hybrid symposium to be held in Liverpool from the 17-18 April 2025.  

Pathology Labs, Korle Bu Hospital, Accra, c1958

We welcome presentations that explore various settings for health and healing, such as shrines, sacred healing huts, and herbal ‘apothecaries’ and other spaces for indigenous medicine and healing practices; โ€˜basicโ€™ health care infrastructure incorporating dispensaries, clinics, and hospitals  developed for early missionary and colonial medicine; post-independence medical centres. We are also interested in papers examining the use of healthcare โ€˜vectorsโ€™ such as barefoot doctors, travelling midwives and paramedics and their spread of health care practices such as vaccinations, and childhood nutrition programmes in urban and rural areas. 

We are interested in the settings for full range of medical specialisms from paediatrics to psychiatry and also more contemporary physical design responses to contemporary pandemics such as Ebola and Covid. Evidence and records of mixtures of indigenous and western healthcare practices in some community settings and the emergence and involvement of teaching hospitals in healthcare planning is also of interest.  

Other possible topics include the role of military hospitals, colonial and modern, and contemporary healthcare infrastructure and provisions for displaced persons and refugees.  We encourage interdisciplinary approaches–history of medicine, medical anthropology and sociology, oral history, among others. 

Our area of interest is the African continent, from the โ€˜MEANAโ€™ countries of the maghreb, north of the Sahara, to all countries South of the Kalahari and East and West of the Sahara. Health and healing facilities on islands in proximity to main continental mass such as Zanzibar, Mauritius, Fernando Po and Cape Verde are also of unique interest. 

We are seeking to publish selected outputs from the symposium in a volume currently under negotiation with the publisher. We welcome abstracts (500 words max) and short CVs (1page) Please also indicate whether you intend to deliver your paper in person or online. For more information please contactย  Ola Udukuย o.uduku@liverpool.ac.uk or Bill Leslie,ย swleslie@jhu.edu

Venice Biennale and the IUAV August 2023

Venice 2023โ€ฆ

A visit to Venice to attend the inaugural AFRAHUAN session at the Teatro Piccolo at the Arsenale as part of the Carnivale Proceedings of the Venice Biennale proved an apt occasion to visit and view Venice in full exhibition and tourist mode.

Venice is indeed a city like no other. No cars, no bicycles, lots of passageways, canals, and tourists. One adjusts to this city of walkers, traders and tourists all jostling for space in alleyways that are literally not wide enough to swing a cat. The green canal water both enticing and goading the unwary walker to come to its banks.

A walk to the Arsenale gave a better viewpoint of the wide vista of Venice as a series of islands with canals as fingers out to the grand canal. The adaptive reuse of various parts of this still living city is clear. The Arsenale itself remains the home of the Italian navy and a museum dedicated to the armed force still exists with the occasional boat dropping by.

The main part of the old Arsenale building however now has been occupied by the architecture biennale, this year curated by Lesley Lokko and involving your writer and a wide set of architects, writers and artistes with Africa focused research. The โ€˜carnivaleโ€™ exhibition is no mean feat, a work of immense dedication, creativity and focus. The curation is superb and content more than can be taken in at one go. One easily gets immersed in what it offers up with names one knows and has heard of contributing to this rich tapestry of art. Fortunately the accompanying catalogue means one can refer back to installations and events missed or glossed over in the viewing of the exhibition.

AFRAUHN AT THE CARNIVALEโ€ฆ

The African Architectural and Urban History Network (AFRAUHN) had its debut at a session at the Carnivale at the Biennale. Curator Lesley Lokko introduced our session which had two parts, the first involved speakers Ikem Okoye (Delaware, USA),ย  Kuukuwa Manful (Michigan University, USA) and Neal Shasore (London School of Architecture), with Ola Uduku (Liverpool University) chairing, where the session focused on a discussion on the remit of AFRAUHN which is to help encourage and advocate for Architectural Research in Africa, and support new generations of indigenous historians and researchers in Architectural History and urbanism. After Ikem Okoyeโ€™s introduction both Kuukuwa and Neal were able to discuss their different approaches to, and hopes for Africa-related Architectural Research.

The second session chaired by Huda Tayob (Unversity of Manchester) involved all speakers from the earlier session and also Murray Fraser (University College London). This session was a roundtable where the speakers responded to Huda Tayobโ€™s questions which considered specific issues and challenges to scholarship in African Architectural History and its situatedness within the wider context of global research and challenging normative notions of historical research and scholarship.

The entire session was recorded and will be published by the Venice Architecture Biennale before the end of September 2023. Due to the events related to air traffic control problems in the UK unfortunately several of the invited AFRAUHN team were unable to attend the session, and others arrived late due to flight delays. It is hoped we will be able to include their recorded contributions to the final video output from the session.

IUAV (University of Venice)

On Wednesday, the day after the Carnivale discussion we were fortunate to reconvene at a meeting room at the IUAV (University of Venice), thanks to Dr Jacopo Galli, who has researched into African modernism and was involved in the curation of the exhibition Africa Big Change, in Milan and has worked with Manchester School of Architecture on the analysis of schools in West Africa. IUAV has sites across Venice, and we met at the Cโ€™a Tron campus, a Venetian villa owned by the wealthy Tron Family before being gifted to the State.ย  Post meeting tours took us to the Carlo Scarpa-influenced main campus of the IUAV, a repurposed convent which still has parts which are owned by the church. The campus also has a significant architectural library including book volumes and periodicals accessible and in regular use by its students.ย ย 

Unlike the exclusive arrival to the watery city a few days earlier, the trip back to the airport was by airport water taxi, which proved to be a bus trip stopping at many of the archipelago of islands which constitute Venice, including Murano, famous for its glass works and San Michael. Approaching Marco Polo Airport Venice by water seemed a very apt way to leave the city.

Call for participation
Journรฉe d’รฉtude sur l’architecture et l’urbanisme au Maroc aprรจs l’indรฉpendance (1956-1986)
20th February 2024, Centre Jacques Berque, Rabat
Deadline (french or english): 30th September 2023

The newly established Rรฉseau de recherche sur l’histoire de l’architecture au Maroc – RHAM (rham.hypotheses.org) launches a call for participation to the Symposium: ‘L’architecture et l’urbanisme au Maroc aprรจs l’indรฉpendance (1956-1986). Trajectoires d’acteurs et circulations de savoirs’.

Cette journรฉe d’รฉtude se concentre sur une pรฉriode spรฉcifique de l’histoire du Maroc : les trois dรฉcennies qui ont suivi l’indรฉpendance du Maroc, de 1956 ร  1986. Cette pรฉriode, qui demeure encore largement sous-explorรฉe au regard de la littรฉrature produite sur la pรฉriode coloniale, suscite dรฉsormais un intรฉrรชt croissant. Fort de ce constat, la premiรจre journรฉe dโ€™รฉtude du RHAM vise ร  faire se croiser et se rencontrer ces diffรฉrentes maniรจres dโ€™aborder lโ€™histoire de lโ€™architecture, du paysage, de lโ€™urbanisme et de lโ€™amรฉnagement du territoire au lendemain de lโ€™indรฉpendance, en mettant en รฉvidence des matรฉriaux de recherche inรฉdits

For more info, see the call for participation here.

Recent years have seen an upsurge of academic, curatorial and critical interest in postwar art in Britain and around the world. This has included addressing the question of how we define what โ€œpostwarโ€ is and how expansively we might think about the period and its cultural significance. This series of Paul Mellon Centre research seminars will showcase new perspectives on the arts of postwar Britain as an interdisciplinary and transcultural terrain of research. Talks in the series engage with the issues of empire and worldmaking, with questions of migration, the environment and with the intersections of art, technology and new media.

The sixth and last in a series of summer research seminars onย The Arts of Postwar Britain 1945โ€“1965ย with Iain Jackson and Rixt Woudstra.ย 13th July 2022, 6pm-7.30pm, Paul Mellon Centre

  • 25 May to 13 July 2022
  • A series of summer research seminars to be held on Wednesdays from May to July 2022
  • Paul Mellon Centre [online and in person]

Iain Jackson โ€“ Modern Architecture in West Africa: Schools, Sculptures and Magazines

This paper is concerned with modernist architecture in โ€œBritish West Africaโ€ produced in the aftermath of World War Two and the independence period of these countries.

These experimental and often provocative structures were designed for climatic comfort, as well as becoming didactic vehicles for ideas sharing ideas of a modern and liberated Africa.

The paper will discuss attempts at forming a โ€œBauhausโ€ Art School in Accra, followed by various commissions of libraries, community centres and museums that attempted to blend the most radical architectural designs with decoration, murals and sculptures. The West African context seemingly presented a โ€œblank canvasโ€ for newly qualified architects eager to โ€œexperimentโ€ in ways that would be impossible in Britain. Whilst these buildings were often presented as symbols of an emerging nationalism and expectation of liberation, they also reveal the ongoing neo-colonial methods, with many relying on the patronage of multinationals such as the United Africa Company.

Finally, the paper will discuss how these projects were reported and shared, especially through the high-brow magazine Nigeria, which regularly featured extensive articles written by the architects on the latest designs.

The result was a diverse and extremely fertile context that reveals an often-overlooked set of important structures responding to a period of political flux and cultural exchange.

Rixt Woudstra โ€“ โ€œA feeling of warmthโ€: Tropical Timber, Modern Interiors and the United Africa Company in Postwar Britain

In 1960, the new, modernist headquarters of the United Africa Company (UAC), one of the leading British trading businesses extracting palm oil, cocoa and other raw goods from West Africa since the late nineteenth century, opened near Blackfriars Bridge in central London. While the structureโ€™s grey concrete and glass exterior appeared cold, inside the architects used a strikingly large variety of gleaming tropical timbers. The doors, floors and panelling, as well as most of the furniture, were made of honey-coloured idigbo, pinkish makore, fine-textured guarea, reddish-brown sapele and deep-brown African mahogany โ€“ all logged by one of the companyโ€™s subsidiaries, the African Timber and Plywood Company, in Nigeria and Ghana. Although an exceptional example, it was certainly not the only building containing exotic timbers in postwar Britain; tropical wood could be seen in and on the outside of university building, civic centres, housing estates, sport facilities and offices.

Scholars have explored how Jamaican and Honduran mahogany, sourced by enslaved workers, left an imprint on British domestic interiors and furniture design in the late seventeenth and eighteenth century. Less well known, however, is that โ€œempire timberโ€ โ€“ and later, โ€œworld woodsโ€ โ€“ continued to permeate British design and interior architecture well into the twentieth century. This talk focuses on the commercial activities of the UAC in Nigeria and Ghana during the 1950s and โ€™60s and considers how tropical timber was deployed to soften or provide a decorative element to modernism, often perceived as cold and austere. Moreover, examining tropical timber and tracing where and by whom it was logged, how it was processed, sawn, shipped and sold, enables us to see how British postwar modernism was dependent on imperial and neo-imperial networks of extraction and colonial labour.

The full programme details are here: https://www.paul-mellon-centre.ac.uk/whats-on/forthcoming/liquid-crystal-concrete/event-group and you may book tickets here: https://www.eventbrite.co.uk/e/liquid-crystal-concrete-postwar-colonialism-tickets-333553967897

โ€˜Archival Urgeโ€™ is the second part of the symposium โ€˜Document Feverโ€™ organised by the Architectural Association in collaboration with the Architecture Space & Society Centre, Birkbeck School ofย Artsย on 25 February 2022. This time in partnership with KNUST, this panel aims to celebrate three projects that โ€˜collectโ€™ histories of architecture in very different ways. We will think, amongst other questions, about the archival impulse/fever that made these projects coincide in time and space; the archival need to collect histories that are missing in architectural history; and the diverse formats of archive-making that these projects have taken or are taking.ย ย 


1.ย Aalii to Zygomorphicย (2020)ย by Rexford Assasie Oppong (KNUST)ย 
2.ย Accra Architecture Archiveย (ongoing) led by Kuukuwa Manful (SOAS)ย 
3.ย Sub-Saharan Africa: Architectural Guideย (2021)ย Editedย by Philipp Meuser and Adil Dalbai, with Livingstone Mukasa.ย 


Adil Dalbaiย 
Adil graduated from Humboldt University of Berlin with a masterโ€™s degree in modern history and cultural theory, specializing in the architectural history of Eurasia and (post)colonial contexts. He worked as an editor and author for DOM publishers, focusing on architecture and urbanism. He went on to study architecture at the Technical University of Berlin and worked at Meuser Architekten on architecture projects in Western Africa. He researches and writes about architecture in Central Asia and Africa and its global interconnections. Additionally, he is a guest critic and lecturer, as well as (co)editor and author of several articles and books on architecture, including Theorising Architecture in Sub-Saharan Africa (DOM publishers, 2021). Since 2014, he has been managing editorial director of Architectural Guide Sub-Saharan Africa (DOM publishers, 2021, with Philipp Meuser and Livingstone Mukasa), a sevenโ€“volume documentation of the architecture of all 49 African countries south of the Sahara.ย 

Kuukuwa Manfulย 
Kuukuwa is a Doctoral Researcher at the Department of Politics and International Studies at SOAS, University of London. Her research examines the sociopolitics of West African nation-building and citizenship through a study of the architecture of educational institutions. She has a Master of Architecture and a BSc Architecture degree from the Kwame Nkrumah University of Science and Technology (KNUST), and an MSc in African Studies from The University of Oxford. Her previous research has explored the positioning of Ghanaian architects in the modernist movement; Asante architectural identity; and social acceptance of earth building in urban areas. She has published inย Al Jazeera,ย Burning House Press,ย Africa Is A Country,ย andย The Metropole. Kuukuwa curates Adansisษ›mโ€” an architecture collective that documents Ghanaian architecture theory, research and practice, and runs accra archiveโ€” an architecture archives digitisation project. She also co-founded and runs sociarchiโ€” a social architectural enterprise that advocates for, and provides architectural services to people who ordinarily cannot afford architects.

Philipp Meuser
Born 1969, Managing director of Meuser Architekten GmbH and head of DOM publishers. From 1991 to 1995, studied architecture at the Berlin Technical University. From 1995 to 1996, editorial work for the Neue Zรผrcher Zeitung, Switzerland. Part-time postgraduate studies in the History and Theory of Architecture at the Swiss Federal Institute of Technology Zurich (ETH Zรผrich), graduating in 1997. PhD on the Soviet Mass Housing (Berlin Technical University, 2015). Federal Cross of Merit for cultural and scientific exchange with the states of the former Soviet Union (2018). From 1996 to 2001, policy advisor to the Senate Department for Urban Development as part of the Stadtforum Berlin. Visiting Professorship at the Kazakh National Technical University, Almaty (2015). Tutor at the Strelka Institute Moscow (2016/2017) and the Architectural Association London (Easter Island Visiting School 2017). Since 2018 Honorary Professorship at the O.M. Beketov National University of Urban Economy in Kharkiv, Ukraine. 2022 Visiting Professor for Public Humantities at Brown University in Providence/Rhode Island.ย 

Livingstone Mukasa
Livingstone Mukasaโ€™s career has included architectural practice, urban design, master planning, real estate development, and sustainable development consulting. He founded and managed Archability, an online architectural crowdsourcing start-up, and Afritecture, an online platform on architecture in Africa. He is currently principal of Mahali, a collaborative design studio focused on cultural and contextual architectural engagement, and a frequent guest reviewer at Rensselaer Polytechnic Instituteโ€™s School of Architecture. Passionate about architecture in Africa, he is coauthor and associate editor ofย Theorising Architecture in Sub-Saharan Africaย (DOM publishers, 2021), andย Architectural Guide Sub-Saharan Africaย (DOM publishers, 2021, with Philipp Meuser and Adil Dalbai), a sevenโ€“volume documentation of the architecture of all 49 countries south of the Sahara. Born in Kampala, Uganda, he holds a bachelorโ€™s degree in Architecture from New York Institute of Technology, and graduate certificates from the Graduate School of Architecture, Harvard University in Urban Housing and Mixedโ€“Use Developments.

Rexford Assassieย Opongย 
Rexford Assassie Opong (PhD) is currently a Full Professor of Architecture and Dean of International Programmes Office of Kwame Nkrumah University of Science and Technology (KNUST), Kumasi. He is a practicing architect of over twenty yearsโ€™ experience. He obtained his Doctor of Philosophy in Architecture from the premier Liverpool School of Architecture โ€” University of Liverpool; Masters in Urban Planning and Management from University of Rome-La Sapienza; Postgraduate Diploma in Architecture, KNUST; and Bachelor of Science in Design, UST, Kumasi. He researches and has widely published on the following topics: Architectural Identity, Metamorphosis and Disorderliness,ย Ecological Aesthetics and Architecture,ย Architecture and Fractals,ย The Built Environment and Climate Change,Urbanism and Architectural Modernism in Africa,ย Architecture and Health,ย Architectural Habitus,ย Architecture and land,ย Taste in Architecture,ย Architecture; Science and Arts Debate, andย Kinship, Land, and Architecture in Urban Ghana.ย 
ย 
Organiser and chair:ย Albert Brenchat-Aguilarย 
Albert is a Lecturer (teaching) at the Bartlett School of Architecture, University College London. Previously, he co-curated the public programme and publications of the Institute of Advanced Studies, UCL, edited the digital platform Ceramic Architectures and worked as an architect in Bombas Gens Arts Centre. He is a CHASE-funded PhD student at Birkbeck and the Architectural Association with the project โ€˜Resource: Humans Matter and the Patterns of International Planning c. 1957-76โ€™, whilst cataloguing the archive of educator, architect, and planner Otto Koenigsberger. His coedited volume โ€˜Wastiary: A bestiary of wasteโ€™ will be published soon he hopes. He has published inย Architecture&Culture,ย Espacio Fronterizo, andย The Scottish Left Review, curated shows at UCL and the Polytechnic University of Valencia, and exhibited his artworks at Museu Nogueira Da Silva.ย He is currently a visiting researcher at the Department of Architecture, KNUST.ย 

Full event details and booking

This event is held as part of Arts Week 2022, a festival of the latest creativity and research from Birkbeckโ€™s School of Arts

Call for Papers for Modern Heritage in the Anthropocene Symposium

Modern Heritage in the Anthropocene is part of the MoHoA global collaborative and builds on the Modern Heritage of Africa symposium hosted by the University of Cape Town in September 2021. Coordinated by The Bartlettโ€™s Professor Edward Denison and Head of the University of Liverpoolโ€™s School of Architecture, Professor Ola Uduku, along with partners at the University of Cape Town, the Africa World Heritage Fund and around the world, this upcoming hybrid symposium responds to an age of planetary crisis in which a precarious present reflects an inequitable past and a perilous future.

The international railway settlement of Fushun (northeast China), with its modern town planning and the Ryuho Colliery, built by Denang and Siemens, and home to one of the worldโ€™s largest open cast mines in the 1930s.

Modern heritage in all its forms and from around the world is the subject of this multidisciplinary symposium, presenting the paradox of being of modernity and yet threatened by its consequences. MoHoA was originally conceived within an African context to interrogate this paradox because the continent encapsulates the historical inequities that characterise the modern and its associated notions of development and progress while also facing the highest rates of urbanisation over the next 30 years, demanding new approaches to the past and present that achieve equitable and sustainable futures on a planetary scale. The outcomes of the two symposia will synthesise in the recognition of the Cape Town Document on Modern Heritage.

Call for papers

Submissions are invited from researchers, academics, and practitioners. The organisers are seeking papers or equivalent submissions that critically engage with reframing, re-evaluating, decentring, and decolonising recent, hidden or marginalised pasts in pursuit of achieving more equitable, just, and sustainable futures. Participants will contribute to the completion of the Cape Town Document on Modern Heritage, supporting policy change at a global level through our partner UNESCO.

Topics can include, but are not limited to:

  • Practices of coloniality, decentring and decolonising history and historiography
  • Considerations and conceptualisations of multiple modernities
  • Modern heritage and Sustainable Development Goals (SDGs)
  • Planetary futures and the Anthropocene
  • Infrastructure and (post)-industrial heritage
  • Combining culture and nature, and the role of natural heritage in society
  • Challenging binaries (rural/urban, modern/traditional, nature/culture, tangible/intangible, racial/non-racial etc)
  • Public space and memory: memorialisation, commemoration and remembering
  • Modern heritage and the World Heritage Convention

How to submit

Submissions should be in English or French and should be emailed to mohoa@ucl.ac.uk by 31 May 2022. 

Notification of acceptance will be provided by 30 June. Abstracts should be a maximum of 300 words or equivalent format (e.g. film shorts, blog, or Instagram story) for other types of digital submissions.

Selected papers or presentations will be published as part of the MoHoA Book Series after the conference and selected extended papers will appear in a special edition of the journal โ€˜Curatorโ€™.

More here: http://www.mohoa.uct.ac.za

INTERNATIONAL CONFERENCE

Trains & Tracks in Africa โ€” A Dialogue on Infrastructures and Mobilities in Africa

Thursday 17.03.22, 9h30 โ€“ 19h00 / Location: Africa Museum, Leuvensesteenweg 13, 3080 Tervuren

During this international conference, a series of scholars from different disciplines (history, anthropology, political science, architecture,..) and backgrounds will present their (ongoing) research on railways in Africa and engage in a conversation with Anne Wetsi Mpoma  and two artists currently in residence in the context of Europalia Arts Festival, Alexandre Kyungu Mwilambwe and Arnaud Makalou. Aymar Nyenyezi Bisoka will start the day with a keynote lecture. Please note that interventions will be in French and/or English, with no simultaneous translation.

More info on the program via: https://assets.ctfassets.net/h7vzq2rtwdqn/55gupj1LDvB36PCNfN1Yh/418013f8b9a463687bfe86b13752e562/Trains___Tracks_in_Africa_1603.pdf

and: https://webappsx.ugent.be/eventManager/events/exhibitionbordersmobilitieslandscapes

and: https://www.africamuseum.be/fr/see_do/agenda/trains_tracks/17.03.22

OPENING EXHIBITION BORDERS, MOBILITIES AND LANDSCAPES

Wednesday 16.03.22, 19h00 โ€“ 22h00 / Location: VANDENHOVE, Rozier 1, 9000 Gent

We will open a work-in-progress exhibition of work produced by students and staff of the Department of Architecture and Planning of Ghent University on the theme of the railway in Africa, conducted over the last couple of years. Two keynote lectures, one by historian Geert Castryck (University of Leipzig, Germany) and one by digital humanities scholar Chao Tayiana Maina (African Digital Heritage, Kenya) will provide a broader context on the theme. The interventions will be in English.

Document Fever: Encounters with the architecture of the *colonial architecture archive: Organised by the Architectural Association in collaboration with the Architecture Space & Society Centre, Birkbeck School of Arts

Date: Friday 25 February 2022 Time:10:00 –ย 17:00

Fever: An intense enthusiasm for or interest in a person, pastime, event, etc., typically widespread but short-lived; an obsession, a craze / A state of intense nervous excitement or agitation / to elevate in intensity, temperature, etc., to heighten emotionally. OED

Book here

An architectural archive is expected to contain drawings, plans, maps, photographs, models, and sample materials. However, the archives of post-war architects working for the United Nations โ€” Jacky Tyrwhitt, Charles Abrams, or Otto Koenigsberger, to name a few โ€” contain letters, invoices, book drafts, repetitive lecture notes, photographs, press cuttings, and, mostly, reports, piles of them. Reports consist of from two to dozens of typed pages with advice on the development of the environment as a whole, spanning issues such as landscape, ecology, economy, housing, migration, labour, water management, and others. These reports are mostly addressed at regions in Africa, Latin America, and South and Southeast Asia that were colonised at the time or had recently gained independence.

It is common to find report-based archives in Western departments of architecture and architectural institutions. Both the architectural category and the Western homes of these archives could be questioned for their interdisciplinary content and their embodiment of neo/post/post-/re/trans/inter/โ€”/*colonial relations. These probably get complicated by other questions: the exiled condition of some of its authors, the aspirations of the UN and of the recipients of these reports, or the political and economic international dynamics behind these reports. Maybe one first question is about what these archives represent: is it their authors, their ideas and practices, their network, the lands and peoples reported, or something other?

This symposium adds to the work on *colonial networks of planning consultants since the 2000s and specifically to the work from critical studies and the social sciences developed in the 2010s on *colonial exchanges between Argentina, Brazil, Mexico, US, UK, Nigeria, South Africa, Singapore, The Philippines, Indonesia, India, Pakistan, Kuwait, Iran, Iraq, Ghana, Germany, Poland, Romania, and Belgium. This work has until now scrutinised these archives through theses on climate and race, capitalism and extraction, green infrastructure, socialist worldmaking, and misogynist endurances, amongst others. None of these topics were explicit in the archives which are partial, unclassified, and under rigorous custodianship most of the times. This symposium focusses on the feverish encounter with the architecture of the archive that made possible these forms of research and asks how to make โ€˜privilegings, elisions, and silencingโ€™ of the โ€˜work of the archiveโ€™ present, accessible, and suggestive, if at all appropriate, in the architectural *colonial archive?

The symposium will explore the following themes:

  • space, geoposition, and structure of the archive; 
  • property, representation, and audience; 
  • socio-cultural pressures; 
  • fantasies of the writer of the document; 
  • encounters with the document; 
  • critical approaches to the architectural category of these papers; 
  • intellectual frameworks to approach these archives; 
  • evidence finding and the power of โ€œcritical fabulationsโ€; 
  • emotional fever in the archive; 
  • connection to the material and personal qualities of the archive; 
  • and the way one would have liked that the encounter with the archive could be framed for future researchers.

CONFIRMED PARTICIPANTS:

Keynote: Sabelo J. Ndlovu-Gatsheni (Professor and Chair of Epistemologies of the Global South with Emphasis on Africa at the University of Bayreuth in Germany)

Irene Appeaning Addo (Senior Research Fellow, Institute of African Studies, University of Ghana)

Ed Bottoms (Archivist, Architectural Association)

Albert Brenchat-Aguilar (PhD student Art History, Architectural Association and Birkbeck; curator, IAS, UCL)

Mark Crinson (Professor of Architectural History, Birkbeck)

Ayala Levin (Associate Professor of Architecture and Urban Design, UCLA)

Shivani Shedde (PhD student Architectural History, Princeton)

Shirley Surya (Curator, M+)

Ola Uduku (Professor of Architecture, School of Architecture, Liverpool)

H. Koon Wee (Architect and Assistant Professor of Architecture, HKU and SKEW Collaborative)